求教达人几组GT3的参数~急

KH200

买来也快一年了，实在搞不懂了，求教达人两组参数、
比较平稳的那种踏板八度失真，就像是邦乔维的You give love a bad name前面的那种八度。
还有就是踏板哇音，对失真损耗小一点的。自己调出来的哇音都没有音头.....
谢谢各位了~~

KH200

自顶.......

KH200

[em13]

KH200

还是没人顶。。

KH200

接着顶

哈力森

GT-3音色设置参数-重金属节奏（录音用）
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最近弄一首歌，节奏吉他需要一个很霸道、厚实的重金属音色，为省事，录音拟采用电吉他-效果器直插调音台的方式。反复调整多时，用GT-3做了一个，感觉尚可，手头上有GT-3效果器，录音时又不打算MIC拾箱的朋友可以参考一下。

每项设置的具体意义及作用也一并附后说明。

设备说明：

吉他：美产VENSON （YAMAHA 009号弦，半年多没换了，弹奏PICK：DUNLOP 0.96mm，拾音档位打到最下）
效果器：BOSS GT-3
调音台：百另达 MX 602A
效果器→调音台 连接模式：GT-3耳机输出口→百另达TAPE IN
效果器→调音台 连接线：一分二Y形音频线（一端是小三芯，另两端为TAPE莲花口）
录音/监听声卡：USB 3
调音台→声卡 连接模式：两条大二芯音频线（左/右声道）连接调音台的3/4通道至声卡的左/右线性输入口
监听：（非专业录音设备）松下三合一组合音响（自带功放）
       AKG K240（接调音台耳机口）
       森海塞尔 HD 400（接USB 3耳机口）
注：音色试听和微调时，我针对这两款耳机的特性和优劣，使用了对比、折衷的方法。
录音模式：单声道 44100Hz 16位


[UTILITY]项总体设置：

Line(Headphones)        // 线性/耳机输出模式
Low EQ:                0dB        // 低频增益
High EQ:        0dB        // 高频增益
NS Threshold:        -3dB        // 降噪阙值
Reverb Level:        100%        // 总体混响


==== 音色名称:HEAVY METAL R1（重金属节奏） =======

[SFX] OFF        // SFX模式关闭

[COMP/LM] OFF        // 压限/限制关闭

[WAH] OFF        // 哇音效果关闭

[OD/DS]        On        // 过载/失真效果开启

Type：Metal1 → Drive：55 → Bass：0 → Treble：0 → Level：50

[PREAMP] On        // 音箱模拟开启

Type：Clean Twin → Volume：40 → Bass：50 → Middle：50 → Treble：50 → Presence：0 → Master：50 → Bright：On → Gain：Middle → Mic Set.:Center → Mic Level:100 → Direct Level:0

[EQ]                 //均衡

Low EQ：+15dB → Low-Mid f：500Hz → Low-Mid Q：1 → Low-Mid EQ：-20dB → High-Mid f：800Hz → High-Mid Q：1 → High-Mid EQ：-15dB → High EQ：+12dB → Level：0dB

[MOD] Sub Equalizer: On                // 模式选择：均衡

FX Select：SEQ → Low EQ：+9dB → Low-Mid f：2.5KHz → Low-Mid Q：1 → Low-Mid EQ：0dB → High-Mid f：800Hz → High-Mid Q：0.5 → High-Mid EQ：+9dB → High EQ：+6dB → Level：0dB

[DELAY] On        // 延迟效果开启

Type：Single → Dlytime：280ms → Dlytime F：280ms → Feedback：10 → Highcut：Flat → Effect Level：8

[CHORUS] On        // 合唱效果开启

Mode: Mono → Rate: 25 → Depth: 10 → Pre Delay: 2.0ms → High Cut: 2.00KHz → Effect Level: 60

[REVERB] On        // 混响效果开启

Type：room1 → Revtime：1.0s → Pre Delay：0ms → Low Cut：165Hz → High Cut：6KHz → Density： 8 → Effect Level：11

[MASTER]         // 总输出

Master Level：30 → Master BMP：120 → Noise Suppressor：On → Threshold：55 → Release：50 → Foot Volume Level：100 → Effect Chain：ac → cs → wah → SEQ → OD → PRE → EQ → NS → FV → DD → ce → RV

注：总输出电平大小同时受GT-3后面板的电平旋钮控制，请自行调整。

[PEDAL/ASSIGN] On        //踏板控制开启

哈力森

参数只是音色的类型，还要看你的设备，这是很久以前的参数

哈力森

我来发给GT3节奏音色，用GT-3的不防试下！！

最近研究了一下这个效果器，发现效果后面的音量开关音量对音色影响非常大（个人意见应该是输出阻抗的问题），各位用GT-3的不防试下将效果器后面的音量只开到2-3这样的水平，想音量大只调整吉他音箱的音量，效果器上面的音量旋纽保持2-3的水平。

下面是一个自己做的金属节奏音色（这音色用上了失真/过载模块）：

SFX：OFF
COMP/LM：OFF
WAH：OFF
OD/DS：ON
           TYPE：VINTAGE OD
           DRIVE：100
           BASS：0
           TREBLE：+3
           LEVEL：4
PREAMP：ON
           TYPE：METAL DRIVE
           VOLUME：100
           BASS：40
           MIDDLE：50
           TREBLE：50
           PRESENCE：100
           MASTER：70
           GAIN：HIGH
           SP SIMULATOR：MIC SET。 CENTER，  MIC LEVEL 100，DIRECT LEVEL 0，

EQUALIZER：ON
           LOW EQ：+1，LO-MID F 1.25KHZ，LO-MID Q 0.5，LO-MID EQ +5DB，HI-MID F 4KHZ，HI-MID Q 1，
HI-MID EQ 0 DB，HIGH EQ 0 DB，LEVEL +6 DB

MOD：OFF

DELAY：ON
          TYPE SINGLE，DLYTIME 40 MS，DLYTIME。F 40MS，FEEDBACK 20，HIGH CUT FLAT，EFFECT LEVEL 9，


CHORUS：OFF

REVERB：ON
          TYPE：PLATE，REV TIME 2.8S，PRE DELAY 40 MS，LOW CUT 165HZ，HIGH CUT 8KHZ，DENSITY 7，
EFFECT LEVEL 16


MASTER：MASTER LEVEL：68，MASTER BPM 120，NOISE SUPPRESSOR ON，
NOISE SUPPRESSOR THRESHOLD 70，RELEASE 15，FOOT VOLUME LEVEL：100
EFFECT CHAIN(分大小写）：fb----cs----aw----seq----OD----PRE----EQ-----NS----FV----DD---ce----RV


OK,THAT'S ALL！！！



用GT-3的欢迎一起讨论，把好音色发上来，这个音色修改下弹SOLO也不错哦！！！

哈力森

GT3重金属音色参数和MT-2媲美
好的东西大家一起分享,谢谢曾经和我一起研究效果器,又现在没有联系的哥们!
重金属节奏 很不错 有用GT3哥们事实绝对不会失望

1。SFX 〈FEED BACKER ON 〉〈fx select fb〉〈mode boost〉〈rise time 85 f b depth 50 f b tone +10〉
2。comp/lm off 3。wah off
4od/ds〈type metal2〉〈drive55 bass+1 tredle0 level53〉
5。preamp/spsim〈preamp/on〉〈type clean twln〉〈volume40 bass60 middle50 presena0 master50 〉〈bright/on〉〈gain middle〉〈sp simnlator/mic set 5cm mic level100 dreat level95〉
6。EQ 〈LOE EQ +10DB lo-mid f 250he lo-mid q 0。5 lo-mid eq+8db HI-MIDF 1。00KHE HI-MID Q 1 HI-MID EQ-4DB HIGH EQ +10DB LEVEL 0DB
7。MOD/SUB 〈FXSELEUT SEQ LOW EQ +12 LOMID F 160HZ LO-MID Q 1 LO-MID EQ -10DB HI-MID F 3。15KHZ HI-MID Q 1 HI-MID EQ +10DB LEVEL 0DB
8。DELAY/ON〈TYPE SINGLE DLY TIME 420MS DLYTIME。F420MS FEEDBACK 20 HIGH CUT 3。00KHZ LEVEL12〉
9。CHORUS/OFF
10。REVERB/ON〈TYPE ROOM1 REV TIME 1。8S PRE DELAY 0MS LOW CUT 165HZ HIGH CUT 4。00KHZ DENSITY8 LEVE12
11。MASTER/ON 〈MASTER LEVEL 100 MASTER BPM120〉〈NOISE SUPPRESSO/ON〈THRESHOLD55 RELEASE50 LEVE100〉〈FB-LM-GW-SEQ-OD-PRE-EQ-NS-FV-DD-CE-RV〉
12。PEDAL/ON U1=FOOT VOLUME
我自己作么的！！大家不要再去看什么网站上的了！！音色不怎么样 我用的琴JEM555=+GT3+白威的箱子

大家可以参考我的参数 多多给我意见！！谢谢！！

其实每一个效果器都有他的优点！！GT5和GT3其实是一样的！在于个人的研究 再者我个人认为凡是用GT型号效果器的人必须对BOSS的单块效果器了解才能调处好的音色

说真的GT3很专业了！如果你是玩地下的！没有你要在要求什么了！！

哈力森

GT-3金属节奏音色参数。

GT-3金属节奏音色参数：
节奏音色一：
OD/DSn   
Type:Metal2
Drive:100
Bass:+6
Treble:-37
Level:65
PREAMPn
Type:Clean Twin
Volume:40
Bass:50
middle:46
Treble:63
Presence:0
master:51
Brightff
Gain:middle
EQn
low EQ:+4dB
Lo-mid f:100Hz
Lo-mid Q:0.5
Lo-mid EQ:+7dB
Hi-mid f:1.00KHz
Hi-mid Q:1
Hi-mid EQ:-10dB
High EQ:0dB
Level:0dB
MOD:Sub Equalizern
Low EQ:+10dB
Lo-mid f:160Hz
Lo-mid Q:1
Lo-mid EQ:-16dB
Hi-mid f:3.15KHz
Hi-mid Q:1
Hi_mid EQ:+15dB
High EQ:+5dB
Level:0dB
Chorusn
Mode:stereo
Rate:40
Depth:44
Pre Delay:5.0ms
High cut:8.00KHz
Effect level:53
Reverbn
Type:Room1
Revtime:0.8s
Pre Delay:0ms
Low cut:165Hz
High cut:4.00Khz
Density:8
Effect level:20
Master:master level 95
Master BMP:120
Noise Suppressorn
Threshold:52
Release:22
Foot volume:level 100
PEDAL/ASSIGN:EXP PEDAL on
FV:level
Min:0
Max:100
CTL PEDALff
Effect Chain:ac-cs-wah-SEQ-OD-PRE-EQ-NS-CE-RV-FV-dd
音色特点：较沉稳细腻的音色
####################################################
节奏音色二：
OD/DSn   
Type:Metal1
Drive:90
Bass:0
Treble:-20
Level:51
PREAMPn
Type:Clean Twin
Volume:44
Bass:42
middle:32
Treble:53
Presence:57
master:51
Brightff
Gain:middle
EQn
low EQ:+3dB
Lo-mid f:100Hz
Lo-mid Q:0.5
Lo-mid EQ:+7dB
Hi-mid f:10.0Hz
Hi-mid Q:0.5
Hi-mid EQ:-2dB
High EQ:+8dB
Level:0dB
MOD:Sub Equalizern
Low EQ:+10dB
Lo-mid f:160Hz
Lo-mid Q:1
Lo-mid EQ:-15dB
Hi-mid f:3.15KHz
Hi-mid Q:1
Hi_mid EQ:+15dB
High EQ:+5dB
Level:0dB
Chorusn
Mode:Mono
Rate:50
Depth:39
Pre Delay:5.0ms
High cut:8.00KHz
Effect level:40
Reverbn
Type:Room1
Revtime:0.8s
Pre Delay:0ms
Low cut:165Hz
High cut:4.00Khz
Density:8
Effect level:20
Master:master level 90
Master BMP:120
Noise Suppressorn
Threshold:52
Release:22
Foot volume:level 100
PEDAL/ASSIGN:EXP PEDAL on
FV:level
Min:0
Max:100
CTL PEDALff
Effect Chain:ac-cs-wah-SEQ-OD-PRE-EQ-NS-CE-FV-dd-RV
音色特点：比较重，呈团状的音色。
####################################################
节奏音色三：
OD/DSn   
Type:Metal1
Drive:100
Bass:0
Treble:-11
Level:51
PREAMPn
Type:Clean Twin
Volume:40
Bass:42
middle:19
Treble:64
Presence:0
master:51
Brightff
Gain:middle
EQn
low EQ:+3dB
Lo-mid f:100Hz
Lo-mid Q:0.5
Lo-mid EQ:+7dB
Hi-mid f:1.00KHz
Hi-mid Q:0.5
Hi-mid EQ:-2dB
High EQ:+10dB
Level:0dB
MOD:Sub Equalizern
Low EQ:+10dB
Lo-mid f:160Hz
Lo-mid Q:1
Lo-mid EQ:-15dB
Hi-mid f:3.15KHz
Hi-mid Q:1
Hi_mid EQ:+15dB
High EQ:+5dB
Level:0dB
Reverbn
Type:Room1
Revtime:0.8s
Pre Delay:0ms
Low cut:165Hz
High cut:4.00Khz
Density:8
Effect level:20
Master:master level 82
Master BMP:120
Noise Suppressorn
Threshold:52
Release:22
Foot volume:level 100
PEDAL/ASSIGN:EXP PEDAL on
FV:level
Min:0
Max:100
CTL PEDALff
Effect Chain:ac-cs-wah-SEQ-OD-PRE-EQ-NS-FV-dd-ce-RV
音色特点：呈块状，较冲，且穿刺力突出的音色。
####################################################
节奏音色四：
OD/DSn   
Type:Metal2
Drive:100
Bass:+6
Treble:-37
Level:51
PREAMPn
Type:Clean Twin
Volume:40
Bass:48
middle:46
Treble:63
Presence:0
master:51
Brightff
Gain:middle
EQn
low EQ:+4dB
Lo-mid f:100Hz
Lo-mid Q:0.5
Lo-mid EQ:+7dB
Hi-mid f:1.00KHz
Hi-mid Q:1
Hi-mid EQ:-2dB
High EQ:+10dB
Level:0dB
MOD:Sub Equalizern
Low EQ:+10dB
Lo-mid f:160Hz
Lo-mid Q:1
Lo-mid EQ:-15dB
Hi-mid f:3.15KHz
Hi-mid Q:1
Hi_mid EQ:+15dB
High EQ:+5dB
Level:0dB
Chorusn
Mode:stereo
Rate:40
Depth:40
Pre Delay:5.0ms
High cut:8.00KHz
Effect level:44
Reverbn
Type:Room1
Revtime:0.8s
Pre Delay:0ms
Low cut:165Hz
High cut:4.00Khz
Density:8
Effect level:20
Master:master level 80
Master BMP:120
Noise Suppressorn
Threshold:52
Release:22
Foot volume:level 100
PEDAL/ASSIGN:EXP PEDAL on
FV:level
Min:0
Max:100
CTL PEDALff
Effect Chain:ac-cs-wah-SEQ-OD-PRE-EQ-NS-CE-FV-dd-RV
音色特点：不是特别重的金属音色。

