罗素的最新高清现场视频
Following the contours of David Russell's delightful Scottish brogue is almost like listening to someone sing. But the way Russell sings best is with his guitar. For the past dozen years or more, he's been a leading figure in the classical guitar world. Russell records an album every year, holds down a hefty touring schedule and teaches master classes, all while cultivating a distinctively transparent and lyrical sound.Indeed, part of Russell's "sound" is actually silence.
"The guitar can be a very noisy instrument," he says. So Russell has perfected his technique, working tirelessly on fingerings that eliminate those squeaky sounds of fingers sliding over frets.
Russell got his Scottish accent and his love of the guitar from his parents. He was born in Glasgow, but moved to Minorca in Spain as a child, when his artistic parents loaded up the van and headed for warmer climes. His first lessons were from his father, an amateur guitarist and full-time painter. Russell says that after a while, he realized he could play better than his dad, and that's when he decided "to become the guitarist in the family."
On tour in support of his new album, Sonidos Latinos, Russell dropped by the NPR Music offices to play a few classics of the guitar repertoire. Listen to the exquisite rippled notes as they spin by in his first piece by Barrios, while in Couperin's "Les Silvains," two separate melodies intertwine like clockwork. And then there's Russell's signature warm tone in Albeniz's "Granada," the classic which capped off the concert.
感谢C版提供的链接，大家自己下载吧。我已下载看了两遍
http://www.npr.org/templates/story/story.php?storyId=126090904
http://vanmusician.com/bbsen/viewtopic.php?f=8&t=113
这恐怕是罗素目前最新的视频了，日期是April 19, 2010
http://player.56.com/v_NTEzMTgwNzU.swf
[ 本帖最后由 gtlover 于 2010-5-1 19:38 编辑 ] 用新的达曼琴弹的三首曲目：
1.Augustin Barrios: "Una Limosna por el Amor de Dios"
2.Francois Couperin: "Les Silvains"
3.Isaac Albeniz: "Granada"
在发现音乐的同时、我还发现了个很好的英文网站、一箭双雕、哈哈哈哈哈 下下来看！！谢谢斑竹了 原帖由 jiushiwolo 于 2010-4-30 01:56 发表 http://bbs.guitarschina.com/images/common/back.gif
在发现音乐的同时、我还发现了个很好的英文网站、一箭双雕、哈哈哈哈哈
你应该是被发现 56.con的视频怎么下栽？ 太。。。。太帮了！！谢谢分享！
下载：
http://pd.npr.org/anon.npr-mp3/npr/asc/2010/04/20100419_asc_drussell2video.flv "Does it have a name?"
"No, I haven't give it a name, I really don't want to, it's bad enough having it between my legs everyday.....to actually give it a name..........."
喜欢大卫，除了音乐以外，是他的风趣和平易近人。典范！
[ 本帖最后由 JiangYing 于 2010-4-30 21:45 编辑 ] 原帖由 JiangYing 于 2010-4-30 21:35 发表 http://bbs.guitarschina.com/images/common/back.gif
"Does it have a name?"
"No, I haven't give it a name, I really don't want to, it's bad enough having it between my legs everyday.....to actually give it a name..........."
喜欢大卫，除了音乐以外 ...
大卫每曲弹完都不停地致谢，的确很平易近人啊。 已经收录进我的全球第一空间 ，比在56要清晰。
点击链接：http://u.youku.com/user_show/id_UMTU0MjQ0MDU2.html
[ 本帖最后由 wangjianguo 于 2010-5-1 07:50 编辑 ] 大卫讲的有价值的东西老李能不能翻译一下？
[ 本帖最后由 gtlover 于 2010-5-1 19:36 编辑 ] 转帖出处:http://vanmusician.com/bbsen/viewtopic.php?f=8&t=113 原帖由 俺是老粗 于 2010-5-1 10:35 发表 http://bbs.guitarschina.com/images/common/back.gif
大卫讲的有价值的东西老李能不能翻译一下？
其实也没有说什么有价值的话。我简单翻译一下，坛里有很多在国外生活的朋友，请别见笑。
开始是那个老头简单地介绍并让吉他之神、格莱美大奖获得者大卫罗素为大家演奏，并说西班牙有条街道是以大卫的名字命名的。大卫说了一下他即将演奏的乐曲和作曲家的名字。
开始演奏Augustin Barrios的 "Una Limosna por el Amor de Dios"
结束后大家鼓掌，大卫表示非常感谢！
老头要大卫介绍一下他用的这把吉他，大卫说他的这把吉他是达曼做的，大卫用达曼的吉他大概已经15年了，之前大卫用的那把达曼吉他已经有十年时间了，而现在用的这把是达曼去年8月份为大卫做的。他现在用这把，另一把就在琴盒里睡觉了。那把琴也不错，但这把确实好多了。
老头问，好在哪里呢？
大卫说，与其他吉他相比，达曼的吉他音量大、音色温暖。之前的那把吉他在音量上有点过于盛气凌人，这把声音要甜些。所以大卫更喜欢这把。大卫还说，他喜欢这把吉他并不是因为他的音量大，而是因为他的音质更好。你选择吉他的时候会弹很多曲子，一般一把吉他很难同时适合浪漫的、巴洛克的等各种音乐，但这把都能很好地表现。所以他很高兴拥有这把吉他。
下面是JiangYing友在13楼说的那些：
老头问：你给这把吉他起名字了吗？
大卫说没有，他不想给他/她起名字。如果起了名字还每天把他/她夹在双腿之间就太大不敬了，O(∩_∩)O哈哈~
接下来介绍他准备弹的巴洛克时期的这首Francois Couperin的 "Les Silvains"。
结束后大家鼓掌，大卫表示非常感谢！
大卫又弹了一首Isaac Albeniz的 "Granada"
曲终大家鼓掌，大卫一再表示非常感谢！
[ 本帖最后由 gtlover 于 2010-5-1 19:48 编辑 ] 原帖由 cyberninja 于 2010-5-1 14:49 发表 http://bbs.guitarschina.com/images/common/back.gif
转帖出处:http://vanmusician.com/bbsen/viewtopic.php?f=8&t=113
OK！在一楼补上 原帖由 俺是老粗 于 2010-4-30 11:51 发表 http://bbs.guitarschina.com/images/common/back.gif
56.con的视频怎么下栽？
搜索我的一个怎样下载视频的帖子吧 原帖由 wangjianguo 于 2010-5-1 07:48 发表 http://bbs.guitarschina.com/images/common/back.gif
已经收录进我的全球第一空间 ，比在56要清晰。
点击链接：http://u.youku.com/user_show/id_UMTU0MjQ0MDU2.html
请大家点击这个链接，56的确是垃圾 April 21, 2010 David Russell is one of the most prolific — and acclaimed — classical guitarists performing today. He records about an album a year and tours the world regularly. He's received too many awards to mention. He's even had a concert hall and a street named for him in Spain, where he lives.
