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Mark Knopfler 使用的电吉他放大器
1976
Selmer 2 x 12 tube amp with the Cafe Racers
1977
Fender Vibrolux, early sixties, brown, one 12" speaker, about 30 Watts
Mark still owns it, it was used on the Golden Heart album.
You can hear this amp on the CD bootleg Early Demos.
1978
On album one:
Fender Twin Reverb, silver face
Roland Jazz Chorus
Fender Vibrolux, early sixties, brown, one 12" speaker, about 30 Watts
live:
January
Fender Concert Amp, blackface, 4 x 10"
Fender Vibrolux, early sixties, brown, one 12" speaker, about 30 Watts
May
Fender Twin Reverb, silverface
June
Fender Twin Reverb, silver face, with Marshall 4 x 12" cabinets
end of 1978
two Fender Twin Reverbs, silver face,
or Music Man HD 130, 2 x 12", 130 Watts
1979
early 1979
Music Man HD 130, 2 x 12", 130 Watts
from July on
Music Man HD 130, 2 x 12", 130 Watts
Music Man HD 130, 2 x 12", 130 Watts, JBL speakers (most likely D120 or K120)
1980-81
early 1980 (BBC Arena documentary)
Music Man HD 130, 2 x 12", 130 Watts
Music Man HD 130, 2 x 12", 130 Watts, JBL speakers (most likely D120 or K120)
on Making Movies (album & tour)
two Music Man HD 130, 2 x 12", 130 Watts, played over Marshall 4 x 12" cabinets
1982-84
Love over Gold album
Mesa Boogie heads with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers
Marshall head
live
Mesa Boogie heads with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers
1985-86
Brothers in Arms album
Mesa Boogie heads with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers
Marshall JTM on track Brothers in Arms
Jim Kelley combo amp with an EVM12L
live
Mesa Boogie heads with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers
or Jim Kelly heads with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers
1987-89
most likely same setup as before
Gallien & Krueger amps on the Willy DeVille album Miracle
from Randy Newman's Land of Dreams on:
Soldano SLO 100 with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers
1990-92
live and studio:
two Soldano SLO 100 with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers
on the album On Every Street some old Fender amps as well
1996
album Golden Heart
Soldano SLO 100 with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers
Fender Vibrolux, early sixties, brown, one 12" speaker, about 30 Watts
Crate VC5212, 50 Watts, 2 x 12" speakers
live:
two Soldano SLO 100 with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers
or
two Crate VC5212 with Marshall 4 x 12" cabinets, equipped with Electro Voice speakers
Mark Knopfler 使用的效果器
The main effects you need to recreate the well known guitar sound are comression, reverb and delay.
1978/79
Rumours say that an Dan Armstrong Orange Squeezer (compressor) and an Aphex Exciter were used on album one. Obviously compression was used frequently on album one and Communiqué. The engineer of album one, Rhett Davies, "was in love with Roland Chorus devices". You can hear Chorus on Lions, and slightly on some of the other songs.
Live he played a Morley Volume pedal and a MXR analog delay (green box). The Morley was used to create the violin sound, f.e. in the intro of Lions or in News.
Nady guitar transmitter (from second half of 1979 on)
some notes about sound:
The Morley changes the tone even when it is full way down, due to its 66K input impedance. It makes a Strat sound smoother, less harsh, because the resistance dampens the frequency peak of the pick up.
The MXR delay has an unique bypass, which means when it is switched off, it does not convert the impedance of the guitar signal, like nearly all other effect boxes do, even when switched off. This means that the capacity of the cable between effect and amp influences the signal of the guitar (all cables do, compare the sound with an extreme short ( = low capacity) and a long ( = high capacity)cable !!). The more capacity a cable has, the more it shifts down the frequency peak of a pick up. With a cable of only some centimetres this peak is about 6kHz, with long cables (total length of all cables before and after the effect boxes) it is easily down to 2 - 3kHz, which gives you a much darker sound.
Usually the capacity of the cable behind an effect box does not play a role, but with the MXR it does. This is why the guitar sound on live recordings from this period is much darker than on the studio versions.
When Mark started to use a guitar transmitter in late 1979, this again had an effect on the sound. As you have only a very short cable between guitar and transmitter, the frequency peak is much higher. As the receiver converts the signal to low impedance, the length of the following cables does not matter. This is why the sound on recordings from late 1979 (on the CD live in Boston or on the Arena BBC documentary) is much brighter again.
