年轻的波兰吉他大师，绝对算得上大师！

wangjianguo

【吉他牛人】波兰吉他家与作曲家马瑞克（Marek Pasieczny）

个人网站：http://pasieczny.com/ Youtube视频站：http://www.youtube.com/user/TrustNooooo1

非常天才的作曲家……波兰古典吉他现代曲目的希望之星！

——2009年4月，英国作曲家与指挥家KRZYSZTOF PENDERECKI

我坚信，马瑞克是一位高度创造力的吉他演奏家和作曲家。他的音乐世界深深打动了我，因其具备强大的个性和原创性。我称他为无拘无束的艺术家。

——2008年，法国巴黎国家高等音乐学院教师、吉他演奏家和作曲家罗兰迪恩斯

新生代、思想开放、天资聪明而又热情洋溢的音乐家。同时，他还是位耀眼、训练有素的演奏家，展现出深厚的音乐教育功底和强大的作曲天赋。马瑞克虽然非常年轻，但已经是当代最重要的古典吉他演奏家、作曲家和音乐家之一。

——2010年5月，德国吉他演奏家和作曲家、康斯特大学教授卡罗·多明尼康尼

马瑞克毫无疑义地是位天才的吉他家和作曲家。作为演奏家，他展现了流畅、表现力强的演奏技巧，演奏规范、音色干净、音量动态强。作为作曲家，他那丰硕的作品目录证明他是一个有创造力的音乐家。在如此年轻的职业生涯中，同时拥有如此强大的演奏和作曲能力，世界少见。

——2011年5月，澳大利亚作曲家NIGEL WESTLAKE

【简历】

马瑞克生于1980年，吉他演奏和作曲获奖者，已是当今新生代最受欢迎的波兰作曲家和演奏家。他同时完成了吉他演奏和作曲硕士学位，开始是在波兰卡罗·利品斯基音乐学院（Karol Lipinski Academy of Music）学习，师从Piotr Zaleski教授，后来在苏格兰皇家音乐与戏剧学院学习。

在波兰和苏格兰d获得多次吉他比赛和作曲比赛之后，马瑞克的职业生涯开始起飞，目前已经打拼为成功的演奏家、作曲家和教师。他已经在世界范围到处出现，包括欧洲的波兰、法国、德国、意大利、捷克、希腊、英国、荷兰、瑞士，以及南非、亚洲（中国与日本）和澳大利亚等。

他作为独奏者还与一系列管弦乐团合作过，包括BBC苏格兰乐团、SBO和RSNO、Aukso, Vratislavia、Orkiestra Swietokrzyska等，在波兰电视台、广播台，德国和苏格兰的电台录过节目。

马瑞克还与一系列吉他家们合作、学习、教学、研讨过，包括Roland Dyens, Carlo Domeniconi, Kazuhito Yamashita, Pepe Romero, Manuel Barrueco, Pavel Steidl, Roberto Aussel, Anielo Desiderio, Zoran Dukic, Eduardo Catemario, Badi Assad, Annette Kruisbrink, Marcin Dylla, Gabriel Bianco, Duo Melis, Duo Katona, LAGQ等，还有其他许多。

2004年，马瑞克与世界著名的爵士吉他家Pat Metheny和波兰爵士乐歌唱家Anna Maria Jopek合作，发行了专辑‘Upojenie’.

马瑞克的作品被世界范围的演奏家、艺术节和音乐厅广泛演出，包括美国纽约卡耐基音乐厅、波兰的Lutoslawski’s Hall, Warsaw等，英国的Royal Albert Hall, Wigmore Hall London，Canterbury Cathedral Canterbury和中国上海的贺绿汀音乐厅等。

2004年，马瑞克的作品被很多出版社发行，如波兰的PWM’、Euterpe , 英国的Lathkill Music,加拿大的Les Productions D’Oz和日本的HomaDream Inc。

2012年创作的作品欣赏：五大协奏曲 http://v.youku.com/v_show/id_XNTQ4ODcyNjY4.html

在2012年英国古典吉他杂志的专访：http://pasieczny.com/wp-content/uploads/CLASSICLA-GUITAR-MAGAZINE-PASIECZNY-2012.pdf

【资料】马瑞克作品目录：

2013

EIGHT POLISH LANDSCAPES suite for two guitars ; commissioned and dedicated to the Festival “Viva Guitarra” | Kielce 2013 | Poland

