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老规矩：第一小节为Puck Up 因此不算，从第二小节开始算Bar 1
全曲为A小调（经本人移过调的）原本是D小调的
Bar 1:
Am7 功能为和声 i
对应Mode: A Aeolian, A Pentatonic, or A Blues in Minor
Bar 2: Bm7b5和E7#9, 功能为和声iiØ和V 对应Mode:
Bm7b5: B Locrian
E7#9: E Phrygian Dominant
Bar 3: Am7 功能为和声 i
对应Mode: A Aeolian, A Pentatonic, or A Blues in Minor
Bar4: A7 功能为和声V/iv 对应Mode: A Phrygian Dominant
Bar 5: Dm7 功能为和声iv 对应Mode: D Dorian, D Pentatonic, or D Blues in Minor
Bar 6: Am5+ 功能为和声iv既Dm7的代替，对应Mode: D Dorian D Pentatonic, or D Blues in Minor
Bar 7: Bm7/b 功能为和声iiØ，对应Mode: B Locrian
Bar 8: E7#9 功能为和声V 对应Mode: E Phrygian Dominant
Bar 9:
Am7 功能为和声 i
对应Mode: A Aeolian, A Pentatonic, or A Blues in Minor
Bar 10: Bm7b5和E7#9, 功能为和声iiØ和V 对应Mode:
Bm7b5: B Locrian
E7#9: E Phrygian Dominant
Bar 11:
Am7 功能为和声 i
对应Mode: A Aeolian, A Pentatonic, or A Blues in Minor
Bar 12: Dm7和#C9 功能为和声iv以及bVII的Tritone Substitution既G7的三全音代替，
对应和声
Dm7:
D Dorian, D Pentatonic, or D Blues in Minor
#C9:
#C MixoLydian, （#C, #D, #E, #F, #G, #A, B）, #C Lydian b7(#C, #D, #E, XF, #G, #A, B), #C Bebop in Mixolydian (#C, #D, #E, #F, #G, A, #A, B) #C Bebop in Lydian (#C, #D, #E, XF, #G, #A, XA, B)
X为双升号
Bar 13: CMaj7, Am7 功能为和声III和i对应Mode：
CMaj7: C Ionian 和
Am7: A Aeolian, A Pentatonic, or A Blues in Minor
Bar 14: F9和E7#9 功能为和声V/V的Tritone substitution 既B7的三全音代替
以及和声V
对应的Mode:
F9: F Lydian b7 (F, G, A, B, C, D, bE), F Bebop in Lydian (F, G, A, B, C, D, bE, E), A Blues in Minor
E7#9: E Phrygian Dominant
Bar 15:
Am7 功能为和声 i
对应Mode: A Aeolian, A Pentatonic, or A Blues in Minor
Bar 16: E7#9 功能为和声V 对应Mode: E Phrygian Dominant
水平不够这在Bar 12-14 可以完全适用A Pentatonic 或者A Blues in Minor
初学的全曲都可以用A Pentatonic 或者A Blues in Minor
[em29]
另外要是再让我发现Down谱的和回帖的数量不成比例我可就真的要设置回复可见了
[ 本帖最后由 liusihong82 于 2008-11-19 14:11 编辑 ] |
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发表于 2008-11-19 13:27:48
真的看不懂 我太落后了 自卑会
谁给讲讲啊
，不过可以给你网上一些高人的即兴
