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1.Practicing in front of a mirror facilitates observing and correcting inefficient finger positions that create hand tension.
对着镜子琴,观察并纠正不正确的手指位置,以免产生手指紧张问题。
2.Playing with tension in either hand detracts from one quality and is potentially injurious.
弹琴紧张既影响质量,还可能导致手指受伤。
3.Short right-hand fingernails produce the best tone.
右手的短指甲能够产生最好的音色。
4.Paying close attention to rhythms, articulations, the composer’s expression marks, and holding notes for their proper duration all contribute to a quality rendition.
细心地注意节奏、发音、作曲家的表情标注,控制音符到足够的时长,这都有助于获得高质量的演绎。
5.Always practice pieces very slowly with a metronome—even once you know them well.
总是运用节拍器慢练!即使你已经弹得很熟了!
6.Simply playing through pieces hoping they improve does not constitute effective practicing.
带着提高水平的希望,仅仅把曲子过一遍,这无助于练琴的有效性。
7.Playing pieces at a slower tempo where you are in control ultimately sounds more virtuosic than playing at a faster tempo with less control.
在你最大的控制能范围里慢弹,比力不从心的快节奏弹琴更好听。
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