SIX FOLK MELODIES (version for guitar and oboe /w. english horn) (commissined and dedicated to Michal Stanikowski and Marin Tinev)

2012

SCINTILLA | AFTER ARVO PäRT version for piano; dedicated to Aaron Shorr

SCINTILLA | AFTER ARVO PäRT for solo guitar; dedicated to David RUSSELL

I.PART ONE | II. PART TWO ‘POEM’ (Inspired by De Profundis ‘Psalm 129′ by Arvo Pärt) | III. PART THREE

‘DESEJO’ for solo guitar | dedicated to Odair ASSAD

SONATA FOR VIOLA SOLO “THE JEWISH” (commissioned and dedicated to Katarzyna Bryla)

THE 五大GO-DAI CONCERTO | KONCERT 五大GO-DAI

SAKURA NO HANA VARIATIONS for two guitars (“Cherry blossom Variations”) in five movements is dedicated to DUO JONCOL | BRITTA SCHMITT and CARLES GUISADO

LUTOSŁAWSKI : IN MEMORIAM for solo guitar; commissioned and dedicated to BENJAMIN BEIRS

CONCERTO CHACONNE (prelude and chaconne in XXII variations) for guitar and string quartet:commissioned and dedicated to Cezary Strokosz to celebrate “The 15th Anniversary of International Music Guitar Festival in Trzęsacz, Poland”

HOLLYWOOD CONCERTO for guitar and orchestra

2011

POLISH SUITE (for two guitars) dedicated to Duo Melis (Alexis Mazurakis and Susana Prieto)

SIX POEMS (based and inspired on Nobel Prize Winner Polish poet Wislawa Szymborska) for violin and piano; to Hilary HAHN

COPIN: In Memoriam (dedicated to Oskar Kozłowski) | Nocturne / Prelude / Mazurka

LITTLE SONATA for solo guitar (dedicated to Krzysztof Pelech)

THE FLIGHT OF KIKUIDATAKI for solo guitar; dedicated to Carlo Domeniconi

CHACONNE (in form of concerto; in 22 variations) for 13-course baroque lute and string quartet (commissioned by Wroclaw Baroque Festival, dedicated to Jerzy Zak)

TRAVELS (thirty solo miniatures for beginners based or inspired by world traditional/folk music, art and dance)

2010

SATO NO AKI variations for solo guitar based on Japanese traditional folk melody “Sato No Aki”; dedicated to Roland DYENS

“SUITE POLONAISE – celebration du 200e anniversaire de la naissance de Frederic Chopin” (version for two pianos four hands) / Suite „The Polish” – Celebrating the 200th Anniversary of Fryderyk Chopin’s Birth/; commisioned by 2010 RSAMD Piano Festival in Glasgow, Scotland; Anastasia Chernysheva and Maciej Pajorek.

FANTASIE EN HOMMAGE à Frédéric CHOPIN pour guitar et orchestreCélébration du 200 ème anniversaire de Frédéric Chopin; commissioned by The 7th International Guitar Festival 2010 in Olsztyn / Poland; dedicated to Gabriel Bianco (France)

SUITE POLONAISE – celebration du 200e anniversaire de la naissance de Frederic Chopin” (for two pianos eight hands) / Suite „The Polish” – Celebrating the 200th Anniversary of Fryderyk Chopin’s Birth/; commisioned by 2010 RSAMD Piano Festival in Glasgow, Scotland; dedicated to Aaron Shorr.

‘SONGS’ (for piano and cello)

“Nine Miniatures” for guitar solo (easy short pieces based and inspired of Polish folk music) – dedicated to Marcin Dylla

“Ballade : Celebrating the 200th Anniversary of Fryderyk Chopin’s Birth” (for piano solo) – dedicated to Sylvia Sze-Hua Jen and IInd Scottish International Piano Festival in Glasgow, Scotland.

‘Six Folk Melodies‘ (version for harpsichord and guitar)

LA CASA DONDE VIVE MIEDO – Hommage a Joaquin Rodrigo (version for harpsichord and violin) (for Ula Stawicka and Piotr Palac)

Miedo-La Casa-El Juego con Miedo

2009

LE PARNASSE SILESIENNE ou une Nouvelle Apothéose composé à la mémoire immortelle de l’incomparable Monsieur de Silvius L Weiss” (for 13-course baroque lute) –commissioned by Prof.Jerzy Zak and dedicated to the city of Grodkow (Grottkau).