哈力森

BOSS GT-3中文说明书BOSS GT-3中文说明书 第一部分 主要效果种类介绍及总体评价 一、主要效果种类介绍 1.SFX模块： lACOUSTIC GUITAR SIMULATOR—箱琴模拟器，可以用来模拟箱琴的音色，效果一般。 lSLOW GEAR—慢发音，可用来做小提琴音色，但还是无法替代用音量踏板或转动音量旋钮做出的效果。 lANTI FEEDBACK—限制回授。 lFEEDBACK—激励回授。 lPICKUP SIMULATOR—拾音器模拟，可以将双线圈拾音器模拟成单线圈，将单线圈模拟成双线圈，也可以将双线圈模拟成音量开一半时的音色。效果较好。 lTREMOLO/PAN—颤音效果。 2．COMPRESSOR/LIMITER模块 lCOMPRESSOR—压缩效果。 lLIMITER—限制效果。 3．WAH模块 lPEDAL WAH—用踏板控制的哇音。效果一般，但考虑到综合效果器上的哇音效果普遍较差的情况下，GT-3上的哇音还是可以用的。 lAUTO WAH—自动哇音。 4．OVERDRIVE/DISTORTION模块 lNATURAL OD—很轻微的过载。 lVINTAGE OD—传统的过载音色，有点BOSS OD-2的味道。用来做BLUES音色再好不过了。 lTURBO OD—能够产生圆润的、有丰富中频的接近DISTORTION的过载音色。用来做SOLO的音色相当不错。 lBLUES—BLUES音色，但音色稍嫌薄而尖。 lCRUNCH—能够产生真空管音箱上的失真音色。 lDISTORTION 1—就是DS-1，音色上十分接近，但不如单块DS-1可调节性强，也缺少一点自然、温暖的感觉。不过总体效果还是很棒的。 lDISTORTION 2—比DISTORTION 1更结实，中频部分更足一些。也相当不错。 lGRUNGE—音色较脏，有点GRUNGE的意思。 lMETAL 1—标准的重金属音色。将失真度调小，并关掉延时、合唱、混响的效果，是一个很好的练琴音色。 lMETAL 2—比METAL 1的中频更足，适合做重金属SOLO音色。 lFUZZ—法兹效果，最好和哇音一起用，否则音色就太扁了。 lEXT OD/DS—外接OD/DS。可以将你喜欢的单块失真接在GT-3上。 5、PREAMP/SPEAKER SIMULATOR模块 lJC-120—模仿ROLAND“JC-120”音箱的音色。声音很干净，适合做JAZZ音色，加失真的效果也不错，够劲但又不过分。 lCLEAN TWIN—模仿FENDER音箱的音色，很象。无论做CLEAN音色或失真音色，这都是一个很好的选择。 lCRUNCH—模拟大型真空管音箱，有很好的质感。用它和TURBO OD可以做出类似于STEVE MORSE那样的SOLO音色。 lMATCH DRIVE—模拟现代派真空管音箱的声音，适合ROCK、BLUES。 lVOXY DRIVE—模拟VOX音箱的声音。适合做六十、七十年代的音色。 lBLUES—可以用来做BLUES SOLO的音色。 lBG LEAD—模拟七、八十年代流行的真空管音箱的声音，中频丰富。估计是模仿MESE/BOOGIE的声音。用来做SOLO音色会很亮。 lMS1959（Ⅰ、Ⅱ、Ⅰ+Ⅱ）—模仿MARSHALL分体式音箱的声音。Ⅰ型是高音单元，Ⅱ型是中低音单元，Ⅰ+Ⅱ型则是全音频。一般都可选择Ⅰ+Ⅱ型。 lSLDN LEAD—模拟一种有很好失真的真空管音箱，频响很宽。 lMETAL 5150—就是VAN HELAN的5150音箱，很好的金属声。如果将GAIN调到MIDDLE或HIGH，不加失真效果就可以得到很棒的重金属音色。 lMETAL DRIVE—有点类似于METAL 5150，但没有5150的声音刚劲，它更温暖一些。 lAC GUITAR—箱琴音箱。但加失真后会有意想不到的效果，很适合做节奏音色。 lSPEAKER SIMULATOR—可以调节话筒拾音的部位。但只在效果器处在直接接调音台或耳机时，此功能才打开。补充说明：所有音箱的采样都是基于“GAIN“为“MIDDLE“的基础上的，因此通常在选用PREAMP时，最好将它设置在“MIDDLE”的模式。 6、EQUALIZER模块 lLOW EQ：—20dB——+20 dB，用于增加或减少低频。 lLO MID F：100HZ——10.0HZ，用于设置中低频的频段。 lLO MID Q：0.5——16，调节EQ对F控制的敏感度。 lLO MID EQ：—20dB——+20 dB，用于增加或减少中低频。 lHI MID F：100HZ——10.0HZ，用于设置中高频的频段。 lHI MID Q：0.5——16，调节EQ对F控制的敏感度。 lHI MID EQ：—20dB——+20 dB7、MODULATION模块
lHARMONIST—和声效果。可以根据弹奏的音符制造出另一个或两个音符（具体度数可以自由设定），或者可以用踏板来控制音高，使之成为一块WHAMMY踏板。GT-3甚至可以根据设定的调性自动判断调内音或调外音，比如，设定加一个三度音，并设定调性为C调，当弹一个C音时，它会自动加一个E音，当弹D音时，它会判断应加一个小三度音，既F，而不会加#F。
lFLANGER—飘忽效果
lPHASER—相移效果
lAUTO RIFF—自动点奏效果，可以产生自动点奏或琶音效果，是厂家的宣传点之一，但实际上是一个华而不实的典型。还不如多在音色方面下一点工夫来得实际。
lSUB EQUALIZER—另一个均衡器，可以将它加在所有效果的最前面，以弥补琴本身输入信号的某些不足，这对于那些琴不太好的用户是一个十分有用的效果。
l2X2 CHORUS—合唱效果
lSHORT DELAY—短延时效果
lHUMANIZER—人声模仿器，类似于TALK BOX，但效果一般。
lVIBRATO—颤音效果
lGUITAR SYNTH—吉他合成器，可以模拟弦乐，但只能演奏单音。想法很好，但毕竟不太现实。
lRING MODULATOE—可以模仿铃声或钟声。
lSLICER—可以制作出有趣的节奏。
8、DELAY模块
lTYPE—有SINGLE和TAP两种。
lDLY TIME—0ms至1800ms。也可以根据设定的拍数来设定延时，调节范围为：16音符至全音符。这是一个很实用的功能，可以免去你计算延时时间之苦。
lDLY TIME.F—0msec至20msec。对DELAY TIME进行微调。
lTAP TIME—0%至100%
lFEEDBACK—0次至100次
lHIGH CUT—700HZ至11.0KHZ，FLAT
lEFFECT LEVEL—0至120
9、CHORUS模块
lMODE—MONO、STEREO
lRATE—0至100
16分音符至全音符
lDEPTH—0至100
lPRE DELAY—0.0msec至40.0msec
lHIGH CUT—700HZ至11.0KHZ，FLAT
lEFFECT LEVEL—0至100
补充说明：和大多数综合效果器不同，GT-3将合唱效果从MODULATOR模块中独立出来，使用户免去了用了合唱就不能用其他特殊效果的两难处境。
10、REVERB模块
lTYPE—ROOM1、ROOM2、HALL1、HALL2、PLATE
lREV TIME—0.1sec至10.0sec
lPRE DELAY—0msec至100msec
lLOW CUT—55.0HZ至800HZ
lHIGH CUT—700HZ至11.0KHZ，FLAT
lDENSITY—0至10
lEFFECT LEVEL—0至100
11、MASTER模块
lMASTER—可以对总音量和乐曲拍数进行设置。
lNOISE SUPPRESSOR—噪音门。
lFOOT VOLUME—对音量踏板的最大值进行设定。
lEFFECT CHAIN—可以对各种效果的连接顺序进行调节，这是一个非常好设计，它使GT-3的使用能象使用单块效果器一样方便一样随心所欲。
lNAME—可以为所调的音色取一个合适的名字12、PEDAL/ASSIGN模块
lEXPRESSION PEDAL—可以设为音量踏板也可设为感情踏板。可以对多种效果进行控制，如可控制音高、失真度、哇音等等。
lCTL PEDAL—几乎可以对所有效果进行控制。比如，可以用它来控制哇音效果的开关，这样，你就不必为了一首乐曲中的哇音SOLO而再调另一组音色了。
lASSIGN—可以对系统设置进行修改
13、 其它主要功能
l支持MIDI。
l有五种输出模式以适应不同的音箱。这是一个很实用的功能，当你外出演出时，可以根据现场的音箱情况选择一种输出模式，就不会因为演出音箱和你调音色用的音箱不同，而使得你不得不对调好的音色再次大动干戈。甚至在直接进调音台时，你也只需对调好的音色进行一些微调即可。也不会因为输出太大而使的调音台亮红灯，从而使得调音师不敢将吉他音量推上去。
l140组用户音色，200组原厂音色。
l新型EZ编辑方式用于只使用4个参数快速调整效果。
l调音功能。第二部分 基本操作方法



一、连接方法
GT-3有两种连接方式，分别是：
1.正常连接：首先将吉他连接到“INPUT”接口，然后将音箱的“INPUT”接口与GT-3的“OUTPUT”相连。GT-3允许立体声输出，也就是可以同时接两个音箱，不过，一般我们都只接一个音箱，所以应选择“OUTPUT”的“L”接口。如果音箱上有“L”和“R”两个接口，选择“L”；如果音箱上有多个通道接口，选择“NORMAL（CLEAN）”接口。然后按一下“UTILITY”键，进入“GLOBAL”状态，进行音箱类型的选择。如果你使用的是COMBO类型的音箱（就是功放和喇叭在一个单元里的印象，一般我们常用的就是这种），那就选择“GT.AMP（COMBO）”；如果你使用的是STACK类型的音箱（功放和喇叭在不同的单元里），就选择“GT.AMP（STACK）”。
2、特殊连接：将GT-3接到音箱的“RETURN”或“MAIN IN”接口（如果没有这两个接口，就接到“INPUT”接口），然后将音箱上的音色旋钮设成：BASS=0，MIDDLE=10，TREBLE=0。接下来再进入“GLOBAL”状态，进行音箱类型的选择，根据你使用的音箱类型，在“POWER AMP（COMBO）”和“POWER AMP（STACK）”中作出选择，道理同上。这种连接方式实际上是用GT-3代替音箱自身的前级，除非你的音箱前级实在太差，一般我们还是选择第一种连接法。

二、使用及调试

1、使用原厂音色：当连接完毕后，一般情况下，我们可以将音箱上的音色旋钮均开到中间位置，音量适中，音箱上的失真不要打开，如有合唱等效果，也先不要打开。然后打开音箱和GT-3的电源。GT-3上有200种原厂音色和140种用户音色，在新的GT-3上，用户音色里的音色均为原厂音色。你可以用“BANK”踏板或“value”旋钮来切换各档音色，数字下有阴影底的是原厂音色。一般效果器上的原厂音色大多是无法领你满意的，但你
可以从原厂音色中了解到各效果（特别是一些特殊效果的音色和大致使用方法）。在调试自己满意的音色之前，你应该先将原厂音色大致试用一下。不过GT-3的原厂音色倒比较适合在直接进调音台使用。

2、使用用户音色：将效果器调到用户音色档上，比如用户音色第一组第一档，这时上面的音色任是原厂音色中的一种，你可以对它进行调整，也可以将它调成完全不同的音色。在调试之前，你必须清楚你要得是什么音色。下面，我们就用调节一个失真音色实例来讲解基本的调试操作。
首先，将所有效果都关掉。效果模块上的红灯亮表示模块中的有一个效果正在使用中，按一下此模块的按钮，就会进入此模块的编辑状态，再按一下，就会关掉此模块。同样，打开一个模块方法也一样。
接着，我们按一下“COMPRESSOR”按钮（如果显示屏上的字在闪动，表示此效果未被打开，需再按一下按钮），再按“PARAMETER”进入“FX SELECT”，用“value”旋钮选择使用“CS”效果，再按“PARAMETER”进入“SUSTAIN”，将它设为30，“ATTACK”设为52，“TONE”为+4，“LEVEL”为50。
然后，我们按一下“OD/DS”按钮，将它打开，再按“PARAMETER”进入“TYPE”选择你所需要的失真类型，比如我们选择DS-2。选好失真类型后，按“PARAMETER”进入“DRIVE”，用“value”旋钮来调节所需失真度，这里我们将它设为50。接着按，按“PARAMETER”进入“BASS”，设为+3。同样的方法，我们将“TREBLE”设为—10，“LEVEL”设为50（一般情况下，可以将“LEVEL”均设为50）。
接着，我们开始调试音箱模拟器。按“PREAMP/SP SIM”按钮，打开此效果并进入“TYPE”，选择所需的类型。一般来说，用“JC-120”和“CLEAN TWIN”来配合失真，得到的音色会比较紧凑结实，因此在这里我们选用“CLEAN TWIN”。按“PARAMETER”，进入并将数据设为：“VOLUME”=50，“BASS”=57，“MIDDLE”=60，“TREBLE”=48，“PRESENCE”=9，“MASTER”=63，“BRIGHT”=ON，“GAIN”=MIDDLE。注意“SP SIMULATOR”只有在“GLOBAL”设为“LINE”时才能用。
下一步开始调节均衡，打开“EQ”，将数据设为：“LOW EQ”=+4，“LO-MID F”=400HZ，“LO-MID Q”=2，“LO-MID EQ”=+7，“HI-MID F”=2.50KHZ，“HI-MID Q”=1，“HI-MID EQ”=+12，“HIGH EQ”= —2，“LEVEL”=0DB。
然后，打开“DELAY”，将“TYPE”设为“SINGLE”，“DLYTIME”=320MS，“DLYTIME.F”=320MS，“FEEDBACK”=12，“HIGHCUT”=11.0KHZ，“LEVEL”=27。
再打开“CHORUS”，将“MODE”设为MONO（如果，你接了两个音箱，也可设为STEREO），“RATE”=40，“DEPTH”=30，“PRE DELAY”=2.0MS，“HIGHCUT”=8.00KHZ，“EFFECT LEVEL”=10。
打开“REVERB”，进入“TYPE”选择类型，一般我们可以选择“PLATE”，并将“REV TIME”=1.6S，“PRE DELAY”=5MS，“LOW CUT”=110HZ，“HIGH CUT”=11.0KHZ，“DENSITY”=8，“EFFECT LEVEL”=20。
然后，我们进入“MASTER”模块，先设置“MASTER LEVEL”，你可以根据自己的需要任意设置，只要使得在不同音色组切换时，此组音色音量能够保持平衡就可（也就是音量不太大也不太小）。“MASTER BPM”只有当你使用了需要使用此数据的效果时才有用，可以不去调它。“NOISE SUPPRESSOR”在失真的音色中是一定要打开的，我们将“THRESHOLD”=50（数值越大，噪音越小，但开得过大会将延音也削掉，因此必须在噪音和延音之间寻找平衡点），“RELEASE”=50。“FOOT VOLUME”一般都设为100。再进入“EFFECT CHAIN”，你可以通过“value”旋钮来移动显示屏上的小人，你需要将何种效果移到什么位置，就将小人移到什么位置，再按一下此效果的按钮就可以了。效果的缩写被大写表示此效果已开。最后，为新的音色取个名字。3、踏板的使用
lEXP PEDAL：你可以在打开此效果的时候，用“value”旋钮在设定好的12种模式中根据需要任选一种，也可以用“PARAMETER”按钮进入“TARGET”模式选择更多的使用方式。一般用第一种方法就行了，因为EXP PEDAL真正实用的使用方法并不是很多，这12种模式已能基本包括了。
lCTL PEDAL：在EXP PEDAL模式中连续按“PARAMETER”按钮就可以进入CTL PEDAL编辑。同样你可以用“value”
旋钮在设定好的10种模式中根据需要任选一种，也可以用“PARAMETER”按钮进入“TARGET”模式选择更多的使用方式。这次我们最好使用后一种方式来对CTL PEDAL进行设置，因为CTL PEDAL的使用方法是没有一定之规的。

