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发表于 2009-8-10 15:26:24
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引用Google 翻译 http://www.bb-metalmethod.com/viewtopic.php?f=6&t=8695
Ed Roman and John Johnson are a good example of why a little knowledge can be a bad thing.罗马和约翰爱德华约翰逊是一个很好的例子，为什么一个小知识可以是一件坏事。
Ed links to another page here:埃德链接到另一个网页浏览：
http://www.edroman.com/techarticles/scalelength.htm
...where John Johnson explains some of the physics of an electric guitar. ...在那里约翰约翰逊解释的一些物理原理的电吉他。
All of the facts presented are true, but then he leaps to a conclusion about the superiority of 24 fret instruments.所有的事实属实，但他跨越了结论的优越性24烦恼文书。
Here are some additional facts that were not considered:以下有一些其他的事实不被认为：
1st, The dead spot will really only hold true for the open string.第一，死者当场将只持有真正的开放字符串。 As you play up the neck, the node will move towards the bridge.正如你发挥了脖子上，该节点将走向的桥梁。 This also means there will be a 3rd harmonic dead spot for a 24 fret guitar (on mine, the notes fingered on the 3 or 4th fret).这也意味着将有三次谐波死点24烦恼吉他（关于地雷，说明指的3或4烦恼） 。
2nd, That same node point is also the widest area of motion for the first harmonic (octave), so it should come out louder here.第二，同一个节点也是最广泛的地区的运动第一谐波（音） ，所以它应该是出来大声这里。
3rd, There is going to be nodes for some harmonics over a pickup no matter what.第三，人们将一些节点谐波超过皮卡不管。 It's just a question of which ones.这只是一个问题有哪些。 The harmonic series goes on forever.谐波系列继续下去。 In fact, the 24th fret location is a node for the 9th harmonic on an open string.事实上，第24届烦恼的位置是一个节点的第9次谐波对一个开放的字符串。
4th, All sounds are made up of fundamental frequencies and overtones.第四，所有的声音组成的基本频率和色彩。 It's the combination of fundamentals and overtones that gives us different timbres.这是相结合的基础和色彩，使我们不同的音色。 It is the reason different instruments sound different even when playing the same note (the same fundamental frequency).它的原因是不同的文书不同的声音，即使玩同样说明（同样的基本频率） 。 A trumpet sounds different from a clarinet which is different from a guitar even at the same fundamental frequency because of the relative strengths of the overtones.阿喇叭声音不同于单簧管不同于吉他，即使在相同的基本频率，因为相对优势的色彩。
So, two guitars with their neck pickups in slightly different places will sound slightly different.因此，两个吉他其颈部皮卡在稍有不同的地方将声音略有不同。 But saying one is superior to the other is an opinion, not a fact.但说是优于其他的意见，而不是一个事实。 It depends on which sound you prefer.这取决于您喜欢的声音。
Ed Roman undermines his own argument on that page by making an exception for Strat type guitars.埃德罗马破坏他自己的说法在该网页上的一个例外，从而为启动类型吉他。 If Strats are an exception because we've gotten used to the sound, why can't a Les Paul be an exception because we've gotten used to its sound?如果Strats是个例外，因为我们已经习惯的声音，为什么不能会有保罗是一个例外，因为我们已经习惯了声音？
There are tons of things that affect tone.有吨事情影响基调。 Type of body (sold, semi-hollow, etc.), type of neck joint, type of bridge, scale length, pickup type, pickup placement, pickup mounting, electric components, type of nut, string type and gauge, pick type, picking technique, fretting technique, type of wood...车身类型（出售，半中空等） ，类型的颈部联合，类型的桥梁，规模长度，皮卡型，拾音器的位置，拾音器安装，电气元件，类型螺母，字符串类型和衡量，选择类型，采摘技术，微技术，输入的木材... just off the top of my head.就在我的头顶部。
Tone choices are personal choices.基调的选择是个人的选择。 And, they aren't the only consideration in what instrument you purchase.而且，他们不是唯一的考虑因素是什么文书您购买。 There's still playability, price, visual impact, and perhaps other factors.还有可玩性，价格，视觉冲击力，也许其他因素。 Even brand may factor into it.即使品牌它可能因素。 If Ace Frehley only wants to look at Les Pauls, perhaps it's because he's had good experiences with them in the past and doesn't feel like spending his time trying others.如果王牌Frehley只想看看法国保罗，也许是因为他有很好的经验，他们在过去，并不觉得他的时间试图支出等。
Anyhow, I apologize for the rantiness of this post.不管怎样，我很抱歉的rantiness这个职位。 I just can't stand it when I detect this kind of specious reasoning.我只是不能忍受它当我发现这种似是而非的理由。
-- Ted -泰德 |
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发表于 2006-1-27 14:33:29
