超強炫技天王吉他手 Preston Reed的名曲－指弹视频
http://www.guitar86.com/upload/jita/reed.wmv谁有他的介绍资料，提供提供! Andy Mckee来中国演奏时也演奏过这首曲子！呵呵 这首曲子叫什么来着？ 太利害了!!!! 太精彩了，看得心情都有点激动！感觉自己要有这水平就好了呵呵~感谢楼主！ 客气啥! 楼主 你今天刚在黄老师贴里讲了好多版权的问题 什么要用法律来约束什么的，自己马上又开帖子发Prestonreed的这段视频。。。。。。 这曲子的名字不是写着呢嘛！《Blasting cap》 谢谢！确实感觉Andy McKee的那个现场听起来，音量更大一点儿，效果更好一点儿，可能和场地比较小有关吧？我还是更喜欢Andy演奏的。 太利害了啊 发一个Andy McKee在上海指弹双雄演奏会上面的版本，大家对比参考练习一下哈！
感觉Andy的力量更大一些，但是Preston的手指更灵活一些。
现在才知道Andy弹的这首曲子的名字！谢谢玲珑兄弟了！
http://www.musechina.com/mp3/G2.wmv
http://www.musechina.com/mp3/G2.wmv 楼上的客气，客气!
资料来源
这个应该是他的主页
http://www.prestonreed.com/
普雷斯顿。里德
blasting cap[起爆雷管] 不知道这么翻译对否？
他的视听
1.http://www.broadjam.com/bottomnav/player.asp?play_file=21966_157740
2.http://www.broadjam.com/bottomnav/player.asp?play_file=21966_157738
3.http://www.broadjam.com/bottomnav/player.asp?play_file=21966_157736
注意：全部视听地址[好像有30首以上视听]
http://www.broadjam.com/artists/artist.asp?artistID=21966
http://www.prestonreed.com/gallery/preston_42.jpg
http://www.prestonreed.com/gallery/preston_40.jpg
http://www.prestonreed.com/gallery/preston_45.jpg
他的简介：
Preston Reed
Preston Reed has virtually reinvented how the acoustic guitar is played. Reed practices a flamboyant "self-invented" style, characterized by percussive techniques and simultaneous rhythm and melody lines that dance and ricochet around each other, giving his music a level of excitement that is unparalleled among today's guitarists.
Playing an array of guitars from acoustic to electric to classical Reeds vast range of explosively original music will forever change your expectation of a guitarist.
First-time listeners find it impossible to believe that they're hearing just the one musician, in real time. Reed attacks the entire instrument in a never-ending search for the orchestra he knows is lurking inside. At full tilt, his fingers, thumbs, fists and hands at once suggest a drummer, keyboardist, bassist and several guitarists at work.
The most impressive thing about Reed's technique, though, is that it doesn't draw attention to itself. His compositions are far from abstract virtuosic displays; even without lyrics he creates vivid, engrossing scenes. Sometimes the effect is almost onomatopoetic. Reed generates visual stimuli with every tweak of his instrument, thus augmenting his wordless compositions with an aura of the poetic. Each tune is a story in itself with a potent, cinematic atmosphere and an almost tangible thread of communication between Preston Reed and the listener.
Reed's entry into this guitar odyssey was inauspicious enough, his path thereafter largely self-discovered. A few chords learned from his guitar playing father, a brief, very brief, flirtation with the ukulele, clandestine practice sessions of his favourite Beatles and Stones songs on dad's guitar .... and then a too-strict classical guitar teacher led to premature retirement.
At 16, however, Reed heard Jefferson Airplane's rootsy blues offshoot, Hot Tuna. His interest was rekindled big time. Acoustic guitar heroes John Fahey and Leo Kottke were studied, their styles absorbed but not imitated, and at this point things really begin to get interesting because, at 17, Reed, by now precociously proficient, played his first live gig, supporting beat poet Allen Gin--erg at the Smithsonian Institute.
Just getting on a train from his native Armonk in New York State to Washington was a cool adventure. And it was just the first of many, not least of which was the one which resulted from his signing his first deal with a major record company, MCA, through the auspices of his friend, country singer-songwriter Lyle Lovett.
Determined to make the most of this opportunity, Reed pushed himself to go beyond the standard fingerpicking styles he'd perfected. The result was the beginnings of Reeds startlingly innovative style, with its percussive, two-handed fretboard attack, that you hear today and which has caused guitar luminaries such as Al DiMeola and the late Michael Hedges to describe Reed as "phenomenal" and "inspiring". His playing has spawned a generation of imitators, yet Reed remains one of a kind.
Reed's compositional talents extend to film soundtracks and prestigious commissions for the Minneapolis Guitar Quartet, and as well as appearances alongside Bonnie Raitt and Linda Ronstadt his major performances include an historic live satellite broadcast on Turkish National Television in 1997 with renowned saz player and composer Arif Sag which reached an audience of 120 million in 17 countries, prompting a flood of international telephone calls to the station from stunned viewers.
Since 1979, he has recorded thirteen albums and three videos and charmed audiences on three continents. He continues to tour with the same hunger and relish that informs his guitar playing. The secret, he says, is to relax and let the guitar patterns run by themselves. Which explains how, at full tilt, he may sound like a full-on heavy metal band but he still won't have broken sweat.
我英文不好，请高手翻译一下!
[ Last edited by qllchina on 2005-9-21 at 12:42 ] 超厉害太棒了。 Originally posted by kenan5678 at 2005-9-20 12:03 PM:
谢谢！确实感觉Andy McKee的那个现场听起来，音量更大一点儿，效果更好一点儿，可能和场地比较小有关吧？我还是更喜欢Andy演奏的。
ANDY和他比?ANDY不知道嫩多少呢!在上海的现场好吗?多少破音啊?ANDY是弦风的艺人,也不用昧着良心这么吹吧?:mad: 楼过,你们继续 厉害！厉害！！！！！！
顶！！！！！！！！！！！ 厉害！厉害！！！！！！
顶！！！！！！！！！！！ Originally posted by fender-cort at 2005-11-13 09:51 AM:
ANDY和他比?ANDY不知道嫩多少呢!在上海的现场好吗?多少破音啊?ANDY是弦风的艺人,也不用昧着良心这么吹吧?:mad:
恩,这个确实Andy确实跟Preston Reed不是一个级别的,不过还好,Andy才25岁,呵呵 我顶起来` ` 学习 天哪，人？鬼？神？？？ 一路走一路学，不能原地踏步，为自己加油耶
页:
[1]