4、MANUAL使用法
按一下“MANUAL”按钮，就可以进入MANUAL使用状态，在此状态中，2个“BANK”踏板和4个音色踏板就象6个单块效果器，你可以用“PARAMETER”和“value”来选择每个踏板的控制效果。

5、简易调试法
按一下“EZ EDIT”按钮，进入，简易调试状态，在此状态中，你可以从“TYPE”、“VARIATION”、“DRIVE”、“TONE”、“MOD”、“DELAY”六个方面对音色进行快速调试。当你需要一个临时的音色又只有很短的时间来调时，可以用这种方式。

6、储存方法
在音色调试完毕后，按一下“WRITE”键，显示屏上会显示出“COPY TO ……..”的字样，问你要将此音色存到哪一组用户音色组中，你可以通过转动“value”旋钮来选择音色组。然后再按一下“WRITE”键，此音色就会被储存在你所选择的音色组中。如果你不想储存，可以按“EXIT”键退出。

由于篇幅有限，不可能对所有使用方法进行一一介绍，但其使用方法的原理基本大同小异，而且GT-3的使用界面很易懂，你只要参照以上的介绍再结合说明书，应该会很快全面掌握它的使用方法的。第三部分 常用音色调试方法及参数

调试所用设备：吉他：IBANEZ RG570；拾音器：DIMAZIO PAFPRO（NECK）、TONEZONE、IBANEZ S1（MIDDLE）；音箱：SAMICK STACK20（TONE旋钮均为中间值）。

一、金属失真
1、调试方法：首先我们要选择一个失真类型，METAL-1或METAL-2都是不错的选择，但METAL-1的声音要结实一些，更适合做节奏音色，而METAL-2音色要散一些，也更湿润一点，适合SOLO。这里我们选择METAL-1。EFFECT LEVEL打到50，失真度达到40至50，BASS和TREBLE的值你可以根据自己的感觉定，不过一般BASS的值要增，TREBLE的值要减。
其次，调试均衡，要点是要调出METAL音色的刚劲，因此对低频和中频要给予相当的提升，高频要适当衰减。在后面的音色参数中，会给出具体数据。要调好一个音色，均衡的作用是很关键的，但当使用不同的设备时，均衡参数的变数也是最大的，因此，所给的参数只能作为参考，你必须结合自己设备的特性进行调整。
然后，选择并调试音箱模拟器。当然，你也可以不用，但对均衡的数据要再调整一下。这里，我们选用“CLEAN TWIN”，其他的数据你可以参考音色参数，要注意的是“BRIGHT”的开和关，对音色的影响很大，一般最好将它打开，这样声音会更结实，如果觉得高频太刺耳，可以通过均衡来衰减，或者可以用“JC-120”来替代“CLEAN TWIN”。另外，“GAIN”也最好设为“MIDDLE”。
最后，加上适度的压缩、延时和混响，并将总音量调到适度位置，一个重金属失真音色就完成了。如果你将延时、混响关掉（可行的话，将音箱模拟器也关掉），并将失真度打到10左右，这也是一个很好的练琴音色。二、CLEAN音色
1、调试方法：相对失真音色而言，CLEAN的音色要好调一些，其关键有三方面：第一是音箱模拟器的选择，在GT-3里，一般都用“CLEAN TWIN”，如果你想要类似JAZZ风格的音色，也可以用“JC-120”。注意将“BRIGHT”设为“ON”。第二，根据自己琴和音箱的特点设置均衡，高频要加以提升，注意音色既要有亮度又不能太尖，尽量使声音有一种玻璃（或水晶）般的感觉。第三要注意延时、合唱、混响的添加，一般这些效果的出力都应比失真音色时大一些，这样才能使音色有空灵、飘逸的感觉。
当然，你也可以加一些特殊效果在里面，比如，适当加一些FLANGER效果，如果你用的是双线圈的拾音器，也可以试一下拾音器模拟效果，将双线圈模拟成单线圈，以获得那种薄而脆的音色。三、流行乐SOLO音色
1、调试方法：几乎每一个吉他大师都有属于自己的SOLO音色，这里要介绍的是一种比较温暖圆润的SOLO音色，适合用于流行乐曲。所以在这里，失真类型选用了“TURBO OD”，音箱模拟器选用了“CRUNCH”。要注意的是，拾音器最好选用琴桥这一档，这样音色既温暖圆润又不失力度。如果要用琴颈档的拾音器，你可以将效果器中的高频提升一些。
另外，对于延时等效果的添加要适度，以免声音无法透出来。但如果添加不够，音色就会太干，因此，在具体调试时，除了参考音色参数外，请根据自己的实际情况加以调整。
四、METAL 5150
1、调试方法：这是模仿VAN HALEN的失真音色，因此没有用BOSS的失真效果，而是选用了音箱模拟器中“METAL 5150”上的失真源。在调试这个效果的时候要注意的有以下几点：第一，“METAL 5150”上的GAIN应在“MIDDLE”和“HIGH”两档里选，在音色参数中用的是“MIDDLE”，如果你希望要更凶的音色，也可以用“HIGH”；第二，均衡的参数，特别是“LO-MID F”和“HI-MID F”这两档，音色参数中的数据可以参考，但是我调试用的设备和你的不太可能一样，因此你必须根据自己的设备情况加以修正；第三，在音色数据中，没有加延时效果，目的是为了声音更干净，更适合失真节奏，如果要用它来作SOLO音色，请将延时加上，调试方法可以参考前面的音色数据。
五、BLUES音色
1、调试方法：每个布鲁斯吉他大师都有自己的独特音色，但他们的音色主要是由琴和音箱本身决定的，用综合效果器是很难模仿的。但是布鲁斯音色却又是不得不备的，在这里，我们调试一个传统的布鲁斯音色。调试要点：第一，布鲁斯音色最重要的一点是要能够将吉他手触弦的细微感情变化表现出来，因此在这个音色里，并没有使用均衡效果；第二，由于大部分布鲁斯吉他手用的都是单线圈的拾音器，因此，在这里使用了“PICKUP SIM”，将双线圈拾音器模拟成单线圈拾音器，当然，如果你用的本来就是单线圈拾音器的琴，就不必用这个功能了；第三，音箱模拟器除了音色参数中选用的“CLEAN TWIN”之外，“CRUNCH”和“VOXY DRIVE”也是不错的选择，特别是在SOLO时用，音色会更厚实饱满一些，可以试试看。第四，拾音器最好选择琴颈位置的。
六、FENDER AMP
1、调试方法：这是一个模仿将琴直接接入FENDER音箱的原音音色，对琴本身的音色要求比较高，如果琴音色不好，这个音色的效果可能就不会太好。为了能最大限度的体现琴本身的音色特性，因此只用了音箱模拟器，并加了一点延时、合唱以及混响。注意在设置音箱模拟器中的音量时，不要太大，否则会失真。如果你用的是双线圈拾音器，你可以将“PICKUP SIM”打开，就会得到类似FENDER琴的音色。另外，最好将拾音器选择开关打到从琴颈数下来的第二档。
七、箱琴音色
1、调试方法：这是一个模拟箱琴的音色，不过由于GT-3的箱琴模拟器并不是很专业，因此，此音色效果一般。但对于需要经常在电琴和箱琴之间切换的人来说，此音色还是需要的。调试要点：第一，音箱模拟器要用“AC GUITAR”，这是一个箱琴音箱的模拟器；第二，EQ的中频要适当衰减，以使声音变薄；第三，合唱、混响不要太大，否则就会使音色变混，延时可以不加八、DS-1失真
1、调试方法：这是一个模仿JOE SATRIANI的音色。调试要点：第一，失真必须选择DS-1，失真度不要太大，高音适当衰减；第二，音箱模拟器要选“CLEAN TWIN”，其它的音色颗粒感都不象；第三，均衡的低、中频要提升，高频要衰减，注意使音色保持温暖的同时不要发闷；第四，如果要用踏板控制八度音，要将此效果置于效果链的最前端；第五，使用时，要注意用琴上的音量开关来改变失真度。总的来说，GT-3上的DS-1的音色是比较接近单块DS-1的音色的，不过总还是差一截，所以，你要得到更象SATRIANI的音色，最好买一块单块的DS-1效果器，将它和GT-3串在一起用，你只要用单块代替GT-3上的失真，其它数据都基本不用变。
2、音色参数
lCOMP/LM： FX SELECT CS
SUSTAIN 50
ATTACK 40
TONE +9
LEVEL 50
lOD/DS： TYPE DISTORTION 1
DRIVE 14
BASS +12
TREBLE -10
LEVEL 50
l PREAMP： TYPE CLEAN TWIN
VOLUME 44
BASS 64
MIDDLE 75
TREBLE 40
PRESENCE 2
MASTER 64
BRIGHT ON
GAIN MIDDLE
l EQ： LOW EQ +9DB
LO-MID F 2.00KHZ
LO-MID Q 0.5
LO-MID EQ +13DB
HI-MID F 2.50KHZ
HI-MID Q 0.5
HI-MID EQ +11DB
HIGH EQ -9DB
LEVEL 0DB
l DELAY： TYPE SINGLE
DLYTIME 420MS
DLYTIME F 420MS
FEEDBACK 20
HIGH CUT 8.00KHZ
LEVEL 25
l REVERB： TYPE PLATE
REV TIME 2.8S
PRE DELAY 17MS
LOW CUT 165HZ
HIGH CUT 11.0KHZ
DENSITY 8
LEVEL 20
l MASTER： 根据需要设定总音量大小，将噪音门打开。
lPEDAL： 1、哇音踏板的设置：第一步，打开哇音，选择“PEDAL WAH”； 第二步，按“PEDAL/ASSIGN”键，屏幕上会出现“EXP PEDAL ON”的字样，转动“value”，选择“U2=WAH PEDAL”。然后储存即可。
2、八度音踏板的设置：
第一步，按“MOD”键，并将此模块打开，具体数据如下：
lFX SELECT HR
lVOICE 1-VOICE
lHR1 MODE MONO
lHR1 PITCH 不用设置，由踏板控制
lHR1 FINE 不用设置，由踏板控制（注意FINE “100”=PITCH“1”）
lHR1 PREDLY 0MS
lHR1 FEEDBACK 0
lHR1 LEVEL 100
lDIRECT LEVEL 0
第二步，按“PEDAL/ASSIGN”键，将“EXP PEDAL”设为
“U3=PEDAL SHIFT”。
第三步，按“MASTER”键，并连续按“PARAMETER”箭头进入“EFFECT CHAIN”，将“HR”放置在最前面（一般GT-3会自动设置好，你只要确认一下即可）。第二章 基本操作

本章内容：编辑、创作和保存各种音色的方法及GT的各种状态设置

在GT中，内部效果的连接顺序以及每种效果的各项设置都集中存于“Patch Number（音色号）”中。GT-3有340个Patch Number，GT-5有250个。

GT中，音色由以下设置决定：

1、各种效果的连接顺序
2、每种效果的开启与关闭
3、每种效果的各项参数设置
4、输出电平的设置
5、表情踏板的设置
6、控制踏板的设置
7、指定控制器的功能
8、音色命名

哈力森

GT3的音色参数
PATCH NAME: Always Joe

PREAMP / SPEAKER SIM
Type: Metal Drive
Volume: 55
Bass: 48
Middle: 100
Treble: 80
Presence: 0
Master: 68
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 6
Low-Mid freq: 800Hz
Low-Mid Q: 0.5
Low-Mid EQ: 0
High-Mid freq: 4.00kHz
High-Mid Q: 1
High-Mid EQ: 0
High EQ: 0
Level: 0

DELAY
Type: Single
Delay Time: 460
Delay Time F: 0
Feedback: 7
High Cut Filter: 4.00kHz
Effect Level: 12

REVERB
Type: Hall 1
Reverb Time: 1.9
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 10
Effect Level: 14

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: Off
NS Threshold: 60
NS Release: 50
Foot Volume: 0

CHAIN
Preamp
Equalizer
Reverb
Delay
Noise Sup
Foot Volume
Modulation
SFX
Comp/Lim
Overdrive
Wah
Chorus

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: TUNER On/Off
Target Min: Off
Target Max: On
Source Mode: Normal






GT3 ：
PATCH NAME: GX SATRIANI

OVERDRIVE / DISTORTION
Type: Vintage OD
Drive: 70
Bass: 0
Treble: 0
Level: 45
PREAMP / SPEAKER SIM
Type: MS1959(I)
Volume: 60
Bass: 100
Middle: 0
Treble: 0
Presence: 0
Master: 80
Bright: Off
Gain: High
Mic Setting: 1cm
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 0
Low-Mid freq: 630Hz
Low-Mid Q: 1
Low-Mid EQ: 3
High-Mid freq: 5.00khz
High-Mid Q: 1
High-Mid EQ: 3
High EQ: 0
Level: 0

