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最新的效果器，看样子很厉害啊！
| EFFECT LIST | | COMP | Compressor, Rack Comp, M Comp | | WAH/EFX | Auto Wah, Resonance, Booster, Tremolo, Phaser, Ring Mod, Slow Attack, Octave, Pedal Vox, Pedal Cry | | ZNR | ZNR, Noise Gate, Dirty Gate | | DRIVE | FD Combo, VX Combo, US Blues, BG Crunch, HW Stack, MS Crunch, MS Drive, PV Drive, DZ Drive, BG Drive, Over Drive, T Scream, Governor, Dist+, Dist1, Squeak, Fuzz Smile, Great Muff, Metal World, Hot Box, Z Clean, Z Wild, Z MP1, Z Bottom, Z Dream, Z Scream, Z Neos, Lead, Extreme DS, Aco.Sim | | EQUALIZER | 6 BAND EQUALIZER | | MODULATION | Chorus, Vintage CE, Stereo Chorus, Ensemble, Phase, Flanger, Vibrato, Step, Dynamic Flanger, Cry, Detune, Pitch Shift, Mono Pitch, HPS, Pedal Pitch, Comb Filter, Air, Dynamic Delay, Tape Echo, Delay, Modulation Delay | | DELAY | Delay, Echo, Ping Pong Delay, Analog Delay, Reverse Delay | | REVERB | Hall, Room, Spring, Arena, Tiled Room, Early Reflection, Multi Tap Delay | | TOTAL | Patch Level, RTM |
30 AMP / STOMP BOX MODELS
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Fender Twin Reverb ’65 |
VOX AC30 | This is the tube combo amp often called the ''Black Panel''. Its clean sound is characterized by flamboyant highs.
| This Class A tube combo amp is representative of the 1960s Liverpool sound created by such bands as The Beatles and The Shadows. Its major appeal is unclouded straightforward sound.
| Fender BASSMAN
| MESA/BOOGIE MarkIII | This tube-based combo amp was originally designed as a bass amplifier, but its high-pitched distortion has made it a general favorite among Blues greats and Rock guitarists.
| Combo amp noted for its extended midrange and long sustain. A mainstay of fusion guitarists, from Santana to Larry Carlton.
| | HIWATT Custom100 | Marshall 1959 SupreLead 100
| HIWATT ranks along with Marshall as one of the leading British amplifier brands, and this is their most famous model. Different from the flamboyant Fender clean sound, it gives a wet sound with prominent midrange.
| This amp with the nickname "Plexi" is one of the most famous amplifiers in Rock history. Its aggressive transients and distortion sounds are complemented by smooth harmonics. | | Marshall JCM2000 | PEAVEY 5150 STACK
| Flexible stack amp that covers a wide range of genres. Traditional Marshall sound combines power with rich harmonics, but sharp metallic distortion is also possible.
| The high-gain tube stack made famous by Eddie Van Halen. Produces tight bass and detailed distortion. | Diezel Herbert
| MESA/BOOGIE Dual Rectifier
| | This high-gain amp with three channels is fully capable of producing the ultra powerful bass that the modern Rock scene demands. | High-gain stack amp with two rectifier circuits (silicone diode and vacuum tube) gives punchy metallic drive sound, great for hard modern rock.
| | BOSS OD-1 | Ibanez TS808
| | Overdrive with mild, richly nuanced distortion in the manner of a fully driven tube amp. Popular as a booster for giving backbone to a stack amp. | Known as the Tube Screamer, this produces natural sounding distortion similar to driving a tube circuit. The pedal is also famous for being used by the legendary Stevie Ray Vaughan.
| | Marshall Guv' nor | MXR Distortion+ | Stomp box that recreates the distortion of a Marshall amp. Popular among hard rock guitarists as an easy way to get the Marshall sound.
| A stomp box from MXR that put the word ''distortion'' on the map. Hard Rock and Heavy Metal artists love it for its hard and edgy sound. | BOSS DS-1
| PROCO RAT | The orange pedal that became synonymous with distortion sound. Its trebly character never gets lost in the band ensemble. A favorite of Joe Satriani and Kurt Cobain.
| This is one of the most widely used pedals. It covers a wide range from crunch sound to fuzz-like sound. | Dallas-Arbiter FUZZ FACE
| Electro-Harmonix BIG MUFF | Fuzz pedal famous for its unique round ''face'' design. Vintage fuzz sound fueled by the destructive energy of germanium diodes.
| Since its introduction in 1968, this vintage fuzz pedal has fascinated many great guitarists. Long sustain and thick, sweet distortion are its most prominent characteristics. | BOSS MT-2
| MATCHLESS HOT BOX | A distortion pedal with real wild metal character and fat midrange. Go for the ultra long sustain.
| Tube preamp for creating that MATCHLESS amp quality. Fat and punchy drive sound brings out the picking nuances. | Z Clean (ZOOM original)
| Z Wild (ZOOM original) | Beautiful, transparent clean tone created by ZOOM. The well-rounded, smooth sound is great for arpeggios and cutting.
| High-gain sound with further boost in the overdrive. | Z MP1 (ZOOM original)
| Z Bottom (ZOOM original) | Original sound that combines characteristics of the ADA MP1 and Marshall JCM800.
| High-gain sound with pronounced low and mid range. | Z Dream (ZOOM original)
| Z Scream (ZOOM original) | High-gain sound for lead guitar based on the Lead channel of the Mesa Boogie Road King Series II.
| Original high-gain sound with good balance from the low to high range. | Z Neos (ZOOM original)
| Lead (ZOOM original) | Crunch sound modeled on a modified Vox AC30.
| Smooth, bright distortion sound. | Extreme DS (ZOOM original)
| Acoustic Simulator (ZOOM original) | High gain sound with the most powerful gain of any distortion effect in the world.
| This effect makes an electric guitar sound like an acoustic guitar. |
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| Manufacturer names and product names mentioned in this table are trademarks or registered trademarks of their respective owners. The names are used only to illustrate sonic characteristics and do not indicate any affiliation with the Zoom Corporation.
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[ 本帖最后由 kill_v_me 于 2010-1-17 23:00 编辑 ] |
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发表于 2010-1-17 22:32:54
