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[求助贴] 安装了b band a3t的问题

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发表于 2010-1-10 14:15:08 | 显示全部楼层 |阅读模式
吉他中国微信公众号
近日我给我的合板琴安装了b band a3t  接电脑录音老是各弦音量不一致要么就12弦声音大 要么就56弦声音大 反复磨弦枕多次 并安装调试 老是这个毛病好不容易调到3456弦音量差不多时 1 2弦就没大又声了 我都要哭了 弦都调断好几根了 这个弦枕实在是磨不了那么标准的平 我当初 安装fishman nt1时也没这么磨法 一次成功 声音很均衡  为什么这次装a3t这么累 大家有什么招 帮帮忙
感谢万能的gc
发表于 2010-1-10 14:44:54 | 显示全部楼层
吉他中国抖音
我的也是A3拾音器
可能是你没安装好吧 再说磨琴桥 很难搞 我也磨过 1弦声音低了 后来换个琴桥就没事了
 楼主| 发表于 2010-1-10 14:59:55 | 显示全部楼层
GC视频号
没有别的办法么  新买个弦枕的话那么高 还得磨 有没有不用磨得那么平的办法就可以让音量均衡点 我试着把弦枕 切成三段 还是一样 呜呜
发表于 2010-1-10 16:23:01 | 显示全部楼层
买琴买鼓,就找魔菇
应该是你的压电条没压实吧,把琴桥卸下来,检查一下。
 楼主| 发表于 2010-1-10 18:06:52 | 显示全部楼层
是呀  无法压实 因为太薄了~~~
发表于 2010-1-10 20:10:56 | 显示全部楼层
b-band a3t  manual :  

10.5 Possible reasons for imbalance:
• The saddle or the bottom of the saddle slot is not flat.
• The saddle fits too loosely in its slot.
• The saddle slot might be too tight for the saddle to go in all the
way. Try pushing on the saddle firmly to seat the saddle all the
way down on the transducer.
• The saddle is too short.
• There is debris in the saddle slot.
• The angle of some of the strings behind the saddle is too low
or too high.
• The top of the guitar is bent.
• The pickup is not installed all the way to the end of the saddle
slot.
• If the material of the saddle is bone.Bone is a natural material and the density and grain may not be consistent. This may cause inconsistencies in the way the sound
is distributed making some strings louder or softer than others.
We highly recommend a manmade material for the saddle.

10.6 If the balance problem does not disappear on its
own, do the following:
• Check there is no debris in the saddle slot.
• Check the bottoms of both the saddle slot and saddle. They
should be flat and straight. It is common that the guitar top
“lives” and moves and because of this the saddle slot could
become curved, not straight. This may happen especially during
transport or by change of season when the humidity changes.
By making the saddle flexible, as in picture, these problems can
be greatly avoided.
• Check saddle is not loose in its slot. The saddle should be so
tight that you cannot pull it away with your fingers.
• Check string angles behind the saddle. They should be about
the same behind every string. If the angle is too low, the string
will not put enough pressure on the transducer and that may
cause balance problems - usually higher output from the corresponding
string. To deepen the angle, you can, for example,
file a wedge-shaped groove on the bridge pinhole so that the
string will have deeper angle behind the saddle (see the next
picture).
• On some instruments the outer most strings are too close
to the edge of the saddle, causing balance problems to these
strings. It may happen that the E string at the end of the UST
does not come as loud as other strings. In this case, make another,
shallow hole (not all the way through) at that end of the
saddle cavity and move the pickup so the tip of the UST goes in
the hole. If nothing else helps, you should machine the saddle
slot longer and use a new longer saddle.
• Balance problems may also occur with some string sets, for
example with classical guitars the G-string may cause problems.
10.7 If all things mentioned above are correct, and there
still is a balance problem, you should try the following
tricks:
• The easiest way is to install a spacer, made of soft wood,
underneath the saddle or underneath the UST. The proper
thickness is 0.5 - 0.8 mm (.02” - .03”). This will cure imbalance
problems effectively.
• A very efficient way is to make the saddle more flexible by
modifying it, for example see picture below. Even more efficient
it is to cut the saddle into six separate pieces, or to cut it almost
through between the strings but leave just a small portion on
the bottom side of the saddle, i.e. cut it from the bottom towards
the top.
• Most of the balance problems are due the fact that the guitar
top lives. By making the saddle flexible, these problems can be
greatly avoided.
• If anything else does not help, you can try to add one or two
layers of ordinary letter paper under the saddle, underneath the
quieter strings. This will cause a better mechanical contact between
the saddle and the UST and thus increase the volume.
If the volume decreases when adding the paper, the balance
problem is due to unequal pressure distribution, not bad mechanical
contact. In this case, add the paper underneath the
louder strings. Try this as the last choice because it is very time
consuming and not so efficient.

这段英文应该不太难。 如有问题可以pm我。将尽量解答。

个人认为b-band a3t是同价位中最好的拾音器。 但安装过程

堪称噩梦!

[ 本帖最后由 wy29 于 2010-1-10 20:17 编辑 ]
发表于 2010-1-10 23:15:31 | 显示全部楼层
可能压条太薄了吧(没用过,估计的,fishman 的厚些
 楼主| 发表于 2010-1-11 08:17:48 | 显示全部楼层
安装过程的确够噩梦的  其他的好说 就是这个压电条 我是磨了上弦 再磨再上弦 周而复始 还是不行 我按fishman nt1的时候用了不到一个小时就ok了~~哎 悲剧啊  这个压电条薄是好 可是对安装精度也太高了
 楼主| 发表于 2010-2-10 10:12:16 | 显示全部楼层
6楼的说明非常有用,虽然只能大体懂得点意思,我安装方法试了试声音都变大了很多,在琴码槽里垫一点1mm左右的软质如木片之类的效果蛮好 各位可以试试
发表于 2012-2-14 17:27:05 | 显示全部楼层
可以肯定,你买的拾音器的拾音条有问题,或者不是全新的,其实全新的拾音条,在压在琴桥下的部分是不薄的,有加厚的一块孤形的缓冲胶,大概有1MM厚,所以不可能出现压不实的情况,我买的时候老板发过来的也是别人用过的拾音条,我一看就和网上的图对不上:1.有折痕;2.头部没有缓冲胶;后来把拍的照给卖家看,并要求退款,卖家果断给换了一根新的来,装上来,什么问题都没有!

所以我基本肯定,你的问题和我遇到的一样,呵呵!
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