DELAY
Type: Single
Delay Time: 100
Delay Time F: 19
Feedback: 25
High Cut Filter: Flat
Effect Level: 18

REVERB
Type: Hall 1
Reverb Time: 2.8
Pre Delay: 22
Low Cut Filter: 55.0Hz
High Cut Filter: 4.00kHz
Density: 10
Effect Level: 24

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 75
NS Release: 15
Foot Volume: 60

CHAIN
SFX
Comp/Lim
Wah
Equalizer
Overdrive
Preamp
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 60

CTL PEDAL
Target: OD: Drive
Target Min: 70
Target Max: 100
Source Mode: Toggle






GT3：
PATCH NAME: GX STEVE V.
PREAMP / SPEAKER SIM
Type: MS1959(I)
Volume: 60
Bass: 50
Middle: 20
Treble: 20
Presence: 0
Master: 100
Bright: Off
Gain: High
Mic Setting: 1cm
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 0
Low-Mid freq: 500Hz
Low-Mid Q: 1
Low-Mid EQ: 0
High-Mid freq: 4.00kHz
High-Mid Q: 1
High-Mid EQ: 0
High EQ: 0
Level: 0

DELAY
Type: Single
Delay Time: 420
Delay Time F: 14
Feedback: 25
High Cut Filter: Flat
Effect Level: 25

REVERB
Type: Hall 1
Reverb Time: 4.0
Pre Delay: 22
Low Cut Filter: 55.0Hz
High Cut Filter: 4.00kHz
Density: 10
Effect Level: 30

MASTER
Master Level: 50
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 75
NS Release: 15
Foot Volume: 60

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 60

CTL PEDAL
Target: SFX: On/Off
Target Min: Off
Target Max: On
Source Mode: Normal






GT3：
PATCH NAME: SATCH TONE
COMPRESSOR / LIMITER
FX Select: Compressor
Sustain: 50
Attack: 40
Tone: 0
Level: 50

OVERDRIVE / DISTORTION
Type: Distortion 2
Drive: 32
Bass: 0
Treble: 10
Level: 10

PREAMP / SPEAKER SIM
Type: MS1959(I+II)
Volume: 80
Bass: 100
Middle: 25
Treble: 50
Presence: 50
Master: 43
Bright: On
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 1

EQUALIZER
Low EQ: 1
Low-Mid freq: 100Hz
Low-Mid Q: 0.5
Low-Mid EQ: -2
High-Mid freq: 8.00kHz
High-Mid Q: 4
High-Mid EQ: 12
High EQ: 10
Level: 4

DELAY
Type: Tap
Delay Time: 20
Delay Time F: 0
Tap Time: 50
Feedback: 27
High Cut Filter: Flat
Effect Level: 14

CHORUS
Mode: Stereo
Rate: 20
Depth: 30
Pre Delay: 30.0
High Cut Filter: Flat
Effect Level: 70

REVERB
Type: Hall 1
Reverb Time: 5.0
Pre Delay: 30
Low Cut Filter: 165Hz
High Cut Filter: Flat
Density: 10
Effect Level: 15

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 40
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Foot Volume
Overdrive
Preamp
Equalizer
Noise Sup
Chorus
Modulation
Delay
Reverb

EXP PEDAL
Target: WAH: Pedal
Target Min: 0
Target Max: 100

CTL PEDAL
Target: MOD: On/off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 1
Target: WAH: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127

ASSIGN 2
Target: EQ: Level
Target Min: 4
Target Max: 6
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127

GT3：
一个模仿STEVE VAI的音色
COMPRESSOR / LIMITER
FX Select: Compressor
Sustain: 31
Attack: 0
Tone: -50
Level: 100
WAH
FX Select: Pedal Wah
Pedal: 100
Level: 100

PREAMP / SPEAKER SIM
Type: Metal 5150
Volume: 58
Bass: 45
Middle: 64
Treble: 77
Presence: 48
Master: 66
Bright: Off
Gain: Low
Mic Setting: Center
Mic Level: 42
Direct Level: 0

EQUALIZER
Low EQ: -3
Low-Mid freq: lOOHz
Low-Mid Q: 0.5
Low-Mid EQ: 7
High-Mid freq: 400Hz
High-Mid Q: 16
High-Mid EQ: 6
High EQ: 1
Level: 4

MODULATION
FX Select: Sub Equalizer
Low EQ: 6

Low-Mid freq: 500Hz
Low-Mid Q: 1
Low-Mid EQ: -4
High-Mid freq: 4.00kHz
High-Mid Q: 1
High-Mid EQ: 0
High EQ: 0
Level: 0

DELAY
Type: Tap
Delay Time: 820
Delay Time F: 16
Tap Time: 50
Feedback:28
High Cut Filter: Flat
Effect Level: 24

CHORUS
Mode: Stereo
Rate: 62
Depth: 28
Pre Delay: 20.0
High Cut Filter: Flat
Effect Level: 27

REVERB
Type: Hall 2
Reverb Time: 3.0
Pre Delay: 35
Low Cut Filter: 165Hz
High Cut Filter: 11.0khz
Density: 0
Effect Level: 9

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 86
NS Release: 0
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: DD: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle



GT3：
PATCH NAME: Drugged
SFX
FX Select: Pickup Sim
Type: 'S' to 'H'
Tone: 0
Level: 100

OVERDRIVE / DISTORTION
Type: Distortion 1
Drive: 80
Bass: 5
Treble: 15
Level: 25

PREAMP / SPEAKER SIM
Type: Metal 5150
Volume: 1
Bass: 77
Middle: 30
Treble: 61
Presence: 77
Master: 63
Bright: Off
Gain: Low
Mic Setting: Center
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 12
Low-Mid freq: 1.60kHz
Low-Mid Q: 2
Low-Mid EQ: -5
High-Mid freq: 1.00kHz
High-Mid Q: 0.5
High-Mid EQ: 0
High EQ: 9
Level: 15

REVERB
Type: Room 2
Reverb Time: 1.8
Pre Delay: 10
Low Cut Filter: 110Hz
High Cut Filter: 6.00kHz
Density: 4
Effect Level: 12

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 65
NS Release: 25
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Equalizer
Preamp
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: SP: Mic Level
Target Min: 100
Target Max: 69
Source Mode: Toggle

ASSIGN 1
Target: SP: Direct Level
Target Min: 0
Target Max: 31
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127

ASSIGN 3
Target: CS: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127

ASSIGN 4
Target: OD: Level
Target Min: 28
Target Max: 25
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127



GT3：
PATCH NAME: 442

PREAMP / SPEAKER SIM
Type: Metal 5150
Volume: 78
Bass: 100
Middle: 40
Treble: 75
Presence: 100
Master: 45
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 4
Low-Mid freq: 160Hz
Low-Mid Q: 1
Low-Mid EQ: 6
High-Mid freq: 1.00kHz
High-Mid Q: 1
High-Mid EQ: -4
High EQ: 6
Level: 0

REVERB
Type: Plate
Reverb Time: 2.8
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 4
Effect Level: 2

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 45
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Overdrive
Wah
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target Min: Clean TWIN
Target Max: Metal 5150
Target: PRE: Type

CTL PEDAL
Target: WAH: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 1
Target: PRE: Volume
Target Min: 78
Target Max: 28
Source: EXP PEDAL
Source Mode: Normal
Active Range Low: 0
Active Range High: 127

ASSIGN 2
Target: PRE: Gain
Target Min: Low
Target Max: Middle
Source: EXP PEDAL
Source Mode: Normal
Active Range Low: 0
Active Range High: 127


GT3：
PATCH NAME: DeVille Drv

OVERDRIVE / DISTORTION
Type: Turbo OD
Drive: 18
Bass: 1
Treble: 0
Level: 55

PREAMP / SPEAKER SIM
Type: Crunch
Volume: 50
Bass: 50
Middle: 70
Treble: 55
Presence: 10
Master: 90
Bright: Off
Gain: Middle
Mic Setting: 5cm
Mic Level: 100
Direct Level: 0

REVERB
Type: Plate
Reverb Time: 3.5
Pre Delay: 10
Low Cut Filter: 55.0Hz
High Cut Filter: Flat
Density: 10
Effect Level: 20

MASTER
Master Level: 60
Master BPM: 120
Noise Suppressor Effect: On
NS Threshold: 50
NS Release: 50
Foot Volume: 0

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: OD: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle


gt3：
PATCH NAME: Corner Solo
WAH
FX Select: Auto wah
Mode: LPF
Polarity: Up
Sensitivity: 0
Frequency: 22
Peak: 100
Rate: 0
Depth: 0
Level: 100

PREAMP / SPEAKER SIM
Type: SLDN Lead
Volume: 70
Bass: 50
Middle: 50
Treble: 50
Presence: 0
Master: 78
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

DELAY
Type: Single
Delay Time: 420
Delay Time F: 0
Feedback: 20
High Cut Filter: Flat
Effect Level: 10

REVERB
Type: Plate
Reverb Time: 2.8
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 8
Effect Level: 8

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 45
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: DD: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle



GT3：
PATCH NAME: CornrChorus
PREAMP / SPEAKER SIM
Type: SLDN Lead
Volume: 70
Bass: 71
Middle: 69
Treble: 50
Presence: 69
Master: 60
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 0
Low-Mid freq: 100Hz
Low-Mid Q: 1
Low-Mid EQ: 6
High-Mid freq: 1.00kHz
High-Mid Q: 1
High-Mid EQ: -4
High EQ: 6
Level: 0

CHORUS
Mode: Stereo
Rate: 30
Depth: 50
Pre Delay: 5.0
High Cut Filter: 8.00kHz
Effect Level: 33

REVERB
Type: Plate
Reverb Time: 2.8
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 8
Effect Level: 8

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 45
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: CE: On/Off
Target Min: On
Target Max: Off
Source Mode: Toggle

ASSIGN 1
Target: EQ: On/Off
Target Min: On
Target Max: Off
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127



GT3：
PATCH NAME: CREED
SFX
FX Select: Pickup Sim
Type: 'H' to 'HF'
Tone: 0
Level: 100

COMPRESSOR / LIMITER
FX Select: Limiter
Threshold: 40
Release: 30
Tone: 0
Level: 45

WAH
FX Select: Pedal Wah
Pedal: 100
Level: 100

OVERDRIVE / DISTORTION
Type: Metal 2
Drive: 40
Bass: 0
Treble: 0
Level: 40

PREAMP / SPEAKER SIM
Type: Clean TWIN
Volume: 40
Bass: 50
Middle: 50
Treble: 50
Presence: 0
Master: 80
Bright: Off
Gain: Middle
Mic Setting: 5cm
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: -10
Low-Mid freq: 500Hz
Low-Mid Q: 1
Low-Mid EQ: 5
High-Mid freq: 4.00kHz
High-Mid Q: 1
High-Mid EQ: 0
High EQ: 0
Level: 4

MODULATION
FX Select: Phaser
Type: 8 Stage
Rate: 30
Depth: 40
Manual: 25
Resonance: 25
Step: Off

DELAY
Type: Single
Delay Time: 600
Delay Time F: 0
Feedback: 30
High Cut Filter: Flat
Effect Level: 15

CHORUS
Mode: Stereo
Rate: 40
Depth: 50
Pre Delay: 4.0
High Cut Filter: 2.00kHz
Effect Level: 100

REVERB
Type: Plate
Reverb Time: 3.0
Pre Delay: 40
Low Cut Filter: 165Hz
High Cut Filter: 8.00kHz
Density: 8
Effect Level: 15

MASTER
Master Level: 75
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 60
NS Release: 50
Foot Volume: 100

CHAIN
Wah
Foot Volume
Comp/Lim
Modulation
Overdrive
Preamp
SFX
Delay
Chorus
Reverb
Equalizer
Noise Sup

EXP PEDAL
Target: WAH: Pedal
Target Min: 0
Target Max: 100

CTL PEDAL
Target: OD: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 1
Target: WAH: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127



GT3：
PATCH NAME: CornrBridge
SFX
FX Select: Pickup Sim
Type: 'H' to 'S'
Tone: 0
Level: 100

PREAMP / SPEAKER SIM
Type: SLDN Lead
Volume: 70
Bass: 71
Middle: 69
Treble: 50
Presence: 69
Master: 60
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

MODULATION
FX Select: Phaser
Type: Bi-Phase
Rate: 0
Depth: 49
Manual: 55
Resonance: 50
Step: Off

REVERB
Type: Plate
Reverb Time: 2.8
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 8
Effect Level: 8

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 50
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: PH: Manual
Target Min: 30
Target Max: 100

CTL PEDAL
Target: MOD: On/off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 3
Target: SFX: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127



GT3：
Patch Name : FireBlade
WAH
Auto Wah : on
FX Select : AW
Mode : LPF
Polarity : Down
Sens : 0
Freq : 50
Peak : 0
Rate : 86
Depth : 0
Level: 100

OD/DS
Type : Fuzz
Drive : 40
Bass : 0
Treble : 0
Level : 50

PREAMP
Type: Clean TWIN
Volume : 45
Bass : 50
Middle : 50
Treble : 50
Presence : 0
Master:50
Bright: Off
Gain: Middle
Mic. Setting: Center
Mic. Level: 100
Direct Level: 0

EQUALIZER
Low EQ: -2
Low-Mid F: 500Hz
Low-Mid Q: 1
Low-Mid EQ: 8
High-Mid F: 8.00kHz
High-Mid Q: 1
High-Mid EQ: +4
High EQ: 0
Level: -2

DELAY
Type: Sigal
Delay Time: 320
Delay Time.F: 0
Feedback: 20
High Cut Filter: 2.00kHZ
Effect Level: 20

Chorus
Mode: Mono Chorus
Rate: 40
Depth: 50
Pre Delay: 4.0ms
High Cut: Flat
Effect Level: 100

Reverb
Type: Plate
Rev Time: 2.8s
Pre Delay: 0ms
Low Cut: 165 Hz
High Cut: 6.00kHZ
Density: 8
Effect Level: 20

MASTER
Master Level: 100
Master BPM : 120
Noise Suppressor: On
NS Threshold: 45
NS Release: 50
Foot Volume: 100

PEDAL/ASSIGN
EXP PEDAL : ON
EXP PEDAL Target : FV - Level
Min : 0
Max : 100
CTL PEDAL : On
CTL PEDAL Target : PRE: On/Off
Target Min : off
Target Max : on
Source Mode : Toggle

EFFECTS CHAIN
ac - cs - AW - OD - PRE - EQ - NS - FV - hr - DD - CE - RV

I have the settings in the utility section on my GT-3 set to
Line(Headphones), Low Eq (0dB), High Eq (0dB), NS Threshold 0dB, Reverb Level 100%.




