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高增益失真单块 音色厚重 泛音丰富 明亮整齐 可以弹奏沉重的金属节奏 目前市面上有哪些呢？
根据国外的网站介绍 主要有以下几个：
音色是比较主观的喜好 大家可以根据这些 去试弹或者到youtube里去找试听
Hi-Gain
Hi-Gain (descended from the more generic electric guitar amplification term high-gain) is the sound most used in Heavy Metal. High gain in normal electric guitar playing simply references a thick sound produced by heavily overdriven amplifier tubes, a distortion pedal, or some combination of both--the essential component is the typically loud, thick, harmonically rich, and sustaining quality of the tone. However, the Hi-Gain sound of modern pedals is somewhat distinct from, although descended from, this sound. The distortion often produces sounds not possible any other way. Many extreme distortions are either hi-gain or the descendents of such. The Mesa Boogie Triple Rectifier Series of amps are an example.
Some Hi-Gain Pedals Include:
过载和失真都可以调出的单块
Overdrive Distortion
Main article: Overdrive
Overdrive distortion is a well-known distortion. While the general purpose is to emulate classic "warm-tube" sounds, distortion pedals such as the ones in this list can be distinguished from overdrive pedals in that the intent is to provide players with instant access to the sound of a high-gain Marshall amplifier such as the JCM800 pushed past the point of tonal breakup and into the range of tonal distortion known to electric guitarists as "saturated gain." Although most distortion devices use solid-state circuitry, some "tube distortion" pedals are designed with preamplifier vacuum tubes. In some cases, tube distortion pedals use power tubes or a preamp tube used as a power tube driving a built-in "dummy load." Pedals designed specifically for bass guitar are also available. Some distortion pedals include:
单纯的过载
Overdrive/Crunch
Some distortion effects provide an "overdrive" effect. Either by using a vacuum tube, or by using simulated tube modeling techniques, the top of the wave form is compressed, thus giving a smoother distorted signal than regular distortion effects. When an overdrive effect is used at a high setting, the sound's waveform can become clipped, which imparts a gritty or "dirty" tone, which sounds like a tube amplifier "driven" to its limit. Used in conjunction with an amplifier, especially a tube amplifier, driven to the point of mild tonal breakup, short of what would be generally considered distortion or overdrive, these pedals can produce extremely thick distortion sounds much like those used by Carlos Santana or Eddie Van Halen. Today there is a huge variety of overdrive pedals, and some of them are:
法兹
Fuzz
Main article: Fuzzbox
Fuzz was originally intended to recreate the classic 1960's tone of an overdriven tube amp combined with torn speaker cones. Oldschool guitar players (like Link Wray) would use a screwdriver to poke several holes through the paperboard part of the guitar amp speaker to achieve a similar sound. Since the original designs, more extreme fuzz pedals have been designed and produced, incorporating octave-up effects, oscillation, gating, and greater amounts of distortion.
Some fuzzbox pedals include:
[ 本帖最后由 蓝调吉他手 于 2008-6-21 22:21 编辑 ] |
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发表于 2008-6-21 22:15:58