Grande Suonata ou une Suite de danses: Overture - Toccata e Fuga – Air en Echo -La Sicilien -Sarabanda -Menuet -Gigue

Fantaisie-Impromptu en hommage à Chopin (for guitar solo) (for Marek Dlugosz and ‘All-Polish Guitar Festival in Swidnica’)

„CONCERTO POLACCO” (version for guitar solo) commissioned by ‘Vth Warsaw Guitar Festival’

„CONCERTO POLACCO” (‘Koncert Polski’) commissioned by The 6th International Guitar Festival 2009 in Olsztyn / Poland; dedicated to ‘Duo Melis’ (Susana Prieto /Spain, Alexis Muzurakis /Greece)

1. Maestoso, lento assai (inspirowane rytmem „Chodzonego” – melodia własna)

2. Liberamente quasi capriccioso – Andante (inspirowane pieśnią religijną ”Cichy zapada zmrok”) (attaca)

3. Allegro spianato molto regolare (inspirowane melodią ”Za górkę zaszła”od Grójca/Worów)

4. Adagio mesto et molto espressivo (inspirowane kołysanką „Oj kołysz mi si, kołysz kolibejko lipowa”- Łubcze)

5. Vivace giocoso et brillante (inspirowane /strongmelodią „Wściekła Polka” – Lachy Sądeckie)

‘Polish Dances’ - suite in seven movements for brass quintet, inspired by and based on Polish folk music; ‘composed for the “Sounds New’ – 2009 Contemporary Music Festival – “Polish Connections” – Canterbury Cathedral, England, UK

1.Chodzony “Marszałek” (polonez)2. Kołomajka (mazur)3. Kujawiak “Gęsi”4. Olender (oberek)5. Podhalański (marsz góralski na ’3′)6. Krzyżok (polka ‘wściekła’)7. Trojak (‘zwrotka’)

‘Mays…(maze)’ (for piano and tape)  to ‘The Plug Festival’ in Glasgow/UK; dedicated to Sylvia Sze-Hua Jen

‘Sequenza for guitar solo’; to ‘The Plug Festival’ in Glasgow/UK

dedicated to Ricardo Jesus Gallen

‘Essay for sixteen players’ (for chamber orchestra, guitar percussion and harp) ; to ‘The Plug Festival’ in Glasgow/UK; dedicated to Marcin Dylla

‘Sonatina for Joseph H.’ (two versions) , ‘Entree at Gavotta‘ and ‘Surprise’ - two pieces for guitar solo, commissioned and dedicated to 8th International Festival and Competition for Young Instrumentalists “Haydn’s Week in Elk – the Step to the Championship”

2008

‘Concerto for Orchestra’ (for symphony orchestra); commissioned by Maggie’s Music Centre Glasgow, Scotland UK, dedicated to Sylvia Sze-Hua Jen

‘Five Miniatures based on Polish folk Music’ (for guitar solo)

commissioned by ‘VI International Guitar Competition in Olsztyn/Poland’; dedicated to my parents

‘Threnody for the Victims of Belzec 1941-42′ (for guitar solo) commissioned and dedicated to Jakub Kosciuszo

Dramatico co forza et pesante-Secco et Molto regolare-Meno mosso poco rubato et romantico- Con calma, quieto vasto-Animato con passione et molto esspresivo-Romantico et molto cantabile- Secco-Tran quillamente con spazioso-Con Anima-Molto espressivo et molto brillante-Quasi Cadenza- Pesante moltissimo-Perpetuo, piatto-Impetuoso-Semplice,delicato-’Hatikvah’-Maestoso et Grandioso.

‘Six Songs based on Wieslawa Szymborska’s poetry’ (for piano and mezzo-soprano)

‘Festival Concerto for Two’ (concerto for two guitars and symphony orchestra) commissioned and dedicated to the city of Olsztyn (Poland) and 5th International Guitar Festival 2008 part I, part II, part III, cadenza, Part IV ‘Finale’ (attacca)

‘Three Poems’ (for mezzo-soprano, alto and guitar) 1.’Reaches Sun’ 2.’Over the Water’ 3.’Dyru, Dyru’…

‘Awake’ (with Bede Williams/New Zealand) (for electric guitar and laptop: Kaiser Looper and Guitar Rig 2)