gt3：
PATCH NAME: Hoken Metal
WAH
FX Select: Auto wah
Mode: BPF
Polarity: Up
Sensitivity: 0
Frequency: 77
Peak: 80
Rate: 50
Depth: 0
Level: 100

PREAMP / SPEAKER SIM
Type: Metal Drive
Volume: 80
Bass: 50
Middle: 50
Treble: 50
Presence: 0
Master: 70
Bright: Off
Gain: Middle
Mic Setting: 5cm
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 0
Low-Mid freq: 1.00kHz
Low-Mid Q: 1
Low-Mid EQ: 2
High-Mid freq: 6.30kHz
High-Mid Q: 1
High-Mid EQ: 4
High EQ: 0
Level: -2

DELAY
Type: Single
Delay Time: 360
Delay Time F: 15
Feedback: 20
High Cut Filter: Flat
Effect Level: 30

REVERB
Type: Plate
Reverb Time: 2.8
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 8
Effect Level: 10

MASTER
Master Level: 100
Master BPM: 120
Noise Suppressor Effect: On
NS Threshold: 55
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: AW: Freq
Target Min: 3
Target Max: 85

CTL PEDAL
Target: WAH: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 1
Target: DD: E.Level
Target Min: 15
Target Max: 30
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127



GT3：
PATCH NAME: JCM Series
OVERDRIVE / DISTORTION
Type: Fuzz
Drive: 76
Bass: 15
Treble: 0
Level: 100

PREAMP / SPEAKER SIM
Type: Clean TWIN
Volume: 50
Bass: 60
Middle: 80
Treble: 0
Presence: 0
Master: 48
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 0
Low-Mid freq: 125Hz
Low-Mid Q: 4
Low-Mid EQ: 5
High-Mid freq: 1.00kHz
High-Mid Q: 1
High-Mid EQ: 4
High EQ: -9
Level: 3

REVERB
Type: Plate
Reverb Time: 2.8
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 8
Effect Level: 8

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 78
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

CTL PEDAL
Target: OD: Drive
Target Min: 10
Target Max: 69
Source Mode: Toggle

ASSIGN 1
Target: CS: On/Off
Target Min: On
Target Max: Off
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127



GT3：
PATCH NAME: Satriani
PREAMP / SPEAKER SIM
Type: Metal Drive
Volume: 55
Bass: 48
Middle: 100
Treble: 80
Presence: 0
Master: 68
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 6
Low-Mid freq: 800Hz
Low-Mid Q: 0.5
Low-Mid EQ: 0
High-Mid freq: 4.00kHz
High-Mid Q: 1
High-Mid EQ: 0
High EQ: 0
Level: 0

DELAY
Type: Single
Delay Time: 460
Delay Time F: 0
Feedback: 7
High Cut Filter: 4.00kHz
Effect Level: 12

REVERB
Type: Hall 1
Reverb Time: 1.9
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 10
Effect Level: 14

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: Off
NS Threshold: 60
NS Release: 50
Foot Volume: 0

CHAIN
Preamp
Equalizer
Reverb
Delay
Noise Sup
Foot Volume
Modulation
SFX
Comp/Lim
Overdrive
Wah
Chorus

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: TUNER On/Off
Target Min: Off
Target Max: On
Source Mode: Normal


GT3：
PATCH NAME: Kinks
OVERDRIVE / DISTORTION
Type: Distortion 2
Drive: 20
Bass: +8
Treble: -10
Level: 70

PREAMP
Type: JC 120
Volume: 30
Bass: 50
Middle: 50
Treble: 50
Presence: 0
Master: 85
Bright: OFF
Gain: MIDDLE
Mic Setting: CENTRE
Mic Level: 100
Direct Level:  O

EQUALIZER
Low EQ: 0
Low-Mid freq: 800Hz
Low-Mid Q: 1
Low-Mid EQ: +10
High-Mid freq: 3.15kHz
High-Mid Q: 1
High-Mid EQ: +3
High EQ: 0
Level: -4

REVERB
Type: PLATE
Reverb Time: 2.8
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 8
Effect Level: 8

MASTER
Master Level: 20
Master BPM: 120
Noise Suppressor Effect: ON
NS Threshold: 45
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: OFF
Target Min:
Target Max:

CTL PEDAL
Target: MST:MASTER LEVEL
Target Min: 20
Target Max: 56
Source Mode: Toggle



GT3：
PATCH NAME: Crying Boy
OVERDRIVE / DISTORTION
Type: Turbo OD
Drive: 20
Bass: 11
Treble: -20
Level: 50

PREAMP / SPEAKER SIM
Type: BG Lead
Volume: 30
Bass: 50
Middle: 50
Treble: 50
Presence: 69
Master: 68
Bright: Off
Gain: Middle
Mic Setting: 5cm
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 0
Low-Mid freq: 100Hz
Low-Mid Q: 1
Low-Mid EQ: 6
High-Mid freq: 1.00kHz
High-Mid Q: 1
High-Mid EQ: -4
High EQ: 6
Level: 2

REVERB
Type: Room 2
Reverb Time: 1.8
Pre Delay: 10
Low Cut Filter: 165Hz
High Cut Filter: 4.00kHz
Density: 8
Effect Level: 8

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 50
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: DD: On/Off
Target Min: Off
Target Max: On
Source Mode: Normal

ASSIGN 1
Target: SFX: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Normal
Active Range Low: 0
Active Range High: 127



GT3：
PATCH NAME: LOW METAL
COMPRESSOR / LIMITER
FX Select: Compressor
Sustain: 50
Attack: 0
Tone: 0
Level: 50

OVERDRIVE / DISTORTION
Type: Metal 1
Drive: 50
Bass: 0
Treble: 0
Level: 48

PREAMP / SPEAKER SIM
Type: Clean TWIN
Volume: 35
Bass: 85
Middle: 45
Treble: 55
Presence: 60
Master: 67
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: -4
Low-Mid freq: 1.25kHz
Low-Mid Q: 2
Low-Mid EQ: -4
High-Mid freq: 100Hz
High-Mid Q: 8
High-Mid EQ: 2
High EQ: 1
Level: 3

MODULATION
FX Select: Harmonist
Voice: 2-Stereo
H1 Mode: Slow
H1 Pitch: -4
H1 Fine: 0
H1 PreDly: 0
H1 Fdback: 0
H1 Level: 100
H2 Mode: Slow
H2 Pitch: -4
H2 Fine: 0
H2 PreDly: 0
H2 Level: 100
Dir Level: 0

REVERB
Type: Hall 1
Reverb Time: 2.3
Pre Delay: 30
Low Cut Filter: 110Hz
High Cut Filter: 4.00kHz
Density: 10
Effect Level: 25

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 62
NS Release: 100
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Modulation
Delay
Chorus
Reverb
Foot Volume

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: OD: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle



gt3：
PATCH NAME: M.Friedman

WAH
FX Select: Pedal Wah
Pedal: 0
Level: 100

PREAMP / SPEAKER SIM
Type: SLDN Lead
Volume: 100
Bass: 55
Middle: 40
Treble: 55
Presence: 80
Master: 50
Bright: Off
Gain: High
Mic Setting: Center
Mic Level: 100
Direct Level: 0

REVERB
Type: Room 1
Reverb Time: 3.6
Pre Delay: 0
Low Cut Filter: 500Hz
High Cut Filter: 8.00kHz
Density: 8
Effect Level: 7

MASTER
Master Level: 100
Master BPM: 120
Noise Suppressor Effect: On
NS Threshold: 45
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: WAH: Pedal
Target Min: 0
Target Max: 100

CTL PEDAL
Target: WAH: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle


GT3：
Guitar suggestion: Jackson's with Seymour Duncan Screamin' Demons pickups
GT-3 general settings: Guitar Combo
OVERDRIVE / DISTORTION
Type: Metal 1
Drive: 50
Bass: 0
Treble: 0
Level: 25

PREAMP / SPEAKER SIM
Type: BG Lead
Volume: 25
Bass: 40
Middle: 0
Treble: 40
Presence: 100
Master: 50
Bright: On
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 4
Low-Mid freq: 250Hz
Low-Mid Q: 1
Low-Mid EQ: -2
High-Mid freq: 8.00kHz
High-Mid Q: 2
High-Mid EQ: -4
High EQ: 4
Level: 0

REVERB
Type: Hall 2
Reverb Time: 3.5
Pre Delay: 30
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 8
Effect Level: 8

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 75
NS Release: 60
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: OD: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 1
Target: CE: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127

ASSIGN 2
Target: SFX: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127



GT3：
适合弹FADE TO BLACK
PATCH NAME: METALLICA  
PREAMP / SPEAKER SIM
Type: BG Lead
Volume: 100
Bass: 0
Middle: 0
Treble: 88
Presence: 100
Master: 48
Bright: On
Gain: High
Mic Setting: 1cm
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 20
Low-Mid freq: 100Hz
Low-Mid Q: 1
Low-Mid EQ: 4
High-Mid freq: 500Hz
High-Mid Q: 1
High-Mid EQ: 0
High EQ: 11
Level: 0

CHORUS
Mode: Mono
Rate: 30
Depth: 45
Pre Delay: 4.0
High Cut Filter: Flat
Effect Level: 50

REVERB
Type: Hall 1
Reverb Time: 1.5
Pre Delay: 0
Low Cut Filter: 200Hz
High Cut Filter: 8.00kHz
Density: 10
Effect Level: 30

MASTER
Master Level: 55
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 68
NS Release: 29
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: CE: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle

GT3：
PATCH NAME: N My Corner
PREAMP / SPEAKER SIM
Type: SLDN Lead
Volume: 70
Bass: 71
Middle: 69
Treble: 50
Presence: 69
Master: 60
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

REVERB
Type: Plate
Reverb Time: 2.8
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 8
Effect Level: 8

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 70
NS Release: 20
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: SFX: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 1
Target: EQ: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127


gt3：
PATCH NAME: OZZY
COMPRESSOR / LIMITER
FX Select: Limiter
Threshold: 40
Release: 30
Tone: 0
Level: 50

WAH
FX Select: Pedal Wah
Pedal: 100
Level: 100

OVERDRIVE / DISTORTION
Type: Metal 2
Drive: 35
Bass: 0
Treble: 0
Level: 50

EQUALIZER
Low EQ: 0
Low-Mid freq: 500Hz
Low-Mid Q: 1
Low-Mid EQ: 0
High-Mid freq: 4.00kHz
High-Mid Q: 1
High-Mid EQ: 0
High EQ: 0
Level: 0

MODULATION
FX Select: Flanger
Rate: 20
Depth: 55
Manual: 80
Resonance: 30
Separation: 50
Level: 50

DELAY
Type: Single
Delay Time: 600
Delay Time F: 0
Feedback: 30
High Cut Filter: Flat
Effect Level: 25

CHORUS
Mode: Stereo
Rate: 40
Depth: 50
Pre Delay: 4.0
High Cut Filter: 2.00kHz
Effect Level: 100

REVERB
Type: Plate
Reverb Time: 3.0
Pre Delay: 40
Low Cut Filter: 165Hz
High Cut Filter: 8.00kHz
Density: 8
Effect Level: 15

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 70
NS Release: 55
Foot Volume: 100

CHAIN
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
SFX
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: OD: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle


GT3：
PATCH NAME: RUBINAcldr

PREAMP / SPEAKER SIM
Type: BG Lead
Volume: 80
Bass: 0
Middle: 70
Treble: 81
Presence: 89
Master: 50
Bright: On
Gain: Middle
Mic Setting: 2cm
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 8
Low-Mid freq: 100Hz
Low-Mid Q: 1
Low-Mid EQ: 5
High-Mid freq: 6.30kHz
High-Mid Q: 1
High-Mid EQ: 0
High EQ: 0
Level: 0

DELAY
Type: Single
Delay Time: 460
Delay Time F: 1
Feedback: 10
High Cut Filter: Flat
Effect Level: 20

CHORUS
Mode: Stereo
Rate: 35
Depth: 50
Pre Delay: 4.0
High Cut Filter: 2.00kHz
Effect Level: 70

REVERB
Type: Plate
Reverb Time: 2.5
Pre Delay: 0
Low Cut Filter: 500Hz
High Cut Filter: Flat
Density: 8
Effect Level: 20

MASTER
Master Level: 85
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 50
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: DD: E.Level
Target Min: 0
Target Max: 35

CTL PEDAL
Target Min: Clean TWIN
Target Max: BG Lead
Target: PRE: Type
Source Mode: Toggle

ASSIGN 1
Target: PRE: Gain
Target Min: Low
Target Max: Middle
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127


GT3：
Patch Name: Super Santana
SFX
PIC SIM: 'S' to 'H'
Tone: 0
Level: 100

OD/DS
Distortion 1
Drive: 100
Bass: +27
Treb: -50
Level: 88

EQ
Low eq: 0db
Low-mid f: 500Hz
Low-mid Q: 1
Low-mid eq: 0db
Hig-mid f: 4.00kHz
Hig-mid Q: 1
Hig-mid EQ: 0db
Hig-Eq: 0db
Level: 0db

Reverb
Hall 1
Rev. Time: 2.8s
Pre Delay: 0ms
Low cut: 165 Hz
High Cut: 6.00kHz
Density: 8
Effect Level: 10

Master
Master level: 100
Master bpm: 120
Noise Suppresor: on
Threshold: 50
Release: 50
Foot volume level: 100
FX chain: PIC>cs>wah>OD>pre>EQ>NS>FV>ph>dd>ce>RV

Pedal/Assign
Exp. Pedal: on
FV: level
Min: 0
Max: 100

GT3：
PREAMP / SPEAKER SIM
Type: MS1959(I)
Volume: 100
Bass: 100
Middle: 100
Treble: 100
Presence: 100
Master: 60
Gain: High
Mic Setting: Center
Mic Level: 100
Direct Level: 0

CHORUS
Mode: Stereo
Rate: 25
Depth: 25
Pre Delay: 0.0ms
High Cut Filter: 4.00kHz
Effect Level: 25

REVERB
Type: Plate
Reverb Time: 4.0s
Pre Delay: 0ms
Low Cut Filter: 200Hz
High Cut Filter: 4.00kHz
Density: 10
Effect Level: See Pedal Assign
MASTER
Master Level: 100
Master BPM: NA
Noise Suppressor Effect: On
NS Threshold: 50
NS Release: 50
Foot Volume: See Pedal Assign

CHAIN
Chorus&gt;Preamp&gt;NoiseSuppressor&gt;FootVolume&gt;Reverb

EXP PEDAL: On
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL: On
Target: Rv: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 1: On
Target: Rv: Effect
Target Min: 10
Target Max: 50
Source: SUB EXP PEDAL (If you don't have one, and don't mind giving up the EXP PEDAL as a volume pedal, you can reassign accordingly)
Source Mode: Normal
Active Range Low: 0