1980/81
Customized rack comprising:
Deltalab Delay Unit
Flanger
Master R Reverb
Roland Equalizer
Mantec Switch Unit
Roland Choms Echo
Mantec Preamp
2 Main Transformers
Morley Volume Pedal
Mantec Remote Switching Unit
Nady guitar transmitter
1985/86
Custom rack including:
Roland SRE 555 Chorus/Echo
Delt Lab Digital Delay
Mic-Mix Dyna-Flanger
Master Room Reverb Unit
Roland Graphic EQ
Ibanez UE 303 Multi Effect
a variety of Boss pedals, including:
CE 300 Chorus
DM 2 Delay
CS 2 Compressor
two CE 2 Chorus
BF 2 Flanger
PH 2 Phaser
OC 2 Octaver
1991/92
Custom system build by Pete Cornish, including:
TC 2290 Delay
Alesis Quadraverb
Boss Super Chorus CE 300
Zoom Multieffect 9010
Yamaha REV 5 (reverb)
two TC-Equalizers/Preamps (for the National and Ramirez guitars)
Wah Wah (Money for Nothing), integrated into the rack system
click here to see the usage of these effects (settings of amps and effects)
Earney Ball Volume Pedal
Sony Wireless system
1996
Ron Eve:
"When Mark and I discussed what equipment he would be using for the tour, we decided that although the Crate Vintage 50w combo amp had served exceptionally well in the studio, operationally there would be problems on stage. There was no way to smoothly and quickly change guitars and set up new sounds for each song, even using two combos. So Mark decided to use a cut-down version of the set-up from the last Dire Straits tour (On Every Street). He wanted to use the two Soldano 100 Lead heads but without the Marshall/EV speaker cabinets and Pete Cornish effects rack. He was keen to try using 2 x 12 cabinets, again with EV speakers and a simple FX set-up comprising "some expensive delay and reverb..." and a footswitch. The final arrangement consisted of an Ernie Ball volume pedal, Active Lead, 2 Soldano amp heads (alternating A/B), 2 Hughes & Kettner 2 x 12 cabinets (loaded with EV's), TC2290 delay unit, Lexicon 300 reverb unit, MXR micro amp and a TC 0144 footswitch. The Crate combos will be used for back-up. The TC 2290 was used as the main controller and MIDI'd to the Lexicon, with the Lexicon patched through one of the loops; the MXR was hooked through another loop, to provide a clean boost and a footswitch assigned to toggle it in/out. Another switch was assigned to toggle the repeat (delay) on/off. As rehearsals progressed, patches containing each songs' effects set-up were assigned to various presets (switchable from the TC0144). Tone settings for each song were set up on the Soldanos with the aim of switching amps between each song. Fast segues between songs can be accomodated in this way."
Mark Knopfler 的吉他
Fenders:
Stratocasters:
Fender Stratocaster, red, 1961, maple cap
Fender Stratocaster, red, 1961, rosewood
Telecasters:
Fender Telecaster Custom, sunburst
Fender Telecaster, black (belongs to David Knopfler)
Fenders on recent tours
Fender Stratocaster, 1954
Fender Telecaster, blonde, 1954
Schecters:
Schecter I
Schecter Strat, red
Schecter Strat, red (played live mostly by Hal Lindes)
Schecter Strat, sunburst (was stolen)
Schecter Strat, sunburst (replacement for the stolen one)
Schecter II
Schecter Strat, white (with Fender decal)
Schecter Tele, black
Schecter Tele, red
Pensas:
Pensa-Suhr, flamed
Pensa-Suhr, black
Pensa, red (see guitars on On Every Street tour)
Pensa, flamed
Pensa, flamed
Pensa-Suhr, synthi-guitar
Gibsons:
Les Pauls
Les Paul, 1984
Les Paul, 1958
Les Paul, 1959
Les Paul Special
other Gibsons
Super 400
Chet Atkins, nylon-strung
SG, white
Others:
National Style O, 1937
Burns Baldwin, 12-string
Ovation Adamas
Steinberger GL2
Erlewine Custom
Mark Knopfler 歌曲所使用吉他列表
1977-1979
Mark didn't change guitars for individual songs in this time.
