吉他琴魔
UID1587
好友
回帖0
主题
精华
积分15224
阅读权限255
注册时间2002-1-23
最后登录1970-1-1
在线时间 小时
|
楼主 |
发表于 2010-4-28 14:45:39
|
显示全部楼层
你一定是说我把巴赫演奏成了MIDI。我不知道你的耳朵敏感度如何,视唱练耳在什么阶段,也许微妙的变化听不出来,非要大起大落才能感知?
你看我的youtube上投票赞同最多的评论:http://www.youtube.com/watch?v=HEeWPpBZmO8
Highest Rated Comments
It is so comical that incompetent amateurs presume to instruct Abada on the spirit and technique behind executing Bach fugues - phrases such as "be detached" or "playing without emotion", or most recently about tuning (and completely ignorant of the impossibility of achieving equal temperament tuning on the classical guitar).
In speed, poise, clarity, technique, and taste when it comes to playing Bach on guitar, Abada stands unchallenged - the pieces he interprets are to be found NOWHERE.
It is literally a first for classical guitar, and any unbiased human with generosity of spirit should be able to concede that.
This are not the Lute suites, or Cello suites transcribed, or even the Violin sonatas or partitas.
These are complex fugues from the Well Tempered Clavier. The interpretation is FLAWLESS.
It is just shameful that more discerning musicians have not posted against these recordings.
Abada is a consummate professional and true artist - only similar people should comment. |
|