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发表于 2006-2-2 21:58:33
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怎么么拧顶那?连谱一起秀!
#--------------------------------[ PLEASE NOTE ]--------------------------------#
# This file is the author's own work and represents their interpretation of the #
# song. You may only use this file for private study, scholarship, or research. #
#----------------------------[ http://www.itabs.nl ]----------------------------#
Bandname: Don ross
Songname: Afraid to dance
Type: Guitar tab
Downloaded from: http://www.itabs.nl/browse.php?bandname=don%20ross
Organization: Environment Canada, (AES), Bedford, NS
Distribution: na
Message-ID:
NNTP-Posting-Host: crusher.gan.nf.doe.ca
Status: O
This is kind of an elaborate test to see if this will make
it onto the newsgroup. Better than test test test. ~8^)
This piece is not for the faint-at-heart. The intro and
extro are mildly abusive. I love it nonetheless. The
fifth string (normally A) tunes *up* to a B. I find the
pitch not too difficult to achieve (wincing sure helps).
The main body of the song is "roadmapped". Hopefully, it's
not too hard to follow. It cuts down on pages and pages
of TAB - just play the section indicated by the map. The
intro and extro were added as an afterthought.
My respects to Don, and apologies for mutilating his
creation. Any questions, comments, or corrections would
be well received. Enjoy.
Warren Gash
gashw@crusher.gan.nf.doe.ca
(snip)
------------------------------------------------------------------
Afraid To Dance - Don Ross
Transcription - Warren Gash (gashw@crusher.gan.nf.doe.ca)
Tuning - EBDEBE
Keycode - (letter) - section name
(number) - harmonic
h - hammer on
p - pull off
> - slide
Roadmap - Addendum
A,B,A,B,C,B
A,B,A,B,C,B,C,B
D,B,D,E,C,B,C,B
A,B,A,B,C,B,C,B
Addendum + End
(A)
|---7-h10--7--3-p0------------5p3p0h3p0--0---0------0--0---------(12)-|
|---7------7--3-p0------------5p3p0h3p0--0---0--0-h2-h3----------(12)-|
|---7------7--3-p0------------5p3p0h3p0--0h3p0------0--0------(12)----|
|-----------------------------------------------------------(12)------|
|-0----------------0-h3-h5-p0-------------h3p0--0-h2-h3---------------|
|-0----------------0-h3-h5-p0-----------------------------0-----------|
(B)
|-------------2-2p0------0--------------0-0-|
|-------------2-2p0------0--------------0-0-|
|---------0---2-2p0------0----------0---0-0-|
|----------0-----------0-------------0------|
|-0-h2-h3-------------------0-h2-h3---------|
|--------------------0----------------------|
(C)
|----------(12)----------00-----0---------0----------------(12)-|
|------(12)(12)(12)---3--33--0h2--2----2h3-----0-----------(12)-|
|------(12)----(12)---2--22--0----0-0--0-------0--5--2>3---(12)-|
|---------------------5--55------------------------------0------|
|-------------------0------------------0------------------------|
|-3->8-----------------------5----5--------h5-h3--2--0----------|
(D)
|-0--15>16-17-15-16-------------(12)--12-10----------------------0-|
|-0--14>15-15-14-15-------------(12)--12-10-12-11p10-----5-------0-|
|-0--15>16-17-15-16-------------(12)--12-10-12-11p10----5-5------0-|
|-------------------------------------------12-11p10---6-------0---|
|--------------------0h14-15-15-----------------------5------------|
|----0----0--0--0--------------------------------------------0-----|
(E)
|-------------------------0--------------0-|
|------------------9------0--------------0-|
|---------0-------9-------0----------0---0-|
|----------0-----9------0-------------0----|
|-0-h2-h3----9h10------------0-h2-h3-------|
|---------------------0--------------------|
--------------------------------------------------------------------------
ADDENDUM (INTRO and EXTRO)
Two-handed tapping: Left hand slap harmonic of seventh fret on skip beats.
Right hand slap harmonic of twelfth fret on beats.
(I prefer to alternate between middle and index fingers)
* denotes emphasis
|------(7)------(7)------(7)------(7)-------(7)------(7)------(7)------|
|------(7)------(7)------(7)------(7)-------(7)------(7)------(7)------|
|------(7)------(7)-(12)-(7)------(7)-(12)--(7)------(7)-(12)-(7)------|
|------(7)-(12)-(7)-(12)-(7)-(12)-(7)-(12)--(7)-(12)-(7)-(12)-(7)-(12)-|
|-(12)-----(12)--------------(12)-------(12)----(12)--------------(12)-|
|-(12)----------------------------------(12)---------------------------|
* * *
|------(7)------(7)------(7)------(7)---------------------------|
|------(7)------(7)------(7)------(7)---------------------------|
|------(7)------(7)-(12)-(7)------(7)---------------------------| Repeat
|------(7)-(12)-(7)-(12)-(7)-(12)-(7)---------------------------| x 4
|-(12)-----(12)--------------(12)-----(12)-h3--(12)-h5--(12)-h7-|
|-(12)--------------------------------(12)-h3--(12)-h5--(12)-h7-|
* *
Very end; As hard as you dare:
|-h(12)-|
|-h(12)-|
|-h(12)-| Let ring; Open notes,
|-h(12)-| harmonics, et al.
|-h(12)-|
|-h(12)-|
END
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