He played them all on one of his two red Fender Strats,
except
Water Of Love: black Telecaster , on the album it was the National
Setting Me Up: black Telecaster or Gibson Les Paul Special
1980/81
All songs on his red Schecter Strat , except
Tunnel Of Love and
Where Do You Think You're Going : sunburst Schecter Strat , the replacement for the stolen one.
Portobello Belle: sunburst Fender Telecaster or on a Rickenbacker (Milano, 1981), or on a black Fender Strat in Cologne, 1982
Angel Of Mercy: Burns Baldwin 12-string
Solid Rock, Telegraph Road: black Schecter Tele
Romeo & Juliet: National Style O
1982/83
All songs on his red Schecter Strat , except
Industial Disease: Erlewine Automatic
Romeo & Juliet, intro of Telegraph Road: National Style O
Love Over Gold, Private Investigations, final solo on
Romeo & Juliet: Gibson Chet Atkins
Solid Rock: black Schecter Tele
Tunnel Of Love, Telegraph Road: sunburst Schecter Strat
Two Young Lovers: white Gibson SG
It Never Rains: ??? (has anyone seen this songs on this tour?)
1985/86
Expresso Love, Why Worry, So Far Away, Sultans Of Swing,
Going Home: red Schecter Strat
Ride Across the River, Tunnel Of Love: sunburst Schecter Strat
Money For Nothing (first half of tour, album), Brothers In Arms: Gibson Les Paul, 1984
Money For Nothing (second half of tour), One World: Steinberger GL 2
Romeo & Juliet: National Style O
Sultans Of Swing (second half of tour), Why Worry (second half of tour): white Schecter Strat
Walk Of Life: red Schecter Tele
So Far Away (Calypso version), Your Latest Trick, Private Investigations: Gibson Chet Atkins
Two Young Lovers: black Schecter Tele
The Man's Too Strong: Ovation Adamas
Solid Rock, Industrial Disease: Erlewine Automatic
1991/92
Calling Elvis, Heavy Fuel, Planet Of New Orleans,
Sultans Of Swing, Tunnel Of Love, Solid Rock,
Money For Nothing, Brothers In Arms,
Telegraph Road (2nd half of song): flamed Pensa-Suhr
Walk Of Life: red Schecter Tele
Romeo & Juliet, Telegraph Road (first half of song): National Style O
The Bug: white Schecter Strat
Your Latest Trick, Fade To Black: Gibson Super 400
On Every Street, Going Home: red Schecter Strat
Iron Hand: Gibson J45 (album), Godin L.R. Baggs Tele Electro-Accoustic
Two Young Lovers: red Pensa
Private Investigations: Ramirez Classical
1996
Darling Pretty, Imelda, The Bug, No Can Do,
Rüdiger, Je Suis Desole, Calling Elvis,
Cannibals, Brothers In Arms, Money For Nothing,
The Long Highway, Water Of Love, Going Home,
Are We In Trouble Now: Gibson Les Paul, 1958
Sultans Of Swing, Telegraph Road, Gravy Train: flamed Pensa-Suhr
(in Cologne, July 1st, 1996 he played SoS and TR on a flamed Pensa with three single coils)
Vic And Ray: black Pensa-Suhr
Walk Of Life: red Schecter Tele
Romeo & Juliet, Done with Bonaparte : National Style O
I'm The Fool: Fender Stratocaster, 1954
Father & Son, Golden Heart: flamed Pensa with single-coils
A Night In Summer Long Ago: Fender Telcaster, 1952 (A Night in London) , later National Style O
Mark Knopfler 所使用的琴弦
1980/81
Fender Extra Lights
(09,011,016,024,032,040)
1982- ca. 1990
Dean Markley Custom Light
(09,011,016,026,036,046)
1991-1996
D'Addario XL 120
(09 - 42)
D'Addario J 15, bronze extra lights on the National guitar
D'Addario XL 115 W, 11s with wound third, on the Super 400 and on the red Pensa
1997
010s instead of 009s on all electrics, except on Strats from the 60ies (009s)
On Every Street tour 中的吉他，放大器和效果器列表
[ 本帖最后由 子在川上约 于 2006-12-10 09:20 编辑 ] |
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发表于 2006-12-10 08:25:19
发表于 2006-12-10 14:55:48