‘A vida e destino, uma necessidade irrevogavel de Coincidencias’ / in memory of Stan Getz (for guitar solo) (for Marek Dlugosz and ‘All-Polish Guitar Festival in Swidnica’)

‘Six Folk Melodies‘ (version for clarinet and guitar)

‘Six Folk Melodies‘ (version for violin and guitar) (for Colin Cooper)

‘A tam kolo mlyna rosnie jarzebina’/’Up there near the mill rowan grows’‘Pod zielono miedzo ptaszki owis jedzo’/’On the green boundary strip birds eat oats’‘Na suchej topoli ptaszek glowke zwiesil’/’On the dry poplar a bird sat down’‘A tam w polu przy drodze rosli jagody’/’ In the field grew berries’‘Oj lolysz mi si kolysz kolibejko lipowa’/’Oh swing swing linden cradle’ Polka ‘Wsciekla’/’The Furious Polka’

Tuba Concerto (for tuba and symphony orchestra) (for James Gourlay)

Sketches on Philip Glass (version for alto sax. and piano)

2007

‘Pirates!’ (for three guitars)

‘Bangerang!‘ (for harpsichord and guitar) (for Ula Stawicka and Piotr Palac)Lento grandiosoGrave alla marciaAllegro vigoroso con espressioneCoda

Sketches on Philip Glass (for viola and piano)

Lento molto espressivo con improvisationeMolto ritmico con ardente

Sketches on Philip Glass (version for violin and piano) (for Ian Watson)

Improvisation /comp.with Bede Williams/ (for guitar and trumpet) (on the theme ‘The Calling’ – by PatMetheny)

Sketches on Philip Glass (version for clarinet and piano)

String Quartet No.I (for string quartet)Moderato Grandioso MagnificoVasto QuietoPresto con fuoco moltissimo

Partite in A (for solo guitar) (for Grzegorz Joachimiak) EntreeAllemandeSarabandeLoure (Arie)GavottaGigue

‘Six Folk Melodies‘ (for guitar,violin and cello) (for my parents)

‘A tam kolo mlyna rosnie jarzebina’/’Up there near the mill rowan grows’‘Pod zielono miedzo ptaszki owis jedzo’/’On the green boundary strip birds eat oats’‘Na suchej topoli ptaszek glowke zwiesil’/’On the dry poplar a bird sat down’‘A tam w polu przy drodze rosli jagody’/’ In the field grew berries’‘Oj lolysz mi si kolysz kolibejko lipowa’/’Oh swing swing linden cradle’Polka ‘Wsciekla’/’The Furious Polka’

Winter’s Tale (version for guitar and soprano sax)

2006

Tribute to John T. Williams (for clarinet solo) (for Jan Jakub Bokun)

Sonata “Eastern” (for viola and piano) (for Jiri Kabat)

Pastoso con vaghezza, moderato molto ritmicoDogliosamente con grandezzaCon slancio, moltissimo brillante

Hommage a Aleksander Tansman (guitar solo) (for Anna Pietrzak)Nocturne FunebreScherzando a la CracivienneMazurka RomanesqueImpromptu Gualante (adaption de la chanson populaire ‘Cichy Zapada Zmrok’/’A l’heurre ou tombe le crepuscule silentieux’)Fugato Pathetique

Sonata (for cello solo) (for Robert Irvine)

Moderato, molto espressivo Doloroso, tranquillo moltissimo Ardente vivace con accentuado

2005

The Scotch Triptych (guitar solo)

Misterioso | Calmly | Spiritedly

The London’s Impression (guitar solo) ( inspired by Rembrandt’s painting “A man seated in a lofty room” from National Gallery in London) (for Richard Hand)

Grand Double Concerto (for guitar and clarinet with chamber orchestra)(re-composed in 2007) (to Duo Guitarinet and International Guitar Festival ‘GITARA’ in Wroclaw/Poland)

Largo Misterioso – Allegretto, Scherzando con Agilita | Adagio sentito moltissimo | Moderato con fermezza

2004

Cool Night Lights (guitar solo) (for Piotr Palac)

Prelude | Nocturne

“Motion Picture Score” Concerto (version for guitar and string orchestra)

‘Grand Harry Potter’s Suite in Twelve Parts‘ (for two guitar) (on the themes from the soundtrack Harry Potter and Chamber of the Secrets by John Williams ) (for ‘Duo Katona’)

