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发表于 2005-12-22 13:23:13
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Lets take a look at some of the chord shapes I use, for example for D Major backup:
D Major -
Fretted: 050200
Notes: DDDAAD
So that's a power D chord with no third. How handy, can use that for both major and minor, sound great.
For the G chord (IV):
Fretted: 550000
Notes: GDDGAD
So that's a G chord with no third and a high A (giving a 9th suspension that sounds great). Lots of D strings reinforcing the D tonal root of the tune. You can also fret the A string at 2 if you want a full G chord, but I like the sound of the A in the chord, reinforces the D drones.
For the A chord (V):
Fretted: 777000
Notes: AEAGAD
Wow, all kinds of stuff going on here. Its an A chord, again, no third, with a G giving a 7th sound and the high D drone keeping some continuity of the tonal center on D. If you want a full A chord, you can fret the G string at 6, giving a C#, but that tends to be dissonant against the high D, so I leave it out.
If you write out the rest of the shapes, you'll see that have similar attributes. They tend to leave out the third, and generally have either 7 or 9s added for color and coolness. I'll also often walk chord scales on the bottom two strings between the I, IV, and V.
Of course, with the capo, you can put these same sounds in any key. Notice the nearly complete lack of thirds in the chords and the droning strings reinforcing the tonal center of the tune:( |
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发表于 2005-12-21 15:07:26
发表于 2007-10-11 16:42:58