GT3：
PATCH NAME: UnderMyBed
SFX
FX Select: Anti Feedback
Manual Freq: 3
Manual Depth: 50
Search: On

PREAMP / SPEAKER SIM
Type: Metal Drive
Volume: 50
Bass: 75
Middle: 51
Treble: 67
Presence: 69
Master: 50
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

CHORUS
Mode: Stereo
Rate: 40
Depth: 50
Pre Delay: 4.0
High Cut Filter: Flat
Effect Level: 50

REVERB
Type: Room 1
Reverb Time: 2.0
Pre Delay: 5
Low Cut Filter: 110Hz
High Cut Filter: 4.00kHz
Density: 4
Effect Level: 15

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 30
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: CE: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 3
Target: EQ: Level
Target Min: -5
Target Max: -3
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127
GT3：
PATCH NAME: ZEN MAN   
PREAMP / SPEAKER SIM
Type: BG Lead
Volume: 94
Bass: 12
Middle: 70
Treble: 83
Presence: 91
Master: 71
Bright: On
Gain: Middle
Mic Setting: 1cm
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 9
Low-Mid freq: 100Hz
Low-Mid Q: 1
Low-Mid EQ: 5
High-Mid freq: 6.30kHz
High-Mid Q: 1
High-Mid EQ: 0
High EQ: 10
Level: 0

DELAY
Type: Single
Delay Time: 460
Delay Time F: 1
Feedback: 10
High Cut Filter: Flat
Effect Level: 35

CHORUS
Mode: Stereo
Rate: 35
Depth: 50
Pre Delay: 4.0
High Cut Filter: 2.00kHz
Effect Level: 70

REVERB
Type: Plate
Reverb Time: 2.5
Pre Delay: 0
Low Cut Filter: 500Hz
High Cut Filter: Flat
Density: 8
Effect Level: 20

MASTER
Master Level: 85
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 50
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: WAH: Pedal
Target Min: 0
Target Max: 100

CTL PEDAL
Target: CS: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 1
Target: WAH: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127

ASSIGN 2
Target: CE: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127

哈力森

★★★★★BOSS GT-3 资料库★★★★★

BOSS GT-3 效果器是一款很不错效果器，好多的使用者苦于没有经验调试，本人在多年的演出和调试中整理里一些数据，集中在一起，发给大家，仅供参考！

有关音乐乐器效果器技术讨论 用GT--3 调出

Joe Satriani 的哇音音色 （数据）

JOE SATRIANI  再所有的音乐作品里采用了大量的哇音效果，本人用  BOSS GT-3 效果器 调出一款模拟音色，提供给BOSS GT-3的使用者

音色视听地址

http://st1.ok.okxr.com//Song/388958/2005/05/31/175351,266456.mp3


AUTO  WAH     ON
FX SELECT      AW
MODE               BPE
POLARITY       UP
SENS                0
FREQ               15
PEAK                60
DATE                35
DEPTH             65
LEVEL               100

preamp type SLDN LEAD
VOLUME 100
BASS 80

MIDDLE 80
TEEBLE 85
PRESENCE 30
MASTER 70
GAIN HIGH
MIC SET CENTER
MIC LEVEL 100
DIVECT LEVEL 0

EQUALIZER

LOW EQ 10DB
LO-MID F 1.25KHZ
LO-MID Q 0.5
LO-MID EQ 5 DB
H- MID F 4.00 HZ
H-MID Q 1
H-MID EQ 0 DB
HIGH EQ 0 DB
LEVER 0 DB
DELAY
TYPE SINGL
DLY TIME 380 MS
DIY TIME .F 380 MSGT3的音色参数
PATCH NAME: Always Joe

PREAMP / SPEAKER SIM
Type: Metal Drive
Volume: 55
Bass: 48
Middle: 100
Treble: 80
Presence: 0
Master: 68
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 6
Low-Mid freq: 800Hz
Low-Mid Q: 0.5
Low-Mid EQ: 0
High-Mid freq: 4.00kHz
High-Mid Q: 1
High-Mid EQ: 0
High EQ: 0
Level: 0

DELAY
Type: Single
Delay Time: 460
Delay Time F: 0
Feedback: 7
High Cut Filter: 4.00kHz
Effect Level: 12

REVERB
Type: Hall 1
Reverb Time: 1.9
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 10
Effect Level: 14

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: Off
NS Threshold: 60
NS Release: 50
Foot Volume: 0

CHAIN
Preamp
Equalizer
Reverb
Delay
Noise Sup
Foot Volume
Modulation
SFX
Comp/Lim
Overdrive
Wah
Chorus

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: TUNER On/Off
Target Min: Off
Target Max: On
Source Mode: Normal






GT3 ：
PATCH NAME: GX SATRIANI

OVERDRIVE / DISTORTION
Type: Vintage OD
Drive: 70
Bass: 0
Treble: 0
Level: 45
PREAMP / SPEAKER SIM
Type: MS1959(I)
Volume: 60
Bass: 100
Middle: 0
Treble: 0
Presence: 0
Master: 80
Bright: Off
Gain: High
Mic Setting: 1cm
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 0
Low-Mid freq: 630Hz
Low-Mid Q: 1
Low-Mid EQ: 3
High-Mid freq: 5.00khz
High-Mid Q: 1
High-Mid EQ: 3
High EQ: 0
Level: 0

DELAY
Type: Single
Delay Time: 100
Delay Time F: 19
Feedback: 25
High Cut Filter: Flat
Effect Level: 18

REVERB
Type: Hall 1
Reverb Time: 2.8
Pre Delay: 22
Low Cut Filter: 55.0Hz
High Cut Filter: 4.00kHz
Density: 10
Effect Level: 24

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 75
NS Release: 15
Foot Volume: 60

CHAIN
SFX
Comp/Lim
Wah
Equalizer
Overdrive
Preamp
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 60

CTL PEDAL
Target: OD: Drive
Target Min: 70
Target Max: 100
Source Mode: Toggle






GT3：
PATCH NAME: GX STEVE V.
PREAMP / SPEAKER SIM
Type: MS1959(I)
Volume: 60
Bass: 50
Middle: 20
Treble: 20
Presence: 0
Master: 100
Bright: Off
Gain: High
Mic Setting: 1cm
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 0
Low-Mid freq: 500Hz
Low-Mid Q: 1
Low-Mid EQ: 0
High-Mid freq: 4.00kHz
High-Mid Q: 1
High-Mid EQ: 0
High EQ: 0
Level: 0

DELAY
Type: Single
Delay Time: 420
Delay Time F: 14
Feedback: 25
High Cut Filter: Flat
Effect Level: 25

REVERB
Type: Hall 1
Reverb Time: 4.0
Pre Delay: 22
Low Cut Filter: 55.0Hz
High Cut Filter: 4.00kHz
Density: 10
Effect Level: 30

MASTER
Master Level: 50
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 75
NS Release: 15
Foot Volume: 60

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 60

CTL PEDAL
Target: SFX: On/Off
Target Min: Off
Target Max: On
Source Mode: Normal






GT3：
PATCH NAME: SATCH TONE
COMPRESSOR / LIMITER
FX Select: Compressor
Sustain: 50
Attack: 40
Tone: 0
Level: 50

OVERDRIVE / DISTORTION
Type: Distortion 2
Drive: 32
Bass: 0
Treble: 10
Level: 10

PREAMP / SPEAKER SIM
Type: MS1959(I+II)
Volume: 80
Bass: 100
Middle: 25
Treble: 50
Presence: 50
Master: 43
Bright: On
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 1

EQUALIZER
Low EQ: 1
Low-Mid freq: 100Hz
Low-Mid Q: 0.5
Low-Mid EQ: -2
High-Mid freq: 8.00kHz
High-Mid Q: 4
High-Mid EQ: 12
High EQ: 10
Level: 4

DELAY
Type: Tap
Delay Time: 20
Delay Time F: 0
Tap Time: 50
Feedback: 27
High Cut Filter: Flat
Effect Level: 14

CHORUS
Mode: Stereo
Rate: 20
Depth: 30
Pre Delay: 30.0
High Cut Filter: Flat
Effect Level: 70

REVERB
Type: Hall 1
Reverb Time: 5.0
Pre Delay: 30
Low Cut Filter: 165Hz
High Cut Filter: Flat
Density: 10
Effect Level: 15

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 40
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Foot Volume
Overdrive
Preamp
Equalizer
Noise Sup
Chorus
Modulation
Delay
Reverb

EXP PEDAL
Target: WAH: Pedal
Target Min: 0
Target Max: 100

CTL PEDAL
Target: MOD: On/off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 1
Target: WAH: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127

ASSIGN 2
Target: EQ: Level
Target Min: 4
Target Max: 6
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127

GT3：
一个模仿STEVE VAI的音色
COMPRESSOR / LIMITER
FX Select: Compressor
Sustain: 31
Attack: 0
Tone: -50
Level: 100
WAH
FX Select: Pedal Wah
Pedal: 100
Level: 100

PREAMP / SPEAKER SIM
Type: Metal 5150
Volume: 58
Bass: 45
Middle: 64
Treble: 77
Presence: 48
Master: 66
Bright: Off
Gain: Low
Mic Setting: Center
Mic Level: 42
Direct Level: 0

EQUALIZER
Low EQ: -3
Low-Mid freq: lOOHz
Low-Mid Q: 0.5
Low-Mid EQ: 7
High-Mid freq: 400Hz
High-Mid Q: 16
High-Mid EQ: 6
High EQ: 1
Level: 4

MODULATION
FX Select: Sub Equalizer
Low EQ: 6

Low-Mid freq: 500Hz
Low-Mid Q: 1
Low-Mid EQ: -4
High-Mid freq: 4.00kHz
High-Mid Q: 1
High-Mid EQ: 0
High EQ: 0
Level: 0

DELAY
Type: Tap
Delay Time: 820
Delay Time F: 16
Tap Time: 50
Feedback:28
High Cut Filter: Flat
Effect Level: 24

CHORUS
Mode: Stereo
Rate: 62
Depth: 28
Pre Delay: 20.0
High Cut Filter: Flat
Effect Level: 27

REVERB
Type: Hall 2
Reverb Time: 3.0
Pre Delay: 35
Low Cut Filter: 165Hz
High Cut Filter: 11.0khz
Density: 0
Effect Level: 9

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 86
NS Release: 0
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: DD: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle



GT3：
PATCH NAME: Drugged
SFX
FX Select: Pickup Sim
Type: 'S' to 'H'
Tone: 0
Level: 100

OVERDRIVE / DISTORTION
Type: Distortion 1
Drive: 80
Bass: 5
Treble: 15
Level: 25

PREAMP / SPEAKER SIM
Type: Metal 5150
Volume: 1
Bass: 77
Middle: 30
Treble: 61
Presence: 77
Master: 63
Bright: Off
Gain: Low
Mic Setting: Center
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 12
Low-Mid freq: 1.60kHz
Low-Mid Q: 2
Low-Mid EQ: -5
High-Mid freq: 1.00kHz
High-Mid Q: 0.5
High-Mid EQ: 0
High EQ: 9
Level: 15

REVERB
Type: Room 2
Reverb Time: 1.8
Pre Delay: 10
Low Cut Filter: 110Hz
High Cut Filter: 6.00kHz
Density: 4
Effect Level: 12

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 65
NS Release: 25
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Equalizer
Preamp
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: SP: Mic Level
Target Min: 100
Target Max: 69
Source Mode: Toggle

ASSIGN 1
Target: SP: Direct Level
Target Min: 0
Target Max: 31
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127

ASSIGN 3
Target: CS: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127

ASSIGN 4
Target: OD: Level
Target Min: 28
Target Max: 25
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127



GT3：
PATCH NAME: 442

PREAMP / SPEAKER SIM
Type: Metal 5150
Volume: 78
Bass: 100
Middle: 40
Treble: 75
Presence: 100
Master: 45
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 4
Low-Mid freq: 160Hz
Low-Mid Q: 1
Low-Mid EQ: 6
High-Mid freq: 1.00kHz
High-Mid Q: 1
High-Mid EQ: -4
High EQ: 6
Level: 0

REVERB
Type: Plate
Reverb Time: 2.8
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 4
Effect Level: 2

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 45
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Overdrive
Wah
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target Min: Clean TWIN
Target Max: Metal 5150
Target: PRE: Type

CTL PEDAL
Target: WAH: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 1
Target: PRE: Volume
Target Min: 78
Target Max: 28
Source: EXP PEDAL
Source Mode: Normal
Active Range Low: 0
Active Range High: 127

ASSIGN 2
Target: PRE: Gain
Target Min: Low
Target Max: Middle
Source: EXP PEDAL
Source Mode: Normal
Active Range Low: 0
Active Range High: 127


GT3：
PATCH NAME: DeVille Drv

OVERDRIVE / DISTORTION
Type: Turbo OD
Drive: 18
Bass: 1
Treble: 0
Level: 55

PREAMP / SPEAKER SIM
Type: Crunch
Volume: 50
Bass: 50
Middle: 70
Treble: 55
Presence: 10
Master: 90
Bright: Off
Gain: Middle
Mic Setting: 5cm
Mic Level: 100
Direct Level: 0

REVERB
Type: Plate
Reverb Time: 3.5
Pre Delay: 10
Low Cut Filter: 55.0Hz
High Cut Filter: Flat
Density: 10
Effect Level: 20

MASTER
Master Level: 60
Master BPM: 120
Noise Suppressor Effect: On
NS Threshold: 50
NS Release: 50
Foot Volume: 0

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: OD: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle


gt3：
PATCH NAME: Corner Solo
WAH
FX Select: Auto wah
Mode: LPF
Polarity: Up
Sensitivity: 0
Frequency: 22
Peak: 100
Rate: 0
Depth: 0
Level: 100

PREAMP / SPEAKER SIM
Type: SLDN Lead
Volume: 70
Bass: 50
Middle: 50
Treble: 50
Presence: 0
Master: 78
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

DELAY
Type: Single
Delay Time: 420
Delay Time F: 0
Feedback: 20
High Cut Filter: Flat
Effect Level: 10

REVERB
Type: Plate
Reverb Time: 2.8
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 8
Effect Level: 8

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 45
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: DD: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle



GT3：
PATCH NAME: CornrChorus
PREAMP / SPEAKER SIM
Type: SLDN Lead
Volume: 70
Bass: 71
Middle: 69
Treble: 50
Presence: 69
Master: 60
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 0
Low-Mid freq: 100Hz
Low-Mid Q: 1
Low-Mid EQ: 6
High-Mid freq: 1.00kHz
High-Mid Q: 1
High-Mid EQ: -4
High EQ: 6
Level: 0

CHORUS
Mode: Stereo
Rate: 30
Depth: 50
Pre Delay: 5.0
High Cut Filter: 8.00kHz
Effect Level: 33