Prelude Hedwige The Chamber Diagon Alley The Fawkes The Ford Anglia Gildroy Lockhart The Marta QuidditchThe Spiders Dobby The Finale

‘The Tango Impressions‘ - (Tribute to the art of Astor Piazzolla) (solo guitar) (for Piotr Zielinski)

Presto barbaro Lento molto rubato Moltissimo ritmico et accentuado A tempo

2003

‘Wish’ (solo guitar)

Par Reflechissement de La Musique de Leternite – Louange a l’harmonie (for guitar and flute) (for maestro Manuel Barrueco)

Entre – Creation Louange De La Creation Louange a’l harmonie – Reunion

American Suite in Four Chapters (solo guitar) tribute to harmony (re-composed in 2006)Chapter One: New Life TimeChapter Two: Above the Scottish SkyChapter Three: The Truth Is Out ThereChapter Four: Tearing Away / Finale

Homenaje a Manuel de Falla (solo guitar) (for Tomasz Kandulski)LamentoCancion

“Motion Picture Score” Concerto (for guitar and orchestra) (for prof.Alina Gruszka and “XX Silesian Guitar Autumn Festival”)

Allegro con brio, quasi scherzandoLento molto romantico, con passioneVivace con fuoco

‘The Rejoicing Quartet‘ (for guitar quartet)

(for The Aurora/Baltimore Quartet)

Rejoicing – Rising – Returning

2002

Cichy Zapada Zmrok (the folk song) (for guitar, tape and voice)

(for Anna Maria Jopek)

Harry Potter’s Fantasie (solo guitar) (on the themes from the soundtrack Harry Potter and Philosopher ‘s Stone by John Williams)

ArrivalHedwig’s ThemeNimbus 2000Hogwart ForeverVoldemortHarry’s Wonderous WorldLeaving Hogwart / The Final

‘Ten Sketches‘ (solo guitar)

Prelude – Lullaby – Ballad – Run! – Bossa7-8-9 – Impression – March – In Old Style – Slide

‘Toys‘ (for two guitars) (for Anna and Lukasz Pietrzak)

Winter’s Tale (for guitar and clarinet) (for J.J.Bokun and Krzysztof Pelech ‘Duo Guitarinet’)

‘Youthful Fantasie‘ (for guitar and orchestra) (for Marek Dlugosz and Guitar Festival in Swidnica/Poland)

EntreeAndante molto romanticoGrave molto cantabileScherzando AllegrettoCadenzaFinale-pomposo

2001

Canticum Zachariae (choir)

Suita wrocławska / Wroclaw’s Suite (solo guitar) (for prof.Piotr Zaleski)

PreludeQuasi Polifonico, ScherzandoInterludeBerceuse, CancioneQuasi Oberka

Six Hours (solo guitar)

La Casa Donde Vive Miedo – Hommage a Joaquin Rodrigo (for guitar and violin) (for Katarzyna Bryla and Lukasz kuropaczewski)MiedoLa CasaEl Juego con Miedo

‘Concertino‘ (for guitar and string orchestra)

2000

The Fields In Polanówka (solo guitar) (for my dad)

Intro – The House – The Fields – Reunion

Sonate In Jazz (solo guitar) (for Lukasz Kuropaczewski)

Flight Into The PastYou Have Nothing To Do HereThis Is Real Tale

Journey Variations (solo guitar) (for Michal Bąk)OpenJourney’s Theme1st Variation2nd Variation3rd Variation4th VariationThe Close

Journey Variations (version for guitar and oboe) (for Konrad Mika)

1999

The Song (for two guitars) (for Krzysztof Fornalski)

Aquarius (solo guitar) (for my mom)

Usual Differents (solo guitar) (for Bartek Kot)

1998

Crayons (for two guitars) (for prof.Piotr Zaleski)

My Favourite (for two guitars) (for Jarema Klich and Krzysztof Pelech)

1997

Two Stories About Patrick (solo guitar) (for Pat Metheny)

1996

Water Colors (for two guitar) (for my brother Jacek)

WHW7777

大师级别的没错，舞台音效太棒了！作品有点布劳威尔的意思。但是不明白五大是什么意思，武满彻是武大？谢谢王版！

豆魁

80后，厉害

xyduht

下面的英文俺直接忽略。

wangjianguo

原帖由 WHW7777 于 2013-4-27 21:02 发表
大师级别的没错，舞台音效太棒了！作品有点布劳威尔的意思。但是不明白五大是什么意思，武满彻是武大？谢谢王版！

