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最近几天几个朋友老在QQ上和我扯色魔邓肯的PU,其实我个人也是十窍通了九窍.所以想想还是把老帖子翻出来,重新上传了一下试听..........
因为电吉他版推荐多交流技术,所以我把帖子给发这来了......
众所周知色魔邓肯的拾音器款款都跟超女一样个性鲜明,很多朋友在给琴升级某款拾音器时只了解些文字方面的声音特性,而苦于没有实例对比不敢下手,一次买两款或几款然后选出最喜欢的一款这种做法对大多数朋友来说又不太现实,于是今晚花了点时间,把色魔邓肯网站上双线圈PU的试听一个个拖了下来,一个个打好名字分好类别......又重新打包上传...............一切为了方便群众.......
从干琴到失真,从琴颈到琴桥,都分了,想比就比,想听就听.....
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上面有一小段介绍,我看了也懒得一句句翻译了,就是录音的设备和条件方面的,
We used a '56 Goldtop for the P-90s, a '60s Classic Les Paul for humbuckers, and a '70s Firebird for the mini-humbuckers. We used all brand new Fender guitars for the Fender soundclips. The Tele and Strat tones came from American-made reissues. The Tele was a '52 with a light-weight ash body and a maple fingerboard, and the Strat was a '62 with a medium-weight alder body and a rosewood board. For the Jaguar and Jazzmaster, we used medium-weight Japanese-made instruments with basswood bodies and rosewood boards. The guitars all used fresh sets of American Flyer 10-46 gauge strings. We kept the pickup-to-string heights consistent between each change of pickups.
About the Amps: We employed the "highest common denominator" philosophy in our amp selection. For clean tones, we used a silverface Fender Super Reverb with stock 4x10 "blue frame" speakers. We kept the Bright Switch "On" throughout. For crunch tones, we used a well-worn Marshall JCM 800 50 watt master volume head through a new Marshall 1960A Celestion®-loaded 4x12 cabinet. We plugged into the High output. With both amps we close miked straight-on with SM-57s through a Soundcraft Spirit Folio Mixer.
从琴到木头到弦到音箱到喇叭到MIC都介绍得很清楚(都是经典设备),就是让环境条件设备什么的除了PU不同其它尽量做到100%一样.我觉得这些英文是最基础的,真有想法换PU的朋友也不会不可以去弄懂这些,不懂的你听了也不知道听了些什么.压缩包里我顺便把音箱参数也写进去了.......
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还有一段文字,希望大家都仔细看看,仔细想想.琢磨琢磨
There are vast tonal differences between the pickups on these audio samples. However, you’ll have to play these audio samples on a decent sound system to hear them. Otherwise, they’ll all sound pretty much the same -- and that’s not fair to you or to us. For many people, the speakers that shipped with your computer do not have the sonic clarity to enable you to distinguish the subtle tonal characteristics between the pickups. Like anything else, discriminating the differences between tones may take some practice. Some people are born with a great ear and others have to work on it. If you don’t hear big differences right away, don’t despair. With a little practice, you will.
胡乱翻译一下:这些PU的音频在音色上都有很大区别,推荐在一个比较适当的环境和条件下来听(叫你听的设备和环境别太破),不然听着都是一个音色你不爽录的人也不爽,很多人用的电脑配套的音箱的声音透明度不能让你感受到不同PU之间音色的微妙差别(不知道翻译得对不对,CET4成绩还没下来),还有就是听着没什么区别的,叫你把耳朵给竖起来,多听....当你把20分贝的东西听成80分贝以后....你就很好很强大了.......
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扯了那么多,试听文件打包下载地址:http://www.fs2you.com/zh-cn/files/8e6b3645-453f-11dd-9267-001143e7b41c/
(网盘下载,如果没装控件的请点第二个地址,如果只有一个下载地址请先下载控件再点下载)
确切的说,里面是双线圈和P90的拾音器的近30款PU的试听........Duncan Designed啊,那些骨灰职业级的卡死他妈姆啊,ST和TELE,JAGUAR啊,JAZZMASTER型的我就不那个了.....主要是有些不切实际有些我没兴趣(双线圈死忠)........:)
最后,枪毙大哥有段话说得好,引用一下,希望那些经常发帖问SQ换EMG81什么的朋友看看
个人认为一般乐手对拾音器的要求不是特别突出的.毕竟拾音器在音色产生的整个过程中所起的作用并不是绝对的.影响音色的因素中.拾音器仅是起到给乐手一个什么样的可塑音色.剩余的还是需要周边以及乐手自己塑造.把获得理想音色的重任全部归功于某个拾音器是不理智的.
PS.一切试听和英文资料均来自色魔邓肯官方网站......想知道更多的对自己网速有信心的或者忍耐力好的请上http://www.seymourduncan.com
放假前的最后一帖.....专心准备考试.....不要肥佬不要肥佬不要肥佬不要肥佬不要肥佬...........
[ 本帖最后由 koy2012 于 2008-6-29 02:45 编辑 ] |
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发表于 2008-6-29 02:43:36
发表于 2008-6-29 10:03:02
强帖！顶个