关于Eddie Van Halen的音箱，转自维基
AmplifiersEddie's main amplifier in the early years was a 100 watt Marshall amplifier that had a 12301 serial number, which dates it to the 1967-1968 transitional period at Marshall when the circuit of the 100 watt Marshall 1959 changed gradually from the "Bass" circuit to the "SuperLead" circuit. Eddie's main Marshall's original circuit had an 820 ohm/0.68 uf resistor/capacitor pair on the cathode of Valve(Tube) 1 and the same on the cathode of Valve(Tube) 2. Eddie's main Marshall had a white knob installed at the back of his Marshall head, as seen in the 1978 world tour Japanese leg photos and the Van Halen II studio photos from late 1978. Photos of Eddie's main Marshall in the 1990s show that the white knob had been removed.
For Van Halen I, a single Celestion speaker cabinet was used and a variac set to around 90 volts was also used on Eddie's main 100 watt Marshall head, mainly to lower the amplifier's volume. The volume control and all other controls on his Marshall head were set to maximum or 10. Eddie's Van Halen I recorded guitar tracks were re-amped by using the Sunset Sound studios live reverb room. The first Montrose album was recorded in this way by Ted Templeman and Donn Landee who also produced and engineered the Van Halen I album. Van Halen I was recorded in Studio 1 at Sunset Sound and Van Halen II was recorded in Studio 2 at Sunset Sound.
From the mid-1980s, Eddie has used a real time re-amping or Master/Slave slaving amplifier setup that was originally designed by Bob Bradshaw and was published in the September 1986 issue of Guitar World Magazine, with the first amplifier being a Tube Amplifier and the second amplifier being a H&H MOSFET solid state power amplifier. Between 1993 and 2004 Eddie was sponsored by Peavey Electronics to use their 5150 Amplifiers, which he had a part in designing. Following the ending of this relationship, Peavey renamed the amplifier as the "Peavey 6505", with slightly updated styling but original circuitry. Eddie is now sponsored by Fender and has debuted his new amp called the 5150 III. The 5150 III features three channels with their own independent controls, a four-button foot-switch and his famous striped design on the head. In 2011 there will be an inexpensive 5150 III, 60 watt, 2 speaker, combo amp and 50 watt miniature head in production.
回楼下，我上午贴完还没来得及继续编辑。
分享而已，请勿向我开炮。
主要的目的，是说一下，虽然5150是EVH的标签性声音，但Eddie在80年代，确切的说92年之前，用的不是5150。
换言之，Van Helen I,VH II, Fair Warning，1984，甚至5150这首歌曲，用的都不是Peavy5150，那会儿这款音箱还没诞生。
如果你喜欢Balance或者后边的专辑，那5150没错的。但如果你喜欢Panama(我特喜欢)，hot for teacher，Ain't Talkin' 'Bout Love 乃至 Pound Cake和When It's Love这些歌里面的音色，那还是很值得研究一下他早期使用的音箱
文章里说他早年用的是100w的marshall，序列号12301，年限应该是1967-1968期间MS 从Bass到Superlead转型期间的产品（plexi ？）。后是他marshall的电路简单介绍。
VH1时期用的是一个单百变龙喇叭的箱体，为了控制100w箱头的音量，装了一个调到大概90伏的自耦变压器。而箱头上其他的设定包括音量都是开到头或者开到10（有意思）。VH1的吉他音轨在Sunset Sound studios live reverb room重新处理过。
Montrose的第一张专辑也是在这这么样录出来的。
80年代中期他的设置很有意思，这个不太好翻译，大概是，音箱前级箱头后面接一个负载盒，让Marshall成为一个前级，让后接入效果器送到舞台功放上
93年开始用Peavy5150，04年以后用EVH的5150III。
[ 本帖最后由 chuanchuanwu 于 2013-4-16 14:20 编辑 ] 2L这人真有意思
回复 4楼 dataex 的帖子
LZ乐意转就让他转，你又何必打击人家积极性 我刚准备写，被人叫走了，就先发出去了想看看有没有人发表意下见解。没事儿，喜欢就看看，我写的还不一定对。主要想说说，很多被标签的东西不一定是真的，大家都人为EVH的音色就是5150出来的，但实际上他有十几年的时间用的都是Marshall，而且还不时4x12。很多人买设备都没有机会先试试或者对比对比，所以关于音色的东西深挖一下很有参考。仅此而已。
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