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[电吉他硬件] 关于gibson les paul custom的指板材料

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发表于 2013-2-23 16:01:25 | 显示全部楼层 |阅读模式
吉他中国微信公众号
看了gibson les pual custom的指板是fret Richlite。不是很明白fret Richlite到底是什么材料,是比rosewood好吗?,为啥像les paul custom这种属于高档的不用rosewood?les paul的standard都是用了rosewood的指板了。请各位指点下了。
发表于 2013-2-23 16:51:47 | 显示全部楼层
吉他中国抖音
我看到写得是乌木。。。。Ebony 估计你看错了。
发表于 2013-2-23 16:54:24 | 显示全部楼层
GC视频号
我看到写得是乌木。。。。Ebony 估计你看错了。
发表于 2013-2-23 18:40:58 | 显示全部楼层
买琴买鼓,就找魔菇
Richlite是一种合成材料,用回收纸和和酚醛树脂做的。稳定性比Ebony还好,有些马丁类的高档箱琴也用它做指板。
 楼主| 发表于 2013-2-24 04:39:12 | 显示全部楼层
原帖由 iloveguitarr 于 2013-2-23 16:54 发表
我看到写得是乌木。。。。Ebony 估计你看错了。

gibson官网看的,不是乌木了。
 楼主| 发表于 2013-2-24 04:40:13 | 显示全部楼层
原帖由 蛇穴 于 2013-2-23 18:40 发表
Richlite是一种合成材料,用回收纸和和酚醛树脂做的。稳定性比Ebony还好,有些马丁类的高档箱琴也用它做指板。

谢谢。不过,和rosewood比,是richlite更加稳定吗?
发表于 2013-2-24 05:19:59 | 显示全部楼层
就是物理性质很稳定,极难变形,共振不错。不过琴友都希望用天然木料。但是这指板只在高档琴中有见,成本应该不低。
发表于 2013-2-24 07:46:57 | 显示全部楼层
martin只有16那些中低端用这种塑料吧?
 楼主| 发表于 2013-2-24 09:22:17 | 显示全部楼层
gibson的standard都是用玫瑰木了,就是custom的用了这个合成的材料了
发表于 2013-3-3 19:46:55 | 显示全部楼层
马丁的琴,都是低端的16系列或者以下系列的,才使用这种材料,高端的18以上系列,没有一个是用这种材料的!
发表于 2013-3-3 20:17:21 | 显示全部楼层
一种原始枫木 一种原始玫瑰木 产地不同 各种年代木头产自各种不同国家  , 你看你那款是哪年的木头 , 都有产地了 以前木头大多名产木 产自洪都拉斯 现在有非洲等地原始木 价值差不多  都是沼泽里的朽木,朽木不可雕,但是做乐器硬度够 ,所以沼泽木牛逼,只要是沼泽产的木头 都没事,别纠结 ,只是看年份吧
发表于 2013-3-3 20:19:09 | 显示全部楼层
那是商业 因为国际不让砍原始木了 只能人工种植   SG STD 的木头估计是人家G早就战略N年的木头了
发表于 2013-3-3 20:20:23 | 显示全部楼层
有个牛逼琴 不如有个箱子 电子管 好多咱们城市供电问题 得买变压器,晶体管实惠 但是功率得上去
发表于 2013-3-3 20:22:30 | 显示全部楼层
有了牛逼设备 不如有群志同道合玩摇滚的人 ~ 摇滚需要一个态度,不是设备~
发表于 2017-12-7 12:39:16 | 显示全部楼层
In 2004, Gibson moved construction of the Les Paul Custom to its Nashville Custom Shop. The specs remained similar, with the only immediate changes being a TKL-made Custom Shop case (black with a crushed red interior) and a Certificate of Authenticity, as well as a Gibson Custom decal on the back of the headstock. The serial number system for the Custom also changed from the 8 digit USA numbering system to the Custom Shop numbering system, which reads as CS YNNNN (Y = last number of the year of manufacture, N = guitar's place in sequential production for the year).

In 2012, Gibson replaced the ebony fingerboard on the production Custom with a solid paper-phenolic resin composite material.

While the Custom is currently only available in ebony, it is often offered in Alpine White, Wine Red, Cherry Sunburst and Silverburst as well. The Custom model differs from the Les Paul Standard in many ways. The cosmetic differences include gold hardware (though silverburst Customs have chrome hardware); block inlays on the fretboard rather than the trapezoid inlays of the Standard (with an inlay at the 1st fret, whereas the Standard has none); a "split-diamond" pearl inlay on the headstock; and multi-ply binding around the body and headstock (the neck retains single-ply binding). The construction differences are a physically larger headstock; an ebony, maple or richlite fretboard, both of which tend to sound "snappier" (acoustically) than the rosewood fingerboard found on the Les Paul Standard; lower frets with more squared off tops (though lower than the frets on a Standard, today's production Custom does not have "Fretless Wonder" frets) and larger round "speed" style knobs (though other knob types can be seen depending on the year and model). Gibson also does limited color runs, such as Pelham Blue, Frost Blue, Kerry Green, transparent colors, metallic colors and sunbursts that are not typically offered on a normal Custom. The hardware for these models can be either gold or chrome, depending on the color/specs. Starting in 2011, Gibson began to reintroduce maple fingerboards to the Custom, offering limited runs in the traditional colors, as well as transparent colors with figured tops.

In 2013, Gibson did a limited run of 1957 reissue Customs (both 2 and 3 pickup models) with ebony fingerboards. These were the first Customs since 2011 to feature ebony fingerboards, and came with white handling gloves, a 20th anniversary toggle switch control cover, a special COA and a Gibson Custom case. In 2012, Gibson reintroduced the original brown and pink "California girl" case for its Custom Shop models, largely replacing the black and red case that had been in use for almost a decade.

The current Les Paul Custom specs are:
Weight relieved mahogany body
Maple top
Mahogany neck
Richlite fingerboard
Ebony finish
Gold hardware
490R/498T humbucking pickups
Nashville bridge
Stop tailpiece
Speed knobs
Grover tuners
Additionally, Gibson makes a number of signature Les Paul Custom models that are distinctly separate models from the standard production Custom, including:

Zakk Wylde Les Paul Custom
Peter Frampton Les Paul Custom
Tak Matsumoto Doublecut Custom
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