我也正求证。日文五大跟中文一个意思吗？我开始理解的是五行。
看着这个介绍：SCORE: http://pasieczny.com/scores/ "Aukso" Orchestra| conducted by Maestro Marek Moś " | composed, orchestrated and performed by Marek PASIECZNY

五大 |五大の協奏曲 | 武満徹：イン・メモリアム | ギターとオーケストラのための協奏曲 | マレク・パシェツニ作曲

THE 五大GO-DAI CONCERTO |Toru Takemitsu: in memoriam | for guitar and orchestra | composed by Marek Pasieczny

I. Earth -- the beginning of life | 第１楽章...大地 - 生命の始まり
II. Spirit of Fire | 第２楽章...火の精霊
III. Whispers of Droplets | 第３楽章...水滴の囁き

"To compose is to give meaning to a stream of sounds that surrounds and permeates the world." (Toru Takemitsu)

"I can imagine a garden superimposed over the image of an orchestra. Perhaps it can be said that I am more a gardener, than a composer. I don't like to construct sounds like great architecture (...) but rather set up a place where sounds meet each other. I don't construct but create some order which makes my music quite close to the idea of a Japanese garden. In the garden there are different cycles, short and long; there is mobility and immobility. The growing of trees and the growing of grass is different."
(Toru Takemitsu)

The idea behind the Japanese or Zen Garden is based on the Japanese philosophy of the five elements or 五大 - go dai (literally translated as "five great"). These elements are, in order of ascending power: earth (Chi / Tsuchi), water (Sui / Mizu), fire (Ka / Hi), wind (Fū Kaze) and void/spirit (Kū / Sora).

地 Chi or tsuchi, meaning "Earth", represents the hard, solid objects of the world.
水 Sui or mizu, meaning "Water", represents the fluid, flowing, formless things in the world.
火 Ka or hi, meaning "Fire", represents the energetic, forceful moving things in the world.
風 Fū or kaze, meaning "Wind", represents things that grow, expand, and enjoy freedom of movement.
空 Kū or sora, most often translated as "Void", but also meaning "sky" or "heaven", represents those things composed of pure energy such as spirit, thought, and creative energy.

The 五大 Go-Dai Concerto stems from the idea of fusing music with nature, borrowing from the philosophy that governs much of Japanese culture and traditions -- the go dai or Japanese five elements. The first movement: Earth -- the beginning of life portrays the first and most basic element of "earth" (Chi / Tsuchi). This loose form of variations is based on a four-bar melody built on a six-note scale. From these four bars 'rises' all the subsequent complexities of the material and orchestration and ultimately shapes the entire first movement. It is an introduction to all groups of instruments and the soloist.

The second movement: Spirit of Fire illustrates the element of "fire" (Ka / Hi) through special treatments of instrumentation and sound materials (dynamics, agogics, articulation and timbre) to create crude, wild, scintillating, energetic, turbulent and extreme-reaching motions.

The third movement: Whispers of Droplets blends the two elements of water (Sui / Mizu) and wind (Fū Kaze) into an indivisible, inseparable whole, supporting and infusing each other. Delicate, fleeting, shiny, and in dozens of shades, the water element flows, transforms and is pushed ahead by the many changes of the wind. Special sonoristic effects have been used in an attempt to capture the ethereal, airy, unrestricted and open nature of these elements.

Although not directly represented, the fifth and highest ranking element, 空 Kū or sora (void / spirit) appears as an underlying factor that runs through all the movements. In the first movement, 空 Kū or sora surfaces as the essence and creation of life. In the second movement, 空 Kū or sora emerges in spritely form, whereas in the last movement, the energy flow is more static, symbolizing the final meaning of the element: void.

This concerto is composed in memory of Japanese composer Toru Takemitsu. Commissioned by the 14th International Guitar Festival "Silesian Guitar Autumn 2012" in Tychy, Poland and dedicated to Professor Alina Gruszka.

Marek Pasieczny
August 2012 in Pretoria, South Africa

萧十一郎

的确厉害！！！

wangjianguo

日本网友的解释：f:日本人说的这五大生成万物的元素来自佛教用语【地水火風空】，地最低，空为最高境界。木火土金水是我国道家的五行学说，表示万物的相生相克，两种思想异曲同工吧。