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发表于 2012-12-19 12:11:18
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估计你也就跟风而来的吧，你应该是先在GC里里有个GT2没箱体模拟的谬论，然后用纯失真单块录音那种炸裂的声音的感觉，套用到我录制的声音上？第一次听？就认为GT2没箱体？你知道没有箱体模拟的声音是怎么样的么？要不我录一个、不带箱模的来听听？
如果没有箱体模拟，我敢录上来？你听哪个声音暴了？哪个散了？？买GT2的朋友真的认真看过说明书么？？？
奉上原文说明
SamsAmps Gt2箱体模拟篇
“Of course we would recommend our own Power Engine 300 and 400, but any solid-state amp of good quality (in other words, not "cheap") would be fine. What's most important is that you choose one that matches the power handling and impedance of the speaker cabinet you'll be using.”
“Both those SansAmps have a built-in "mid scoop", so that might compensate for the typical midrange of a guitar cabinet. And you can always cut some lows, too. You'll have to see... I can't tell from here!”
‘We know some people like to put a speaker simulator (including the Behringer G-100 you mention) after a SansAmp, or even after the XLR Output of our Trademark Series guitar amplifiers, but we don't think it's necessary. We already have speaker emulations built into our circuitry. If someone likes the way it sounds, we can't argue, but speaker simulators just chop off the highs, so it seems easier to simply cut some high-end at your mixer or your computer's recording software program, than to spend more money to add a device that does the same thing! The PSA's factory presets may seem a bit bright when you start... that's why we make it easy to adjust them and save them as custom settings. They probably wouldn't sound as bright if you play them through a 4x12 cabinet, depending on the speakers (Celestion Vintage 30s, for example, would chop the highs right off!), but that doesn't seem necessary, either. There are plenty of ways to cut the highs without using speaker simulators
or real speaker cabinets! Just cut everything above 5K.’
关于GT2箱体模拟（MIC档）原文说明！
MIC
Determines orientation and distance of mic placement in relation to the cabinet.Regardless of the position
of this switch,it is as if the cabinet is being miked in a “dead room” or isolation booth,without ambiance.
CLASSIC : Achieves a flat response associated with distant mic placement.Similar to a combo amp
loaded with original “blue frame” Jensen®-type speakers.This position increases mid-range content and
there’s greater definition of notes to cut through a cluttered mix.It is recommended for classic early tube
amp sounds,and live applications,in particular .
CENTER : Has peaks and valleys associated with close miking.Similar to a 4x12 cabinet with
Celestion®-type speakers having a mic at the center of a cone.There is greater high mid-range content
and increased low end.It is recommended for achieving big,mega crunch,balls-to-the-wall results.
OFF-AXIS : Has peaks and valleys associated with close miking,except the mic is positioned at the
edge of a speaker cone. Similar to Center, but it produces a smoother, softer sound with less upper mid-
range content.When used in conjunction with the Hot-Wired MOD position,it will round off the tone
不会看的。，，有道翻译，，现在的翻译软件多了。。。
[ 本帖最后由 大头音乐 于 2012-12-19 12:14 编辑 ] |
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发表于 2012-12-17 16:21:18
发表于 2012-12-19 12:42:07
，烦死了！！！！
