漆面状态一般,米粒大小的磕碰主要在琴体侧面与背面和护板下方,大约13处;琴体接口处(第三电位器处)有运输过程中造成的掉漆,整琴最大的磕碰处就是此处,但对于演奏音色无任何影响;护板下方琴体部分有一处磕碰,琴头E弦卷线器边有头发丝般漆面裂纹;琴颈琴体连接处也有2道头发丝粗细的漆面裂纹。琴颈第一品侧面有掉漆。
琴由ken smith Hadrien Feraud签名款Bass的公司代工,琴颈及指板木料由ken smith自己的木料库存提供,和美产ken smith相同。如果知道Celinder bass的,那这个琴品质如何你懂的。很多人有过用美国材料与设计加日本做工的想法,这把brooklyn gear bass正是这种想法的实现。
Brooklyn gear bass ken smith design美国的代理是Low End,代理评价brooklyn gear bass音色是和sadowsky nyc与alleva coppolo一个级别的。做工,手感也非常棒。http://www.talkbass.com/forum/f8/brooklyn-j-bass-g-s-alert-492099/
“As far as the Brooklyn basses, Hajime has gone way out of his way to try and offer what he feels as the best instrument from the woods chosen to the shape of the neck to the feel, fit and finish. The Brooklyn basses are with out question equal or better than those that try and claim the 3-4K mark with much less quality. I spent a good amount of time with the two basses today and I have sadowsky's NYC & Metro's, Alleva Coppola's(been a big fan), LEJ's(Im Bias, many have given me a big head about these LOL), Nordstrands, STR's, Pensa.. you name it...”