The country has embraced the Scots-born musician and he, in turn, has drawn a lot of inspiration for his music from Spanish culture. Yet he wound up there almost by accident.
"My parents are artists and they decided they would prefer to paint in the Mediterranean rather than in Scotland," Russell told Robert Siegel. "So when I was about 5 or 6, they loaded us into a van and we went to Spain, and we ended up living in Minorca purely by chance actually — because they really wanted to go to Ibiza because Ibiza was famous as a kind of artistic colony. But the boat wouldn't take our van. But the Minorcan one did. So we ended up there."
The Guitar Was No Accident
"My father is an amateur guitarist — and he still plays. He's 86 and he still loves it. And he was my first teacher, of course, when I was a kid," says Russell, whose father did try to interest him in painting. "My father kind of had hopes that I was going to become an artist like him — the typical thing. Of course I could play guitar better than him when I was about 12. But I couldn't paint better than him. So I went, 'I'm going to be the guitarist of the house, not the painter.' "
Russell went on to study at the Royal Academy of Music in London, where he was eventually named a fellow in 1997. The 56 year-old guitarist has recorded 25 albums since the beginning of his career — about one a year for the past 15 or so years.
For each one, he concentrates on one composer: Bach, Giuliani, Rodrigo, Barrios — or one style: Baroque, Renaissance, even a CD of Celtic music.
His latest, Sonidos Latinos, features guitar music from Latin America. As with all of his other projects, Russell spent a year immersing himself in the music and culture of his chosen subject.
Immersion
"The nice thing about making one style, really, is I can delve into that style a whole year," Russell says. "So when I arrive to the studio to make my recording, which is usually just a couple of days — very little time, at least I feel relatively confident that I know what I'm going to do. At least you think you're doing the right thing by the end of those many months. And, in some ways, to be convincing in your recording, you have to be convinced yourself. Even if you're wrong, if you're convincing, then you're right in a certain way."
So Russell reads about his subject; talks to composers who are still living; and listens to recordings. That thematic approach doesn't always work for a concert, where Russell says it's nicer to have a variety of styles.
To prepare for his latest recording, he listened to a lot of folk music from Latin America — because he says that's often the source material for composers from those countries.
"In some ways it's in that gray area of where's the edge of classical music? And where's the beginning of pure folk music? It really does sit at the edge," he says. "The sort of things that the classical players are not very good at — and many of the folk players are really good at — certain rhythm elements. I can't really completely achieve it but enough, perhaps, to put a taste of that into the pieces I'm playing."
The 'Magic' Of The Music
Russell is, however, very careful about trying to get the cleanest sound out of his guitar — none of the string squeaks and fret buzzes that give so much of folk music its human element.
"I really like to hide all of those things. I mean that's a little bit like wearing a really nice suit. I don't want people to know my underwear," Russell says with a laugh. "It's not really to hide the human element. It's more that I want people to be able to achieve the magic feeling of the music. And unfortunately those little human elements often just bring you back down to earth with a thump."
But, for example, when we hear a musician breathing during a recording, it helps us see the musician performing. Russell concedes that's one way of enjoying the performance.
But, he says, "I find sometimes the breathing and the sniffing and things sometimes make me see them suffering," he says. "Because I know that I make more noise when I'm suffering. Whereas, if the person is breathing comfortably and enjoying the music, I know I don't make any noise when I'm in that state."
And David Russell seems to be enjoying the music most of the time. 顶上去，每天欣赏哈子！ 再往前摞一摞！ 不好意思，在稍稍顶哈子。看起来方便些 这个要顶。 顶 非常不错，支持。 狂 争取把手板拍肿~~赶快在56网上收藏此经典之弹哦！ 这是什么琴？？？？
页:
[1]