|
|
发表于 2008-9-16 20:48:58
|
显示全部楼层
今天话太多，懒得多说了 直接把维基百科的给你贴过来吧
Melodic minor scale
Much of jazz harmony is based on the melodic minor scale, one difference being that the "descending" version of the scale used in classical harmony is not used. The modes of the (ascending) melodic minor scale are the basis for much of jazz improvisation and are variously named as below, using the key of C-minor as an example:
Melodic minor scale tone Characteristic chord in C-minor Scale Tones (chord tones in bold) Scale Name(s)
Ⅰ - C Cm(∆) C D E♭ F G A B melodic minor
Ⅱ - D Dm7sus(♭9) D E♭ F G A B C Phrygian ♯6 or Dorian ♭2
Ⅲ - E♭ E♭∆(♯5) E♭ F G A B C D Lydian ♯5
Ⅳ - F F7(♯11) F G A B C D E♭ Mixolydian ♯4
Ⅴ - G G(-6) G A B C D E♭ F Mixolydian ♭6 or "Hindu"
Ⅵ - A A∅ A B C D E♭ F G Locrian ♯2
Ⅶ - B B7(alt) B C D E♭ F G A Altered, diminished whole tone, or Locrian ♭4
The Ⅶ chord in particular is rich with alterations. As it contains the notes and alterations (Ⅰ, ♭9, m3/♯9, ♭11, ♭5/♯11, ♭13, m7), it is particularly important in the jazz harmonic idiom, notably as a Ⅴ chord in a minor key. For our example key of C-minor, the V chord is G7, so the improviser would draw upon the G7 altered scale (mode Ⅶ of the Ab melodic minor). A complete ⅱ-Ⅴ-ⅰ progression in C-minor might suggest the following:
ii D∅ D Locrian ♯2 (mode Ⅵ of the F melodic minor scale)
V G7(alt) G altered scale (mode Ⅶ of the A♭ melodic minor scale)
I Cm(∆) C melodic minor (mode Ⅰ of the C melodic minor scale)
你记住其中一个就可以了，当极其偶然的情况下，在小调式出现（小大7和弦 我所听过得最不和谐的和弦）为主和弦的时候可以使用 Harmonic Minor 或者Melodic Minor 小大7和弦比如在G小调中和弦i由 G, bB,D, #F组成 |
|