REVERB
Type: Plate
Reverb Time: 2.8
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 8
Effect Level: 8

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 45
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: CE: On/Off
Target Min: On
Target Max: Off
Source Mode: Toggle

ASSIGN 1
Target: EQ: On/Off
Target Min: On
Target Max: Off
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127



GT3：
PATCH NAME: CREED
SFX
FX Select: Pickup Sim
Type: 'H' to 'HF'
Tone: 0
Level: 100

COMPRESSOR / LIMITER
FX Select: Limiter
Threshold: 40
Release: 30
Tone: 0
Level: 45

WAH
FX Select: Pedal Wah
Pedal: 100
Level: 100

OVERDRIVE / DISTORTION
Type: Metal 2
Drive: 40
Bass: 0
Treble: 0
Level: 40

PREAMP / SPEAKER SIM
Type: Clean TWIN
Volume: 40
Bass: 50
Middle: 50
Treble: 50
Presence: 0
Master: 80
Bright: Off
Gain: Middle
Mic Setting: 5cm
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: -10
Low-Mid freq: 500Hz
Low-Mid Q: 1
Low-Mid EQ: 5
High-Mid freq: 4.00kHz
High-Mid Q: 1
High-Mid EQ: 0
High EQ: 0
Level: 4

MODULATION
FX Select: Phaser
Type: 8 Stage
Rate: 30
Depth: 40
Manual: 25
Resonance: 25
Step: Off

DELAY
Type: Single
Delay Time: 600
Delay Time F: 0
Feedback: 30
High Cut Filter: Flat
Effect Level: 15

CHORUS
Mode: Stereo
Rate: 40
Depth: 50
Pre Delay: 4.0
High Cut Filter: 2.00kHz
Effect Level: 100

REVERB
Type: Plate
Reverb Time: 3.0
Pre Delay: 40
Low Cut Filter: 165Hz
High Cut Filter: 8.00kHz
Density: 8
Effect Level: 15

MASTER
Master Level: 75
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 60
NS Release: 50
Foot Volume: 100

CHAIN
Wah
Foot Volume
Comp/Lim
Modulation
Overdrive
Preamp
SFX
Delay
Chorus
Reverb
Equalizer
Noise Sup

EXP PEDAL
Target: WAH: Pedal
Target Min: 0
Target Max: 100

CTL PEDAL
Target: OD: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 1
Target: WAH: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127



GT3：
PATCH NAME: CornrBridge
SFX
FX Select: Pickup Sim
Type: 'H' to 'S'
Tone: 0
Level: 100

PREAMP / SPEAKER SIM
Type: SLDN Lead
Volume: 70
Bass: 71
Middle: 69
Treble: 50
Presence: 69
Master: 60
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

MODULATION
FX Select: Phaser
Type: Bi-Phase
Rate: 0
Depth: 49
Manual: 55
Resonance: 50
Step: Off

REVERB
Type: Plate
Reverb Time: 2.8
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 8
Effect Level: 8

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 50
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: PH: Manual
Target Min: 30
Target Max: 100

CTL PEDAL
Target: MOD: On/off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 3
Target: SFX: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127



GT3：
Patch Name : FireBlade
WAH
Auto Wah : on
FX Select : AW
Mode : LPF
Polarity : Down
Sens : 0
Freq : 50
Peak : 0
Rate : 86
Depth : 0
Level: 100

OD/DS
Type : Fuzz
Drive : 40
Bass : 0
Treble : 0
Level : 50

PREAMP
Type: Clean TWIN
Volume : 45
Bass : 50
Middle : 50
Treble : 50
Presence : 0
Master:50
Bright: Off
Gain: Middle
Mic. Setting: Center
Mic. Level: 100
Direct Level: 0

EQUALIZER
Low EQ: -2
Low-Mid F: 500Hz
Low-Mid Q: 1
Low-Mid EQ: 8
High-Mid F: 8.00kHz
High-Mid Q: 1
High-Mid EQ: +4
High EQ: 0
Level: -2

DELAY
Type: Sigal
Delay Time: 320
Delay Time.F: 0
Feedback: 20
High Cut Filter: 2.00kHZ
Effect Level: 20

Chorus
Mode: Mono Chorus
Rate: 40
Depth: 50
Pre Delay: 4.0ms
High Cut: Flat
Effect Level: 100

Reverb
Type: Plate
Rev Time: 2.8s
Pre Delay: 0ms
Low Cut: 165 Hz
High Cut: 6.00kHZ
Density: 8
Effect Level: 20

MASTER
Master Level: 100
Master BPM : 120
Noise Suppressor: On
NS Threshold: 45
NS Release: 50
Foot Volume: 100

PEDAL/ASSIGN
EXP PEDAL : ON
EXP PEDAL Target : FV - Level
Min : 0
Max : 100
CTL PEDAL : On
CTL PEDAL Target : PRE: On/Off
Target Min : off
Target Max : on
Source Mode : Toggle

EFFECTS CHAIN
ac - cs - AW - OD - PRE - EQ - NS - FV - hr - DD - CE - RV

I have the settings in the utility section on my GT-3 set to
Line(Headphones), Low Eq (0dB), High Eq (0dB), NS Threshold 0dB, Reverb Level 100%.




gt3：
PATCH NAME: Hoken Metal
WAH
FX Select: Auto wah
Mode: BPF
Polarity: Up
Sensitivity: 0
Frequency: 77
Peak: 80
Rate: 50
Depth: 0
Level: 100

PREAMP / SPEAKER SIM
Type: Metal Drive
Volume: 80
Bass: 50
Middle: 50
Treble: 50
Presence: 0
Master: 70
Bright: Off
Gain: Middle
Mic Setting: 5cm
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 0
Low-Mid freq: 1.00kHz
Low-Mid Q: 1
Low-Mid EQ: 2
High-Mid freq: 6.30kHz
High-Mid Q: 1
High-Mid EQ: 4
High EQ: 0
Level: -2

DELAY
Type: Single
Delay Time: 360
Delay Time F: 15
Feedback: 20
High Cut Filter: Flat
Effect Level: 30

REVERB
Type: Plate
Reverb Time: 2.8
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 8
Effect Level: 10

MASTER
Master Level: 100
Master BPM: 120
Noise Suppressor Effect: On
NS Threshold: 55
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: AW: Freq
Target Min: 3
Target Max: 85

CTL PEDAL
Target: WAH: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 1
Target: DD: E.Level
Target Min: 15
Target Max: 30
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127



GT3：
PATCH NAME: JCM Series
OVERDRIVE / DISTORTION
Type: Fuzz
Drive: 76
Bass: 15
Treble: 0
Level: 100

PREAMP / SPEAKER SIM
Type: Clean TWIN
Volume: 50
Bass: 60
Middle: 80
Treble: 0
Presence: 0
Master: 48
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 0
Low-Mid freq: 125Hz
Low-Mid Q: 4
Low-Mid EQ: 5
High-Mid freq: 1.00kHz
High-Mid Q: 1
High-Mid EQ: 4
High EQ: -9
Level: 3

REVERB
Type: Plate
Reverb Time: 2.8
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 8
Effect Level: 8

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 78
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

CTL PEDAL
Target: OD: Drive
Target Min: 10
Target Max: 69
Source Mode: Toggle

ASSIGN 1
Target: CS: On/Off
Target Min: On
Target Max: Off
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127



GT3：
PATCH NAME: Satriani
PREAMP / SPEAKER SIM
Type: Metal Drive
Volume: 55
Bass: 48
Middle: 100
Treble: 80
Presence: 0
Master: 68
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 6
Low-Mid freq: 800Hz
Low-Mid Q: 0.5
Low-Mid EQ: 0
High-Mid freq: 4.00kHz
High-Mid Q: 1
High-Mid EQ: 0
High EQ: 0
Level: 0

DELAY
Type: Single
Delay Time: 460
Delay Time F: 0
Feedback: 7
High Cut Filter: 4.00kHz
Effect Level: 12

REVERB
Type: Hall 1
Reverb Time: 1.9
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 10
Effect Level: 14

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: Off
NS Threshold: 60
NS Release: 50
Foot Volume: 0

CHAIN
Preamp
Equalizer
Reverb
Delay
Noise Sup
Foot Volume
Modulation
SFX
Comp/Lim
Overdrive
Wah
Chorus

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: TUNER On/Off
Target Min: Off
Target Max: On
Source Mode: Normal


GT3：
PATCH NAME: Kinks
OVERDRIVE / DISTORTION
Type: Distortion 2
Drive: 20
Bass: +8
Treble: -10
Level: 70

PREAMP
Type: JC 120
Volume: 30
Bass: 50
Middle: 50
Treble: 50
Presence: 0
Master: 85
Bright: OFF
Gain: MIDDLE
Mic Setting: CENTRE
Mic Level: 100
Direct Level:  O

EQUALIZER
Low EQ: 0
Low-Mid freq: 800Hz
Low-Mid Q: 1
Low-Mid EQ: +10
High-Mid freq: 3.15kHz
High-Mid Q: 1
High-Mid EQ: +3
High EQ: 0
Level: -4

REVERB
Type: PLATE
Reverb Time: 2.8
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 8
Effect Level: 8

MASTER
Master Level: 20
Master BPM: 120
Noise Suppressor Effect: ON
NS Threshold: 45
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: OFF
Target Min:
Target Max:

CTL PEDAL
Target: MST:MASTER LEVEL
Target Min: 20
Target Max: 56
Source Mode: Toggle



GT3：
PATCH NAME: Crying Boy
OVERDRIVE / DISTORTION
Type: Turbo OD
Drive: 20
Bass: 11
Treble: -20
Level: 50

PREAMP / SPEAKER SIM
Type: BG Lead
Volume: 30
Bass: 50
Middle: 50
Treble: 50
Presence: 69
Master: 68
Bright: Off
Gain: Middle
Mic Setting: 5cm
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 0
Low-Mid freq: 100Hz
Low-Mid Q: 1
Low-Mid EQ: 6
High-Mid freq: 1.00kHz
High-Mid Q: 1
High-Mid EQ: -4
High EQ: 6
Level: 2

REVERB
Type: Room 2
Reverb Time: 1.8
Pre Delay: 10
Low Cut Filter: 165Hz
High Cut Filter: 4.00kHz
Density: 8
Effect Level: 8

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 50
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: DD: On/Off
Target Min: Off
Target Max: On
Source Mode: Normal

ASSIGN 1
Target: SFX: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Normal
Active Range Low: 0
Active Range High: 127



GT3：
PATCH NAME: LOW METAL
COMPRESSOR / LIMITER
FX Select: Compressor
Sustain: 50
Attack: 0
Tone: 0
Level: 50

OVERDRIVE / DISTORTION
Type: Metal 1
Drive: 50
Bass: 0
Treble: 0
Level: 48

PREAMP / SPEAKER SIM
Type: Clean TWIN
Volume: 35
Bass: 85
Middle: 45
Treble: 55
Presence: 60
Master: 67
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: -4
Low-Mid freq: 1.25kHz
Low-Mid Q: 2
Low-Mid EQ: -4
High-Mid freq: 100Hz
High-Mid Q: 8
High-Mid EQ: 2
High EQ: 1
Level: 3

MODULATION
FX Select: Harmonist
Voice: 2-Stereo
H1 Mode: Slow
H1 Pitch: -4
H1 Fine: 0
H1 PreDly: 0
H1 Fdback: 0
H1 Level: 100
H2 Mode: Slow
H2 Pitch: -4
H2 Fine: 0
H2 PreDly: 0
H2 Level: 100
Dir Level: 0

REVERB
Type: Hall 1
Reverb Time: 2.3
Pre Delay: 30
Low Cut Filter: 110Hz
High Cut Filter: 4.00kHz
Density: 10
Effect Level: 25

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 62
NS Release: 100
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Modulation
Delay
Chorus
Reverb
Foot Volume

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: OD: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle



gt3：
PATCH NAME: M.Friedman

WAH
FX Select: Pedal Wah
Pedal: 0
Level: 100

PREAMP / SPEAKER SIM
Type: SLDN Lead
Volume: 100
Bass: 55
Middle: 40
Treble: 55
Presence: 80
Master: 50
Bright: Off
Gain: High
Mic Setting: Center
Mic Level: 100
Direct Level: 0

REVERB
Type: Room 1
Reverb Time: 3.6
Pre Delay: 0
Low Cut Filter: 500Hz
High Cut Filter: 8.00kHz
Density: 8
Effect Level: 7

MASTER
Master Level: 100
Master BPM: 120
Noise Suppressor Effect: On
NS Threshold: 45
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: WAH: Pedal
Target Min: 0
Target Max: 100

CTL PEDAL
Target: WAH: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle


GT3：
Guitar suggestion: Jackson's with Seymour Duncan Screamin' Demons pickups
GT-3 general settings: Guitar Combo
OVERDRIVE / DISTORTION
Type: Metal 1
Drive: 50
Bass: 0
Treble: 0
Level: 25

PREAMP / SPEAKER SIM
Type: BG Lead
Volume: 25
Bass: 40
Middle: 0
Treble: 40
Presence: 100
Master: 50
Bright: On
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 4
Low-Mid freq: 250Hz
Low-Mid Q: 1
Low-Mid EQ: -2
High-Mid freq: 8.00kHz
High-Mid Q: 2
High-Mid EQ: -4
High EQ: 4
Level: 0

REVERB
Type: Hall 2
Reverb Time: 3.5
Pre Delay: 30
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 8
Effect Level: 8

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 75
NS Release: 60
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: OD: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 1
Target: CE: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127

ASSIGN 2
Target: SFX: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127



GT3：
适合弹FADE TO BLACK
PATCH NAME: METALLICA  
PREAMP / SPEAKER SIM
Type: BG Lead
Volume: 100
Bass: 0
Middle: 0
Treble: 88
Presence: 100
Master: 48
Bright: On
Gain: High
Mic Setting: 1cm
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 20
Low-Mid freq: 100Hz
Low-Mid Q: 1
Low-Mid EQ: 4
High-Mid freq: 500Hz
High-Mid Q: 1
High-Mid EQ: 0
High EQ: 11
Level: 0

CHORUS
Mode: Mono
Rate: 30
Depth: 45
Pre Delay: 4.0
High Cut Filter: Flat
Effect Level: 50

REVERB
Type: Hall 1
Reverb Time: 1.5
Pre Delay: 0
Low Cut Filter: 200Hz
High Cut Filter: 8.00kHz
Density: 10
Effect Level: 30

MASTER
Master Level: 55
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 68
NS Release: 29
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: CE: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle

GT3：
PATCH NAME: N My Corner
PREAMP / SPEAKER SIM
Type: SLDN Lead
Volume: 70
Bass: 71
Middle: 69
Treble: 50
Presence: 69
Master: 60
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

