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发表于 2007-3-21 20:07:59
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国外网站对 110 9500的评价:
Summary
Manufacturer URL http://www.fender.com/
Features 9.1 (39 responses)
Sound 8.6 (41 responses)
Action, Fit, & Finish 8.6 (41 responses)
Reliability/Durability 9.3 (38 responses)
Customer Support 8.0 (12 responses)
Overall Rating 9.1 (38 responses )
Features : 10
Finish (Satin, transparent, quilted top, flamed top, etc...)
Body style (strat, tele, dreadnought, cutaway, thinline, etc...)
Bridge style (Tune-O-Matic, Floyd Rose, Wilkinson, Tele-style, String-thru body, stop tailpiece, etc...)
Tuners (Locking? Non-locking? brand of tuners - Sperzel, Gotoh, Grover, Schaller, etc...)
Neck/Scale (Fat, Thin, Jumbo Frets, Rosewood, Maple, etc...)
Any included accessories? (Case, gig bag, strap, cable, tools, humidifier, etc...)
What year was it made? Where was is made? (Japan, Mexico, USA, etc...)
How many frets?
Solid-Top? Laminated top?
Which controls are given (volume, tone, 5-way selector, 3-way, tap, etc...)?
Pickup configuration? (S/S/H, H/H, S/H, Piezo, etc...)
Make and model of pickups?
Active or Passive electronics?
Body and neck woods? (Maple, Mahogany, Alder, Ash, Basswood, Koa, Plywood, etc...)
I special ordered a deluxe strat plus in 1994 with the intentions this was the last guitar i was ever going to buy. so I ordered all the deluxe accesories, Ash body, rosewood neck, crimson burst, shaller locking tuners, lsr roller nut, red, silver, and blue lace sensors, floyd rose tremelo, hipshot trem setter, locking strap holders, and the TBX tone control. and a pearloid pickguard. It came with a blue plush hardcase with the strat plus logo on the outside shell. It also came with a toolkit, instuctions on how to set it up and a pretty blue strap and heavey duty 20' cord.
Sound : 10
How does it suit your music style (and what is that style)?
What amps and effects are you using it with?
Is it noisy? On what settings?
Rich/Full sound? Bright sound?
What kind of sounds can the guitar make? How much variety?
Likes and dislikes?
since i played about half clean guitar and half electronic acid rock, i needed a guitar that would suit blues, jazz, and heavey distorted overtoney singing long sustaining acid rock. I use a mid 70's gibson SG tube amplifier with altec lansing speakers. and a peavey profex sound processer. along with a univox super fuzz, morley bad horsey wah, ibenez chorus, dod flanger, morley phaser, and a dean markley mighty mouth. The selling point for me was the lace sensors. when at rest they are stone quiet. no hum or crackles, just quiet. Thers no comparason to a regular strat. This is a pro guitar for pro players. If your playing grunge music this isnt the dirty sounding guitar you would look for. you can get the les paul sound, the SG sound, or if you want the strat sound, just use the silver pickup alone. Also many people dont understand the TBX tone control, its actually a bass cutt not a treble boost. so after the halfway point it cuts off the bass and leaves the highs, makes for a more shrill sound kind of ear splitting. also the lace sensore do not rely on sustain robbing magnets. so you can set them very close to the strings without dampning the string vibrations. very very long sustain. Too bad the lace family took the rights away from fender after the death of doctor lace. but they are still available.
Action, Fit, & Finish : 8
How well was the guitar set-up at the factory? (How was the action?)
How well were the pickups adjusted?
Properly bookmatched top? Properly routed bridge?
Did the guitar contain any flaws? (misaligned bracing, poorly filed fretwire, finish flaws, poor quality wood, rusted or oxidized hardware, loose tuning pegs, poorly cut nut, poorly fit saddle, noisy pickup selector, loose controls, etc...)
personally i didnt like the way the guitar was set up by the factory. the strings were flat across the top so it took more push on the high strings but was an easy fix. under the lsr roller nut was a set of spacers and all that was required was to remove a few so the strings were equal distant from the frets. this makes it alot more easy to play fast and was less distressing on the fingers. also a rosewood fingerboard overtime will swell a little from oils from your hands and makes sliding up and down the neck less bumpy,and less sticky. you maple neck guys know what i mean. the floyd rose bridge is the locking type and hasnt any play that could dampen the string vibrations so it contributes to the long sustain of the strings. If you use a vibrato alot as i do, the LSR roller nut and the hipshot trem setter is a must have. you can dive it to nothing, let it go and its right back perfectly in tune. very impressive. The tremsetter was a little troublesome to set right. you have to remove the center spring and compensate by tightning the other two in order to get the right tension back on the bridge. then you have to use a matchbook cover or playing card to get the right amount of tension on the tremsetter. but if you change the brand or size of strings you have to do all these adjustments again, but once its set you cant beat it. The fit and finish on this one is very good and only the best ones came with the annaversary logo. there were only 1994 total annaversary models in all the catagories made, so not many in any particular style. mine has the logo on the end of the neck and the forty years and still rockin on the neck plate. The finish is the house of color candy red, called crimson burst, that shows the pretty ash woodgrain through its transparent clearcoat. the shaller locking tuners are very fast, you just stick the string through it, tighten and tune. fast and easy. the bridge tuning was a little difficult because you have to hold it down, adjust it, let it go, and try it, and do it again and again until its right. but one its set its done. i use the fender 3250 strings so i havent had to redo the adjustments at all. The lace sensors havent the strong magnets so i set them as close to the strings as possible without interfering with the strings or my pick. makes for good volume without picking hard. so it was somewhat of a hassle to set this guitar up but the results after its done cant be beat.i havent played anything better.
Reliability/Durability : 10
Will this guitar withstand live playing?
Does the hardware seem like it will last?
Is the finish good enough to last, or does it seem thin and easy to wear off with lots of playing?
Are the strap buttons solid?
Can you depend on it?
Would you use it on a gig without a backup?
I have been a pro player for 25 years and i have played many types of guitars. i loved the les paul but i just couldnt have the weight of the thing hanging around my neck for 4 hours a night. the gibson SG is nice but it lacks the tremelo and has a very flat neck radius, so you either love it or hate it. the strat plus bridged the gap for me. i could make it sound the way i wanted it to, was light enough, and had all the latest high tech features. been a flawless performer except the trem is a string breaker so have some spares with you. having the string tool in the trem arm was a nice touch. you could change and tune a string in about a minute. important during a live performance. i like the locking strap buttons so i could push the guitar behind me if i had to change to something else and it wouldnt fall off and hit the floor,its been a dependable guitar and is the last one i will buy.
Customer Support : No Opinion
Ever try and get it repaired? Was it under warranty
How long is the warranty
If you've dealt with the company, how helpful/friendly were they?
havent had to deal with the company. because the music stores have anything i could ever need in stock, but so far all i have bought are strings and picks.
Overall Rating : 10
How long have you been playing? What other gear do you own?
Is there something you wish you had asked before buying this guitar?
If it were stolen or lost, would you buy it again or get something else?
What do you love about it? What do you hate? What is your favorite feature?
Did you compare it to other guitars? Which ones? Why did you choose this one?
Anything you wish it had?
Anything else you'd like to share?
i have been playing guitar for 40 years and pro for 25. i still own the 62 jazzmaster that i played until 94. if i lost it i would hunt it back down. i have played many other guitars and all have thier own qualitys, but this one had the most versatility. if you can get one do it, but take the time to set it up correctly. if your a hard rocking dirty guitar player this isnt the one but if you have to cover whatever the agents throw at you this one will get you through any type of gig you need it to. |
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