求谱《D大调探戈》阿尔贝尼斯

ddx68

呵，支持，谁有，发一个上来。

minbaili

For you兄，帮忙看一下j.s.bach的管弦乐作品中通奏低音的配器一般是啥？好像bach同学已经不喜欢用鲁特琴了。

minbaili

看介绍，说巴洛克时期鲁特琴常用来充当通奏低音，回想当年听Tous les matins du monde原声带里面，确实有鲁特琴。不过先头休息的时候听巴赫的《马太受难曲》开头部分，大提琴充当的通奏低音真是如洪流涌潮一般啊。然后想到，巴赫的作品中，鲁特琴的分量确实少，于是想求证一下。吕利（Lully）好像早巴赫有百年左右吧？我记不得了。鲁特琴在吕利那个时代应该还是很兴盛的。

minbaili

Tous les matins du monde中有吕利的《土耳其典礼进行曲》，挺不错的，吕利倒也是个形象鲜明的人物。吕利那个时期的音乐还是挺有滋味的。

F.you

Jean-Baptiste Lully    (1632-1687) Italian by birth, Lully made his career in France, where he rose from the position of a page to Mlle de Montpensier to that of Composer of the King's Music, Master of Music to the Royal Family and to a position of complete control of all musical performances that involved singing throughout. He collaborated with Molière and with Corneille and, more particularly, with the poet Quinault, creating a specifically French form of opera in various genres, comédies-ballets and tragédies lyriques, in both of which there was an element of dance, a French royal preoccupation. He was the most important French composer of his period, influential in his development of the so-called French Overture, with its introductory slow dotted rhythms and following fugal section and his insistence on orchestral discipline, particularly in the matter of string bowing. Stage Music The tragédies lyriques of Lully exercised a strong influence over French opera in his life-time and in the years that followed his death in 1687. These works are usually treatments of subjects drawn from classical mythology. With changes of fashion, they are rarely heard nowadays in the theatre, although overtures and dances from the operas may appear in instrumental programmes. The comédies-ballets in the creation of which Molière was a junior partner are now generally performed without the music and ballet that was an essential element in the original work, although the music for Le bourgeois gentilhomme may be better remembered. Church Music Lully was also influential in the choice of music and musicians for the royal chapel. His compositions for the church include a number of motets, some six Grands motets and 14 Petits motets. An example of the first is the fine setting of the Dies irae from the Requiem Mass, for double choir, of the Te Deum, and the Miserere, the last a favourite of the king. Examples of the second are his settings of the Vespers Psalm Dixit Dominus, the Anima Christi and the Regina coeli. Instrumental Music Instrumental works by Lully include various sets of dances from his stage works and eighteen Trios pour le coucher du Roi.

米卢

可以

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ddx69

lully死的很惨

minbaili

惨么？为音乐而献身，为指挥艺术而献身，多么光荣啊！