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发表于 2007-6-5 01:26:58
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音乐家Guitaryeh提出的详细建议和批评:
Very nice sensitive interpretation of Por ti mi corazón (For You My Heart/Love) , you have a very good feel for this song.
Here's what I suggest you can do to make it sound even better:
1. No need to roll/break too many intervals and chords, do it sparingly, mark with a pencil where in the music you're going to do the rolls and stick with it. Certain chords need it more over others, you be the judge of that but don't do it too much as it becomes cliche.
2. Watch the rhythms of this piece, they're very tricky. Remember the piece is in 3/4 time, decide what will be the overall tempo and then gauge how long the quarters, eighth notes and 16ths need to be held, it sometimes feels like the tempo is wavering too much and the note values are not getting their due, either too much or too little. True there is rubato in this very romantic music but it must be approached though a firm sense of rhythmic values. The opening 32nd notes are tough to get right so watch out for them!
3. Watch out for the first chord in mm.'s 6 and 19, you're playing an A# in the bass (5th string 1st fret) when it's an open A natural, all you need to do is a first postion barre over the D# and B# (4th and 2nd strings)
4. mm.'s 27 through 29 need a little more direction and momentum, this is a a beautiful little B section that contains the climax of the piece and it highest note, a high F# which other than the last chord is the only chord where there's a rolled chord marking in the score, so you need to build up to that moment and savor it. There's also a wonderful chromatic base line in these measures that can be divided into 3 groups & phrases,
1.D-C#-B-A#-B
2. E-E#-F#-G natural
3. A-A-A#-B
If you can bring out those bass notes a bit more with a firm but smooth thumb stroke it sounds really impressive, give it a try. Practice the phrase groups separately then add the rest of the notes, you're going to hear a huge difference. Ponce's music is filled with beautiful bass lines and inner voices, sort of like the Brahms of the guitar (almost).
5. Try playing that first E note in the first measure of the piece on the 3rd string 9th fret with finger 3, it's sweeter sounding than the open E string which is a little harsh for this sweet piece. The closed E and the C# on the first string create a beautiful sustained major 6 interval whereas when you play the open E the interval gets cut off, give it a try and see if you like it. You can hear Jason Vieaux play it like that right here, the music opens up in RealPlayer or just go to the page, here's the links-
http://www.npr.org/ramfiles/pt/020218.vieaux3.ram
http://www.npr.org/programs/pt/4a/vieaux-audio.html
Jason really milks this piece for all the sweetness it has, you can learn a lot by listening to his performance.
You trebles sound very good, you can play with a little more forceful sound and stroke throughout to really bring out the melody.
Keep up the good work and thanks for sharing! |
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发表于 2007-6-1 18:17:28
