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发表于 2016-3-8 19:33:20
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混音和母带处理是很重要，不过这两个环节的重要性经常被初学者过分夸大。
要达到理想的最终效果，乐器和设备的选择/维护/调节，话筒的选择与摆位，以及如何解决或者利用房间的声学环境，这些也都非常重要。如果能做到按下录音键的一刻，监听里出来的声音已经八九不离十，这样后面混音起来才容易出好效果。前期调好摆好事半功倍，后期修事倍功半。
很多新手录完东西以后粗混一下，出来效果不好，就认定一定是要靠复杂的混音工序再加上母带处理才能出来好效果。殊不知好的音频工程师不止是比你更会混音，还比你更懂得前期调节和摆位。另外虽然很多不弹琴的音频工程师可能不知道偏压是什么玩意，不过有准备箱头的专业录音棚一般都至少会有一两个相熟的信得过的音箱技师帮他们调试，保养甚至修改箱头。
而且我也从来没见过新手能把一个前期就没录好的东西靠后期调成理想效果的。你的录音听过几个，都能听出来录音之前的调节环节就出问题了。在这点都做不好的情况下，优越感爆棚的炫耀几个初级名词，并一味鼓吹混音和母带处理才是好音色的关键，实在有点可笑了。
最后附上steve albini大师的一段话：
Anyone who has made records for more than a very short period, will recognise that trying to manipulate a sound after it has been recorded is never as effective as when it's recorded correctly in the first place.
I don't subscribe to the idea that you make a record during the mixing stage. That's putting too much emphasis on it. Ninety-nine percent of mixing is the balance. If you can hear what everyone is doing, and it all sounds flattering, then you can't really make any mistakes. In most cases there's a natural stereo balance that you try to duplicate. |
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我也想过用ISO CAB进行隔音减音量录法，但市面上可以买的比如JET CITY ISO 和RANDALL ISO ，都是112的
发表于 2016-3-3 14:05:14