REVERB
Type: Plate
Reverb Time: 2.8
Pre Delay: 0
Low Cut Filter: 165Hz
High Cut Filter: 6.00kHz
Density: 8
Effect Level: 8

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 70
NS Release: 20
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: SFX: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 1
Target: EQ: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127


gt3：
PATCH NAME: OZZY
COMPRESSOR / LIMITER
FX Select: Limiter
Threshold: 40
Release: 30
Tone: 0
Level: 50

WAH
FX Select: Pedal Wah
Pedal: 100
Level: 100

OVERDRIVE / DISTORTION
Type: Metal 2
Drive: 35
Bass: 0
Treble: 0
Level: 50

EQUALIZER
Low EQ: 0
Low-Mid freq: 500Hz
Low-Mid Q: 1
Low-Mid EQ: 0
High-Mid freq: 4.00kHz
High-Mid Q: 1
High-Mid EQ: 0
High EQ: 0
Level: 0

MODULATION
FX Select: Flanger
Rate: 20
Depth: 55
Manual: 80
Resonance: 30
Separation: 50
Level: 50

DELAY
Type: Single
Delay Time: 600
Delay Time F: 0
Feedback: 30
High Cut Filter: Flat
Effect Level: 25

CHORUS
Mode: Stereo
Rate: 40
Depth: 50
Pre Delay: 4.0
High Cut Filter: 2.00kHz
Effect Level: 100

REVERB
Type: Plate
Reverb Time: 3.0
Pre Delay: 40
Low Cut Filter: 165Hz
High Cut Filter: 8.00kHz
Density: 8
Effect Level: 15

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 70
NS Release: 55
Foot Volume: 100

CHAIN
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
SFX
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: OD: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle


GT3：
PATCH NAME: RUBINAcldr

PREAMP / SPEAKER SIM
Type: BG Lead
Volume: 80
Bass: 0
Middle: 70
Treble: 81
Presence: 89
Master: 50
Bright: On
Gain: Middle
Mic Setting: 2cm
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 8
Low-Mid freq: 100Hz
Low-Mid Q: 1
Low-Mid EQ: 5
High-Mid freq: 6.30kHz
High-Mid Q: 1
High-Mid EQ: 0
High EQ: 0
Level: 0

DELAY
Type: Single
Delay Time: 460
Delay Time F: 1
Feedback: 10
High Cut Filter: Flat
Effect Level: 20

CHORUS
Mode: Stereo
Rate: 35
Depth: 50
Pre Delay: 4.0
High Cut Filter: 2.00kHz
Effect Level: 70

REVERB
Type: Plate
Reverb Time: 2.5
Pre Delay: 0
Low Cut Filter: 500Hz
High Cut Filter: Flat
Density: 8
Effect Level: 20

MASTER
Master Level: 85
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 50
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: DD: E.Level
Target Min: 0
Target Max: 35

CTL PEDAL
Target Min: Clean TWIN
Target Max: BG Lead
Target: PRE: Type
Source Mode: Toggle

ASSIGN 1
Target: PRE: Gain
Target Min: Low
Target Max: Middle
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127


GT3：
Patch Name: Super Santana
SFX
PIC SIM: 'S' to 'H'
Tone: 0
Level: 100

OD/DS
Distortion 1
Drive: 100
Bass: +27
Treb: -50
Level: 88

EQ
Low eq: 0db
Low-mid f: 500Hz
Low-mid Q: 1
Low-mid eq: 0db
Hig-mid f: 4.00kHz
Hig-mid Q: 1
Hig-mid EQ: 0db
Hig-Eq: 0db
Level: 0db

Reverb
Hall 1
Rev. Time: 2.8s
Pre Delay: 0ms
Low cut: 165 Hz
High Cut: 6.00kHz
Density: 8
Effect Level: 10

Master
Master level: 100
Master bpm: 120
Noise Suppresor: on
Threshold: 50
Release: 50
Foot volume level: 100
FX chain: PIC>cs>wah>OD>pre>EQ>NS>FV>ph>dd>ce>RV

Pedal/Assign
Exp. Pedal: on
FV: level
Min: 0
Max: 100

GT3：
PREAMP / SPEAKER SIM
Type: MS1959(I)
Volume: 100
Bass: 100
Middle: 100
Treble: 100
Presence: 100
Master: 60
Gain: High
Mic Setting: Center
Mic Level: 100
Direct Level: 0

CHORUS
Mode: Stereo
Rate: 25
Depth: 25
Pre Delay: 0.0ms
High Cut Filter: 4.00kHz
Effect Level: 25

REVERB
Type: Plate
Reverb Time: 4.0s
Pre Delay: 0ms
Low Cut Filter: 200Hz
High Cut Filter: 4.00kHz
Density: 10
Effect Level: See Pedal Assign
MASTER
Master Level: 100
Master BPM: NA
Noise Suppressor Effect: On
NS Threshold: 50
NS Release: 50
Foot Volume: See Pedal Assign

CHAIN
Chorus&gt;Preamp&gt;NoiseSuppressor&gt;FootVolume&gt;Reverb

EXP PEDAL: On
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL: On
Target: Rv: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 1: On
Target: Rv: Effect
Target Min: 10
Target Max: 50
Source: SUB EXP PEDAL (If you don't have one, and don't mind giving up the EXP PEDAL as a volume pedal, you can reassign accordingly)
Source Mode: Normal
Active Range Low: 0

GT3：
PATCH NAME: UnderMyBed
SFX
FX Select: Anti Feedback
Manual Freq: 3
Manual Depth: 50
Search: On

PREAMP / SPEAKER SIM
Type: Metal Drive
Volume: 50
Bass: 75
Middle: 51
Treble: 67
Presence: 69
Master: 50
Bright: Off
Gain: Middle
Mic Setting: Center
Mic Level: 100
Direct Level: 0

CHORUS
Mode: Stereo
Rate: 40
Depth: 50
Pre Delay: 4.0
High Cut Filter: Flat
Effect Level: 50

REVERB
Type: Room 1
Reverb Time: 2.0
Pre Delay: 5
Low Cut Filter: 110Hz
High Cut Filter: 4.00kHz
Density: 4
Effect Level: 15

MASTER
Master Level: 100
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 30
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: FV: Level
Target Min: 0
Target Max: 100

CTL PEDAL
Target: CE: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 3
Target: EQ: Level
Target Min: -5
Target Max: -3
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127
GT3：
PATCH NAME: ZEN MAN   
PREAMP / SPEAKER SIM
Type: BG Lead
Volume: 94
Bass: 12
Middle: 70
Treble: 83
Presence: 91
Master: 71
Bright: On
Gain: Middle
Mic Setting: 1cm
Mic Level: 100
Direct Level: 0

EQUALIZER
Low EQ: 9
Low-Mid freq: 100Hz
Low-Mid Q: 1
Low-Mid EQ: 5
High-Mid freq: 6.30kHz
High-Mid Q: 1
High-Mid EQ: 0
High EQ: 10
Level: 0

DELAY
Type: Single
Delay Time: 460
Delay Time F: 1
Feedback: 10
High Cut Filter: Flat
Effect Level: 35

CHORUS
Mode: Stereo
Rate: 35
Depth: 50
Pre Delay: 4.0
High Cut Filter: 2.00kHz
Effect Level: 70

REVERB
Type: Plate
Reverb Time: 2.5
Pre Delay: 0
Low Cut Filter: 500Hz
High Cut Filter: Flat
Density: 8
Effect Level: 20

MASTER
Master Level: 85
Master BPM: 40
Noise Suppressor Effect: On
NS Threshold: 50
NS Release: 50
Foot Volume: 100

CHAIN
SFX
Comp/Lim
Wah
Overdrive
Preamp
Equalizer
Noise Sup
Foot Volume
Modulation
Delay
Chorus
Reverb

EXP PEDAL
Target: WAH: Pedal
Target Min: 0
Target Max: 100

CTL PEDAL
Target: CS: On/Off
Target Min: Off
Target Max: On
Source Mode: Toggle

ASSIGN 1
Target: WAH: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127

ASSIGN 2
Target: CE: On/Off
Target Min: Off
Target Max: On
Source: CTL PEDAL
Source Mode: Toggle
Active Range Low: 0
Active Range High: 127






  
  

FEEDBACK 20
HIGH CUT FLAT
EFFECT LEVEL 30

CHO
RATE 40
DEPTH 50
PER DELAY 4.0 MS
HIGH CUT FLAT
EFFECT LEVEL 5
REVEVB TYPE PLATE
REV TIME 2.8 S
PER DELAY 40 MS
LOW CUT 165 HZ
HIGH CUT 8.00 KHZ
DENSITG 7
EFFECT LEVEL 16
MASTER
NOISE SUPPRESSOR
THRESHOLD 70
RELEASE 15
UTILITY
YOUR SETTINY
LINE(head phones)


BOSS GT-3 失真节奏数据 好的音色应该是  演奏中不被其他的乐器所淹没，音色也不要太炸！和其他的乐器容在一起！

音色数据提供都是我在常年的演奏和录音中调试的，供大家参考！！

这个重金属节奏特点： 厚  ！！在节奏中能突出！反映灵！由于大家使用的设备不一样，
可调节均衡的LO-MID F 1。60KHZ 这一挡来控制音色的穿透力！HI-MID  F  3。15HKZ 这一挡可调节亮度！！！


重金属  节奏  数据            MEATEL
   
PREAMP     TYPE   MTEAL   5150

VOLUME                  100
BASS                       70
MIDDLE                    85
TREBIE                    85
PRESENCE                 0
MASTER                   80
GAIN                      HIGH
MIC SET                 CENTER
MIC LEVEL               100
DIRECT  LEVER         0

                                                EQUALIZER

LOW  EQ                          8  DB
LO-MID F                          1。60KHZ
LO-MID Q                          0。5
LO-MID EQ                        -8DB
HI-MID F                           3。15KHZ
HI-MID Q1
HI-MID EQ                         5  DB
HIGH  EQ                           0   DB
LEVER                               0   DB

                                       REVEVB

TYPE                  PLATE
REV TIME             2。2  S
PRE  DELAY          0  MS
LOW  CUT            165HZ
HIGH  CUT            4。00KHZ
DENSITY               8
EFFECT                  5
                                               NOISE SUPPRESSOR

THRESHOLD                     60
RELEASE                          10

                                             UTILITY
YOUR SETTING ？  LINE（HEADPHONES）

BOSS GT-3 的失真主奏 SOLO 数据


这个失真音色可在弹POP等歌曲SOLO中使用！它具有一定的穿透力！还有些温暖的感觉！



GT-3  失真主奏solo  音色
GT-3是不错的效果器，我在与乐队合作中，调试了一些数据，供大家调试使用！



preamp   type     SLDN  LEAD                             
VOLUME        100                                             
BASS             80

MIDDLE          80

TEEBLE           85

PRESENCE       30

MASTER          70

GAIN             HIGH

MIC  SET        CENTER

MIC  LEVEL      100

DIVECT  LEVEL  0


                        EQUALIZER


LOW  EQ  10DB
LO-MID F  1.25KHZ
LO-MID Q  0.5
LO-MID EQ  5 DB
H- MID F    4.00 HZ
H-MID Q 1
H-MID EQ 0 DB
HIGH EQ 0 DB
LEVER     0  DB

          DELAY
TYPE       SINGL

DLY TIME      380  MS
DIY  TIME .F  380  MS
FEEDBACK        20
HIGH  CUT       FLAT
EFFECT  LEVEL   30
           
                CHO

RATE    40
DEPTH   50
PER DELAY  4.0  MS
HIGH  CUT    FLAT
EFFECT   LEVEL  5

                 REVEVB         TYPE     PLATE

REV TIME   2.8  S
PER  DELAY  40  MS
LOW  CUT   165  HZ
HIGH  CUT   8.00  KHZ
DENSITG      7
EFFECT    LEVEL   16

                                  MASTER

NOISE    SUPPRESSOR
THRESHOLD       70
RELEASE   15

                               UTILITY

YOUR  SETTINY
LINE(head phones)

这个音色不错！如果你想改变它的亮度  可以修饰它的均衡部分  即LO-MID F  档

也可在 H-MID F 4。00HZ  档上调试！  对于混响，和延时  可跟剧个人的爱好调整数据！对于输出UTILITY  要选择  LINE（HEND PHONES）！！！

BOSS GT-3 的元音数据!

提供一款吉他原音的数据！这个音色我在演出当中不错，在演奏流行音乐当中的吉他音色很好，提供大家使用！由于大家使用的吉他不同，输出阻抗不同，大家在使用中，可根据实际的情况调整输出电平，避免失真！






PREAMP  TYPE         AC。GUITAR

VOLUME                    30
BASS                         30
MIDDLE                     100
TREBLE                     85
PRESENCE                 45
MASTER                    30
GAIN                         MIDDLE
  SP     SMULATOR
MIC      SET     CENTER
MIC      LEVER       100
DIRECT   LEVER      0

                          EQUALIZER
LOWEQ-             15  DB
LO--MID  F          1。25KHZ
LO--MID  Q          0。5
LO--MID  EQ         20  DB
HI--MID   F           5。00KHZ
HI--MID   Q          0。5
HI--MID   EQ        8  db
HIGHEQ              20  DB
LEVEL                --5  DB

                         SUB        EQUALIZER
FX  SELELT  SEQ
LOW   EQ                  20  DB
LO--MID  F                  3。15  KHZ
LO--MID Q                  0。5
LO--MID  EQ               20  DB
HI--MID  F                   2。00KHZ
HI--  MID  Q                 0。5
HI--MID   EQ                2  DB
HIGH  EQ                     5  DB
LEVEL                         --5  DB

            CHORUS
RATE        40
DEPTH      50
PRE  DELAY     4。0MS
HIGH   CUT       FLAT
EFFECT           LEVER   35

                      REVERB
TYPE    HALL  1
REV       TIME       3。0 MS
PRE        DELAY     30 MS
low       cut           800HZ
HIGH     CUT         FLAT
DENSING               10
EFFECT                65

                     NOISE   SUPPRESSOR

THRESHOLD              60
RELEASE                   20
     
UTILITY
YOUR SETTING ？ LINE（HEADPHONES

哈力森

就发到这里，还有很多啊，主要靠自己去开发．根据自己的设备加以修改和调试，如果进调音台，输出模式请设置耳机模式，请注意调音台的设置：如果音箱是好的给中音，高低稍微给一点，音色比较好．根据自己条件设置吧，祝ＧＣ朋友新年快乐 （西部－牛仔）

KH200

谢谢ls~~~

刺头

高 不错的数据

西部-牛仔

不必客气,只是提供一点资料和数据,希望朋友能理解每个音色的设置.祝GC朋友新年开心,有更多的好作品展示